Taha Hussein (1889-1973), blind from early childhood, rose from humble beginnings to pursue a distinguished career in Egyptian public life, but he was most influential through his voluminous, varied, and controversial writings. The stories in The Sufferers were first published in the periodical al-Katib al-Masri in 1946, but were banned by the government when collected in book form in 1947. The collection was finally published in Lebanon, and was only published in Egypt after the 1952 Revolution.
Taha Hussein's classic autobiographical novel The Days helped usher in the era of modern Arabic writing and remains one of the most influential and best-known works of Arabic literature For the first time, the three-part autobiography of one of modern Egypt's greatest writers and thinkers is available in a single paperback volume. The first part, An Egyptian Childhood (1929), is full of the sounds and smells of rural Egypt. It tells of Hussein's childhood and early education in a small village in Upper Egypt, as he learns not only to come to terms with his blindness but to excel in spite of it and win a place at the prestigious Azhar University in Cairo. The second part, The Stream of Days: A Student at the Azhar (1939), is an enthralling picture of student life in Egypt in the early 1900s, and the record of the growth of an unusually gifted personality. More than forty years later, Hussein published A Passage to France (1973), carrying the story on to his final attainment of a doctorate at the Sorbonne, a saga of perseverance in the face of daunting odds.
The Days is a three-part autobiography of Taha Hussein, one of modern Egypt’s greatest writers and thinkers. An Egyptian Childhood (1929) tells of Hussein’s childhood in a small village in Upper Egypt, as he learned to come to terms with his blindness and win a place at Cairo’s prestigious Azhar University. The Stream of Days: A Student at the Azhar (1939), is an enthralling picture of student life in Egypt in the early 1900s. A Passage to France (1973), carries the story on to his attainment of a doctorate at the Sorbonne.
Taha Hussein (1889-1973), blind from early childhood, rose from humble beginnings to pursue a distinguished career in Egyptian public life (he was at one time Minister of Education). But he was most influential through his voluminous, varied, and controversial writings. He became known by the unofficial title 'Dean of Arabic Letters,' and the distinguished Egyptian critic Louis Awad described him as "the greatest single intellectual and cultural influence on the literature of his period." Based on the true story of a friend of the author, this novel-unfolding between Cairo and Paris and through vivid personal correspondence-draws a picture of a powerful friendship and of a young man's dilemma: the man of letters of the title finds himself split between-and in love with-two cultures essentially incompatible, East and West. In his desperate struggle to reconcile them his soul is estranged and he is thrown-or escapes-deeper into the backstreet abyss of First World War Paris. In the end it is perhaps the very impracticality of his own morality that destroys him.
Includes 85 translated letters, speeches, messages, interviews from 1955 through January 1991. Presents the Iraqi point of view from Iraqi governmental officials. Represents a sampling of official Iraqi commentary on various aspects of the Gulf Crisis. Includes various UN Security Council resolutions.
A LOVE STORY AND AN ENTHRALLING MIX OF HISTORY AND PALESTINIAN CULTURE... RIVETING' - The Lady 'A BEAUTIFUL AND MOVING TRIBUTE TO THE ENDURING POWER OF LOVE' - Ann Weisgarber, The Personal History of Rachel Dupree He is orphaned at birth, born into displacement and chaos. He has only one thing to hold on to: a love beyond his reach that propels him forward. She is young and idealistic, and tries to break out of the mould to create her own destiny. Will they be able to overcome their bleak realities amid war and tragedy? Heartbreaking and moving, Bitter Almonds is about displacement and exile, family duty and honour, and the universal feelings of love and loss.
Taha Hussein (1889-1973), blind from early childhood, rose from humble beginnings to pursue a distinguished career in Egyptian public life, but he was most influential through his voluminous, varied, and controversial writings. The stories in The Sufferers were first published in the periodical al-Katib al-Masri in 1946, but were banned by the government when collected in book form in 1947. The collection was finally published in Lebanon, and was only published in Egypt after the 1952 Revolution.
Taha Hussein's classic autobiographical novel The Days helped usher in the era of modern Arabic writing and remains one of the most influential and best-known works of Arabic literature For the first time, the three-part autobiography of one of modern Egypt's greatest writers and thinkers is available in a single paperback volume. The first part, An Egyptian Childhood (1929), is full of the sounds and smells of rural Egypt. It tells of Hussein's childhood and early education in a small village in Upper Egypt, as he learns not only to come to terms with his blindness but to excel in spite of it and win a place at the prestigious Azhar University in Cairo. The second part, The Stream of Days: A Student at the Azhar (1939), is an enthralling picture of student life in Egypt in the early 1900s, and the record of the growth of an unusually gifted personality. More than forty years later, Hussein published A Passage to France (1973), carrying the story on to his final attainment of a doctorate at the Sorbonne, a saga of perseverance in the face of daunting odds.
This book examines how film articulates countercultural flows in the context of the Egyptian Revolution. The book interrogates the gap between radical politics and radical aesthetics by analyzing counterculture as a form, drawing upon Egyptian films produced between 2010 and 2016. The work offers a definition of counterculture which liberates the term from its Western frame and establishes a theoretical concept of counterculture which is more globally redolent. The book opens a door for further research of the Arab Uprising, arguing for a new and topical model of rebellion and struggle, and sheds light on the interaction between cinema and the street as well as between cultural narratives and politics in the context of the 2011 Egyptian uprising. What is counterculture in the twenty-first century? What role does cinema play in this new notion of counterculture?
Media and Politics in Kurdistan studies the relationship between the media and politics in the Kurdistan Region of Iraq (KRI). KRI is approached as a case study, as an example of the struggle between authoritarian and democratization efforts at the same time. The book contributes towards understanding the dynamics of the media systems in the KRI and attempts to participate in the theoretical discussion of media and politics in this region. The research outcomes show which parts of the press, how many of them and for what length of time the press in the KRI has been owned/controlled by political parties. This book also studies the system of political parties and particularly as related to the press.
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