Coined in 1992 by composer/saxophonist John Zorn, "Radical Jewish Culture," or RJC, became the banner under which many artists in Zorn's circle performed, produced, and circulated their music. New York's downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation. It is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with sounds that were recognizably Jewish. Out of this movement arose bands, like Hasidic New Wave and Hanukkah Bush, whose eclectic styles encompassed neo-klezmer, hardcore and acid rock, neo-Yiddish cabaret, free verse, free jazz, and electronica. Though relatively fleeting in rock history, the "RJC moment" produced a six-year burst of conversations, writing, and music--including festivals, international concerts, and nearly two hundred new recordings. During a decade of research, Tamar Barzel became a frequent visitor at clubs, post-club hangouts, musicians' dining rooms, coffee shops, and archives. Her book describes the way RJC forged a new vision of Jewish identity in the contemporary world, one that sought to restore the bond between past and present, to interrogate the limits of racial and gender categories, and to display the tensions between secularism and observance, traditional values and contemporary concerns." -- Publisher's description.
An up-close view of the 1990s music scene that brought us neo-klezmer bands, Tzadik Records, and a new vision of Jewish identity. Coined in 1992 by composer/saxophonist John Zorn, “Radical Jewish Culture,” or RJC, became the banner under which many artists in Zorn’s circle performed, produced, and circulated their music. New York’s downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation, and it is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with sounds that were recognizably Jewish. Out of this movement arose bands, like Hasidic New Wave and Hanukkah Bush, whose eclectic styles encompassed neo-klezmer, hardcore and acid rock, neo-Yiddish cabaret, free verse, free jazz, and electronica. Though relatively fleeting in rock history, the “RJC moment” produced a six-year burst of conversations, writing, and music—including festivals, international concerts, and nearly two hundred new recordings. During a decade of research, Tamar Barzel became a frequent visitor at clubs, post-club hangouts, musicians’ dining rooms, coffee shops, and archives. Her book describes the way RJC forged a new vision of Jewish identity in the contemporary world, one that sought to restore the bond between past and present, to interrogate the limits of racial and gender categories, and to display the tensions between secularism and observance, traditional values and contemporary concerns. Includes links to audiovisual content
An original ethnographic study about communication and culture in Palestine and Israel during the Twentieth Century, examining three modes of communication—soul talks, straight talk, and talk radio.
This book focuses on the complex network of relationships between the poet Uri Zvi Grinberg and the Labor Movement in Mandate Palestine from 1923 to 1937. Making use of letters found in the Uri Zvi Grinberg Archive at the National Library of Israel (NLI), the author reconstructs the characteristics of Grinberg’s pioneer readership, attesting to their special relationship with his poetry. In the 1920s, it is argued, they considered Grinberg’s poetry an authentic expression of their complex spiritual world and especially of the reality of their lives. On his side, Grinberg accepted the pioneering ethos as the ideological basis of his works, becoming an outstanding poet of the Labor Movement. The chapters of this book track the various phases of Grinberg’s life and poetry, from his emigration to Palestine through to the 1930s, when he joined the Revisionist Movement and became increasingly ostracized from the Labor Movement. The story of Grinberg’s relations with the pioneers was emotionally charged—a mixture of enchantment and rejection, spiritual closeness and repulsion. Ultimately, this book analyzes the intensity of this connection and its many contradictory layers. This book will interest researchers in a range of fields, including Hebrew poetry and reception theory, as well as anyone interested in Israeli studies and the history of the Labor Movement in Palestine.
This book discusses the predicament of the Israeli peace movement, which, paradoxically, following the launching of the Oslo peace process between Israel and the Palestinians in 1993, experienced a prolonged, fatal decline in membership, activity, political significance, and media visibility. After presenting the regional and national background to the launching of the peace process and a short history of Israeli peace activism, the book focuses on external and internal processes and interactions experienced by the peace movement, after some basic postulates of its agenda were actually, although never explicitly, embraced by the Rabin government. The book concludes that, despite its organizational decline and the zero credit given to it by the policy makers, in retrospect it appears that the movement contributed significantly to the integration of new ideas for possible solutions to the Middle East conflict in the Israeli mainstream political discourse.
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