Feminist art and theoretical aspects of feminism are linked via a unique and reciprocal bond whose influence extends far beyond their own bounds into the social, cultural, political and economic realms, as well as into the personal lives of women and men alike. This linkage was forged in different places around the world in the 1960s and 1970s. It was especially influential in the United States, during a decade which witnessed the emergence and growth of the Women’s Liberation, Civil Rights, LGBT, and hippie movements and the protest against the Vietnam War. In response to these events, large numbers of women artists joined the ranks of contemporary political-feminist activists, their art directly reflecting the concerns of feminist theory and practice. This volume adopts an interdisciplinary approach through which it compares American feminist art and artists with their European counterparts. In order to elucidate the geographical divide, this book takes as a test case the work of Mary Kelly who, while born in the USA, produced much of her work while living in Britain and under the influence of European thought. Challenging traditional disciplinary boundaries, it moves beyond an art-history survey to discuss the artistic field in relation to feminist theory and politics, revealing the continuing relevance of both areas for the contemporary reader. While concentrating upon the second wave of feminism in Europe and the USA, it also addresses aspects of the third wave and the current state of the feminist movement, particularly in respect to the Israeli art scene.
A polyphonic collection of voices of migrant women artists in Israel that reflects their individual and collective experiences of migration and in particular, the gendered aspects of uprooting and re-grounding in a steadily expanding transnational reality of the ethno-national state. Translated originally from Hebrew, Transnational Identities: Women, Art, and Migration in Contemporary Israel offers a critical discussion of women immigrants in Israel through an analysis of works by artists who immigrated to the country beginning in the 1990s. Though numerous aspects of the issue of women migrants have received intense academic scrutiny, no scholarly books to date have addressed the gender facets of the experiences of contemporary women immigrants in Israel. The book follows an up-to-date theoretical model, adopting critical tools from a wide range of fields and weaving them together through an in-depth qualitative study that includes the use of open interviews, critical theories, and analysis of artworks, offering a unique and compelling perspective from which to discuss this complex subject of citizenship and cultural belonging in an ethno-national state. It therefore stands to make a significant contribution to research into women's lives, citizenship studies, global migration, Jewish and national identity and women's art in contemporary Israel. The book is divided into sections, each of which aims a spotlight on women artists belonging to a distinct groups of immigrants—the former Soviet Union, Ethiopia, and the Philippines—and shows how their artwork reflects various conflicts regarding citizenship and identity-related processes, dynamics of inclusion-exclusion, and power relations that characterize their experiences. Transnational Identitiespromotes a more nuanced, complex understanding of diversity among women from various groups and even within a specific ethnic group, as well as considering the "common differences" between women from diversified life experiences. To lay the groundwork for an analysis of the themes that recur in their artworks, Tal Dekel briefly discusses the notions of global migration and transnationalism and then examines gender and several other identity-related categories, notably religion, race, and class. These categories underline the complex nexus of overlapping and sometimes contradictory affiliations and identities that characterize migrating subjects in an age of globalization. Transnational Identities integrates theories from various disciplines, including art history, citizenship studies and critical political theory, gender studies, cultural studies, and migration studies in an interdisciplinary manner that those teaching and studying in these fields will find relevant to their continued research.
Feminist art and theoretical aspects of feminism are linked via a unique and reciprocal bond whose influence extends far beyond their own bounds into the social, cultural, political and economic realms, as well as into the personal lives of women and men alike. This linkage was forged in different places around the world in the 1960s and 1970s. It was especially influential in the United States, during a decade which witnessed the emergence and growth of the Women’s Liberation, Civil Rights, LGBT, and hippie movements and the protest against the Vietnam War. In response to these events, large numbers of women artists joined the ranks of contemporary political-feminist activists, their art directly reflecting the concerns of feminist theory and practice. This volume adopts an interdisciplinary approach through which it compares American feminist art and artists with their European counterparts. In order to elucidate the geographical divide, this book takes as a test case the work of Mary Kelly who, while born in the USA, produced much of her work while living in Britain and under the influence of European thought. Challenging traditional disciplinary boundaries, it moves beyond an art-history survey to discuss the artistic field in relation to feminist theory and politics, revealing the continuing relevance of both areas for the contemporary reader. While concentrating upon the second wave of feminism in Europe and the USA, it also addresses aspects of the third wave and the current state of the feminist movement, particularly in respect to the Israeli art scene.
