The concepts of Ireland and 'Irishness' are in constant flux in the wake of an ever-increasing reappraisal of the notion of cultural and national specificity in a world assailed from all angles by the forces of globalisation and uniformity. Reimagining Ireland interrogates Ireland's past and present and suggests possibilities for the future by looking at Ireland's literature, culture and history and subjecting them to the most up-to-date critical appraisals associated with sociology, literary theory, historiography, political science and theology.
`I believe that next to good Religious education, a sound knowledge of Political Economy would tend as much to tranquilize this country, if not more, than any other branch of knowledge that can be taught in schools.' - Cork Schools Inspector, 1853 In a nineteenth century Ireland that was divided socially, economically, politically and denominationally, consensus was sought in the new discipline of political economy, which claimed to be scientifically impartial and to transcend all divisions. The authors explore the ideological mission of political economy, and the reasons for the failure of that mission in the wake of the crisis induced by the great famine of 1846/47.
This book analyses local politics in Limerick from 1898 to 1918, reaching back to the Parnellite split and forward to the post-independence era. It explores at local level the relevance of the commemoration of 1798, the reunification of the Irish Parliamentary Party, and the emergence of multiple cultural political movements as well as the demise of Unionism. The question posed is twofold: whether nationalist constitutional politics changed over this time period on the one hand, and whether they were driven by local or national concerns on the other. The conclusion is that the spirit of politics was intensely local, that political patronage was largely locally controlled, and that there were greater continuities than ruptures in the composition and behaviour of political elites. In fact, long-term continuities of personnel, social class and political allegiance existed side-by side with the ability of existing structures to absorb change and to adapt in the light of wider political developments and internal manoeuvres.
Set in Cork city, Detective Garda Collins is at war with the leading local criminal, Dominic Molloy. Unwilling to accept the human degradation caused by Molloy's drugs, violence and prostitution. He has made up his mind to bring Molloy down, but just how far is he willing to go to make that happen? What is he willing to do and what fall-out will ensue for himself and his garda colleagues? This tense crime novel (the first in a series featuring Collins) tells the story of two immovable forces colliding. Something has to give. Running out of time before the murder of two teenagers becomes inevitable, and with a traitor in the garda station feeding information back to Molloy, Collins takes his battle to new heights. He is determined to win, whatever the cost, whatever it takes.
This tense crime novel, second in a series featuring former inter-county hurler now turned detective, Garda Tim Collins, finds a Cork city woman raped and murdered in her own home. Assigned to the case, Collins and new partner Deirdre Donnelly soon find out that there is a misogynistic apparatus, male dark forces at play with plans to attack and kill many more women. In a race against time and utter unacceptance of female degradation violence, Collins and Deirdre have to find the killer before he acts again. But can they? Donnelly and her competitive and previously famous sportsman partner hate to lose, but when one of Ireland's most dangerous criminals turns up in Collins' home turf, West Cork, old sparring partner Superintendent Buckley insists he move case. The West Cork investigation imploding and climaxing into a brutal killing, we quickly learn this utterly likeable detective cans sometimes be violent and ruthless. A respected professional, he is often perceived as a wild card amongst the Garda ranks. The witness of this murder in West Cork spurs him into battle. How far will he go to avenge that death? Will Collins become a killer, too? We are shown the dark realism of crime and the battles of will and intelligence that go on in the world policing. A strong sense of place combined with a shocking double climax makes this second installment of the Tim Collins series a thrilling read.
Coakley delivers another hard-hitting assured thriller' — Catherine Kirwan Fresh from solving a harrowing abduction case linked to drug gangs in Kerry, Detective Tim Collins returns to Cork City, only to discover that lurking in the shadows of its fabled lanes lies a world he's unprepared for. A series of harrowing crimes—neglected by the very police force sworn to protect—has the city's most vulnerable people on edge. As Collins digs deeper, the line between justice and revenge blurs. Trust becomes a luxury he can't afford as allies become adversaries and the truth slips further away. The streets he once knew now hold secrets that challenge everything he knows, forcing him to confront the demons of his haunted past—a past rooted in his formative years at University College Cork making him question the nature of justice and the path he has chosen in its pursuit. As the story unfolds, Tim must decide how far he will go to uncover the truth and whether redemption lies at the end of the road. The question remains: Can one man make a difference? Experience the brutal and blood-soaked world of Detective Tim Collins in the third instalment of this riveting series. Filled with unforeseen twists, this book promises a visceral journey that will hold you in suspense from beginning to end.
The First Sunday in September really is quite an achievement. The stories are vibrant and authentic, brimming with intensity and desire. I enjoyed it immensely.' – Donal Ryan 'Inventive and compelling, this lifts off the page. A visceral sports novel, and yet so tender.' – Danny Denton 'Imagine Raymond Carver meets Donal Ryan and you have Tadhg Coakley's novel. His writing is taut and vivid, his voice compelling and compassionate.' – Mary Morrissy 'The First Sunday in September takes us into the hearts and minds of a medley of characters who sometimes win but often lose, and whose experiences of life ring true.' – Madeleine D'Arcy It's All-Ireland Hurling Final Day. A hungover Clareman with gambling debts travels up to Dublin for the match, secretly hoping his county will lose. An Englishwoman attends the final with her partner, wondering when to tell him that she's pregnant. A long-retired player watches the match from the stands, his gaze repeatedly falling on the Cork captain, whom he and his wife gave up for adoption years earlier. Clare's star forward struggles under the weight of expectation. Cork's talisman waits for the sliothar to fall from the sky, aware that his destiny is already set. Technically daring and with an unforgettable cast of characters, The First Sunday in September announces an exciting new voice in Irish fiction. A mix of Elizabeth Strout's Olive Kitteridge and Chad Harbach's The Art of Fielding.
In a bitterly divided 19th century Ireland, consensus was sought in the new discipline of political economy which claimed to transcend all divisions. This book explores the failure of that mission in the wake of the great famine of 1846-7.
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