Combining psychoanalysis, structural and economic anthropology, this book treats Joseph Conrad's interests in exchange, contracts, and the condition of displacement. This is the first extended academic discussion of the social contract idea in the novelist's fiction. Furthermore, the simultaneous concentration on various fields of circulation (for example finances, dialogues, representations of women, or colonial mechanisms) invites the use of theories (Lacan, LZvi-Strauss, Simmel, Polanyi and Bataille) whose potentials for Conrad scholarship have not been exhausted (especially not in combination).
This collection grew out of the international conference entitled “Arts and the City” hosted by Károli Gáspár University and the Hungarian Academy of Sciences in 2019. With speakers from across the world, this scholarly event reflected the diversity and deeply interdisciplinary character of contemporary urban studies and its relation to inclusive artistic practices. Thus, this book offers global academic perspectives on the function, relevance and social embeddedness of art in selected European and North-American cities and, as occasional detours, in other parts of the world. The three main sections of the book are entitled “Public Art Considerations”, “War, Travel and Resistance”, and “London: Word, Action and Image”. The collection explores mainly 20th and 21st century urban phenomena, with three chapters exploring city culture in earlier eras. This book will be valuable reading for students, academics, policy makers and anyone with an interest in urban culture, cultural geography, literature, art history and art theory.
Combining psychoanalysis, structural and economic anthropology, this book treats Joseph Conrad's interests in exchange, contracts, and the condition of displacement. This is the first extended academic discussion of the social contract idea in the novelist's fiction. Furthermore, the simultaneous concentration on various fields of circulation (for example finances, dialogues, representations of women, or colonial mechanisms) invites the use of theories (Lacan, LZvi-Strauss, Simmel, Polanyi and Bataille) whose potentials for Conrad scholarship have not been exhausted (especially not in combination).
Based on an intensive fourteen-year study of a Hungarian peasant village, Proper Peasants greatly expands our knowledge of Eastern European social organizations with its accurate portrayal of a rapidly vanishing peasant way of life. Centering on the village of Átány in central Hungary, the study presents a dramatic account of peasant life through the turbulent centuries. It is based largely upon evidence given by villagers themselves and is a moving human story of a community with a tragic historical background and a complex, demanding present.Edit Fél and Tamás Hofer begin by locating Átány within the historical, geographical, and cultural context of Hungary as a whole. The following chapters describe units of social organization and the human relationships within and among these units. There is a special analysis of stratification and mobility within the changing structural situations of the past hundred years. Objective information about all the dimensions of village life is obtained from a comparison of Átány with nearby villages and from the use of local records. The book portrays the attempts of the community to classify, organize, and understand the universe within which lives and to control the unexpected and varied demands that have been made upon it by changing circumstances.This work makes excellent use of the strong 150-year tradition of ethnographic research in Hungary. The discussion of the warm personal relationships among the Átány people is supplemented with extensive statistical material on demographic processes, economic structure, and stratification. The picture that results is rich and fruitful, particularly so in a post-communist nation.
This collection grew out of the international conference entitled “Arts and the City” hosted by Károli Gáspár University and the Hungarian Academy of Sciences in 2019. With speakers from across the world, this scholarly event reflected the diversity and deeply interdisciplinary character of contemporary urban studies and its relation to inclusive artistic practices. Thus, this book offers global academic perspectives on the function, relevance and social embeddedness of art in selected European and North-American cities and, as occasional detours, in other parts of the world. The three main sections of the book are entitled “Public Art Considerations”, “War, Travel and Resistance”, and “London: Word, Action and Image”. The collection explores mainly 20th and 21st century urban phenomena, with three chapters exploring city culture in earlier eras. This book will be valuable reading for students, academics, policy makers and anyone with an interest in urban culture, cultural geography, literature, art history and art theory.
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