Arab involvement in the Jewish-Palestine conflict had started during the late 1930s, but it was only in the wake of the UN Partition Resolution of 29 November 1947 that active military intervention was considered. The Arab League tried to form a unified army that would prevent the implementation of the Partition Resolution, but failed. In Egypt, the government and the army opposed the idea of dispatching an expeditionary force to Palestine, but the pressure of public opinion and King Farouq's insistence carried the day. The order was given and in May 1948, Egyptian forces crossed the international border with Palestine. The author analyses the reasons for the decisive victory enjoyed by Israel over a larger opponent; and the successes and failures that were sealed in the Egyptian-Israeli General Armistice Agreement signed in Rhodes in March 1948.
Introduction to Proteins provides a comprehensive and state-of-the-art introduction to the structure, function, and motion of proteins for students, faculty, and researchers at all levels. The book covers proteins and enzymes across a wide range of contexts and applications, including medical disorders, drugs, toxins, chemical warfare, and animal behavior. Each chapter includes a Summary, Exercises, and References. New features in the thoroughly-updated second edition include: A brand-new chapter on enzymatic catalysis, describing enzyme biochemistry, classification, kinetics, thermodynamics, mechanisms, and applications in medicine and other industries. These are accompanied by multiple animations of biochemical reactions and mechanisms, accessible via embedded QR codes (which can be viewed by smartphones) An in-depth discussion of G-protein-coupled receptors (GPCRs) A wider-scale description of biochemical and biophysical methods for studying proteins, including fully accessible internet-based resources, such as databases and algorithms Animations of protein dynamics and conformational changes, accessible via embedded QR codes Additional features Extensive discussion of the energetics of protein folding, stability and interactions A comprehensive view of membrane proteins, with emphasis on structure-function relationship Coverage of intrinsically unstructured proteins, providing a complete, realistic view of the proteome and its underlying functions Exploration of industrial applications of protein engineering and rational drug design Each chapter includes a Summary, Exercies, and References Approximately 300 color images Downloadable solutions manual available at www.crcpress.com For more information, including all presentations, tables, animations, and exercises, as well as a complete teaching course on proteins' structure and function, please visit the author's website. Praise for the first edition "This book captures, in a very accessible way, a growing body of literature on the structure, function and motion of proteins. This is a superb publication that would be very useful to undergraduates, graduate students, postdoctoral researchers, and instructors involved in structural biology or biophysics courses or in research on protein structure-function relationships." --David Sheehan, ChemBioChem, 2011 "Introduction to Proteins is an excellent, state-of-the-art choice for students, faculty, or researchers needing a monograph on protein structure. This is an immensely informative, thoroughly researched, up-to-date text, with broad coverage and remarkable depth. Introduction to Proteins would provide an excellent basis for an upper-level or graduate course on protein structure, and a valuable addition to the libraries of professionals interested in this centrally important field." --Eric Martz, Biochemistry and Molecular Biology Education, 2012
A polyphonic collection of voices of migrant women artists in Israel that reflects their individual and collective experiences of migration and in particular, the gendered aspects of uprooting and re-grounding in a steadily expanding transnational reality of the ethno-national state. Translated originally from Hebrew, Transnational Identities: Women, Art, and Migration in Contemporary Israel offers a critical discussion of women immigrants in Israel through an analysis of works by artists who immigrated to the country beginning in the 1990s. Though numerous aspects of the issue of women migrants have received intense academic scrutiny, no scholarly books to date have addressed the gender facets of the experiences of contemporary women immigrants in Israel. The book follows an up-to-date theoretical model, adopting critical tools from a wide range of fields and weaving them together through an in-depth qualitative study that includes the use of open interviews, critical theories, and analysis of artworks, offering a unique and compelling perspective from which to discuss this complex subject of citizenship and cultural belonging in an ethno-national state. It therefore stands to make a significant contribution to research into women's lives, citizenship studies, global migration, Jewish and national identity and women's art in contemporary Israel. The book is divided into sections, each of which aims a spotlight on women artists belonging to a distinct groups of immigrants—the former Soviet Union, Ethiopia, and the Philippines—and shows how their artwork reflects various conflicts regarding citizenship and identity-related processes, dynamics of inclusion-exclusion, and power relations that characterize their experiences. Transnational Identitiespromotes a more nuanced, complex understanding of diversity among women from various groups and even within a specific ethnic group, as well as considering the "common differences" between women from diversified life experiences. To lay the groundwork for an analysis of the themes that recur in their artworks, Tal Dekel briefly discusses the notions of global migration and transnationalism and then examines gender and several other identity-related categories, notably religion, race, and class. These categories underline the complex nexus of overlapping and sometimes contradictory affiliations and identities that characterize migrating subjects in an age of globalization. Transnational Identities integrates theories from various disciplines, including art history, citizenship studies and critical political theory, gender studies, cultural studies, and migration studies in an interdisciplinary manner that those teaching and studying in these fields will find relevant to their continued research.
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