Desperation fuels freelance news photographer Tempest Raines when Russian rebels kidnap her adult son. Out of options to rescue him, she dredges up her past and turns to the only man she believes can help her. Navy SEAL Commander Chance Adams has sworn off women, but when Tempest comes to him for help, his past haunts him once again. What is it about this woman that makes him want her as much as he loathes her? The rescue mission they undertake is fraught with danger for both Tempest and Chance, but if Tempest's secret gets out, she isn't sure if getting killed might not be her best option.
Join me as I tell my life story of childhood trauma that eventually led to my addiction to drugs. I will go into detail about the life of a drug addict with every intention of being as transparent as possible. My story is one of sadness, yes, but also one of hope and encouragement that one can be changed by the grace and goodness of God.
Teagan Kavanagh’s life is shattered when her parents are killed in a car accident. She must move in with her brother and is forced to attend public school for the first time in her life. As if starting a new school her junior year wasn’t hard enough, she continues to battle epilepsy and the constant unknown of when and where her next seizure will occur. As this new chapter in her life opens, she gets more than she bargained for. Torn between playing it safe and risking her life to be normal, Teagan must make a life changing decision.
Novel Craft explores an intriguing and under-studied aspect of cultural life in Victorian England: domestic handicrafts, the decorative pursuit that predated the Arts and Crafts movement. Talia Schaffer argues that the handicraft movement served as a way to critique the modern mass-produced commodity and the rapidly emerging industrial capitalism of the nineteenth century. Her argument is illustrated with the four pivotal novels that form her study's core-Gaskell's Cranford, Yonge's The Daisy Chain, Dickens's Our Mutual Friend, and Oliphant's Phoebe Junior. Each features various handicrafts that subtly aim to subvert the socioeconomic changes being wrought by industrialization. Schaffer goes beyond straightforward textual analysis by shaping each chapter around the individual craft at the center of each novel (paper for Cranford, flowers and related arts in The Daisy Chain, rubbish and salvage in Our Mutual Friend, and the contrasting ethos of arts and crafts connoisseurship in Phoebe Junior). The domestic handicraft also allows for self-referential analysis of the text itself; in scenes of craft production (and destruction), the authors articulate the work they hope their own fictions perform. The handicraft also becomes a locus for critiquing contemporary aesthetic trends, with the novels putting forward an alternative vision of making value and understanding art. A work that combines cultural history and literary studies, Novel Craft highlights how attention to the handicraft movement's radically alternative views of materiality, consumption, production, representation, and subjectivity provides a fresh perspective on the major changes that shaped the Victorian novel as a whole.
This volume is about the attitudes towards death and burial in contemporary society. It provides information on the attitudes of several minority groups living in Israel today, including four communities of Russian Jews, an ultra-religious Jewish community and a Palestinian-Christian community.
Schaffer (English, Queens College, City U. of New York) analyzes the complex dialogue between male and female aesthetes in late Victorian England, exploring the heretofore insufficiently recognized role that women such as Lucas Malet, Ouida, and others played in this influential late Victorian literary movement. Annotation copyrighted by Book News, Inc., Portland, OR
Noah and Bran are finally together, but trouble awaits around the corner. Noah is still confused that he is a wolf shifter who has to take over as the new alpha. Bran’s sister Evelyn enters the story and becomes a significant part of the story. The war against Mac Nain reaches new levels, and Noah, the young alpha, is forced to protect his people. If he fails in defending his wolf shifters, the outcome will be critical. He gets help from a stranger that shows up and offers his help. Together with his moon brothers, they fight their common enemy. The story follows Noah’s family in their daily lives as wolf shifters and their struggle to keep their secret from the humans and an upcoming war with other wolves. Family is everything, but sadly some are lost on the way to get rid of Mac Nain. They have to go back to their roots in Scotland to finally find peace.
Romance's Rival argues that the central plot of the most important genre of the nineteenth century, the marriage plot novel, means something quite different from what we thought. In Victorian novels, women may marry for erotic desire--but they might, instead, insist on "familiar marriage," marrying trustworthy companions who can offer them socially rich lives and futures of meaningful work. Romance's Rival shows how familiar marriage expresses ideas of female subjectivity dating back through the seventeenth century, while romantic marriage felt like a new, risky idea. Undertaking a major rereading of the rise-of-the-novel tradition, from Richardson through the twentieth century, Talia Schaffer rethinks what the novel meant if one tracks familiar-marriage virtues. This alternative perspective offers new readings of major texts (Austen, the Brontës, Eliot, Trollope) but it also foregrounds women's popular fiction (Yonge, Oliphant, Craik, Broughton). Offering a feminist perspective that reads the marriage plot from the woman's point of view, Schaffer inquires why a female character might legitimately wish to marry for something other than passion. For the past half-century, scholars have valorized desire, individuality, and autonomy in the way we read novels; Romance's Rival asks us to look at the other side, to validate the yearning for work, family, company, or social power as legitimate reasons for women's marital choices in Victorian fiction. Comprehensive in its knowledge of several generations of scholarship on the novel, Romance's Rival convinces us to re-examine assumptions about the nature and function of marriage and the role of the novel in helping us not simply imagine marriage but also process changing ideas about what it might look like and how it might serve people.
Desperation fuels freelance news photographer Tempest Raines when Russian rebels kidnap her adult son. Out of options to rescue him, she dredges up her past and turns to the only man she believes can help her. Navy SEAL Commander Chance Adams has sworn off women, but when Tempest comes to him for help, his past haunts him once again. What is it about this woman that makes him want her as much as he loathes her? The rescue mission they undertake is fraught with danger for both Tempest and Chance, but if Tempest's secret gets out, she isn't sure if getting killed might not be her best option.
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