Washington National Cathedral stands in an unparalleled position at the intersection of religious faith and public life in America, and has been called the “spiritual home for the nation.” Dean Samuel T. Lloyd III occupied its massive Canterbury pulpit as dean during an often- turbulent period in the nation and rapid changes in American religious life. In Sermons from the National Cathedral, Dean Lloyd provides a compelling vision of an intellectually alive, publicly engaged Christian faith, a vision of the Christian life rooted in ancient teaching. Readers will find the sermonsse engaging and appreciate that Dean Lloyd takes seriously the experiences of doubt and searching that are so much a part of the modern religious experience of our time. He successfully demonstrates the positive role faith can play in public life and addresses the questions and challenges faith must face in the twenty-first century. These soundings, as Lloyd calls them, illumine the full spectrum of Christian belief while also addressing such issues as the difficulty of faith, the relationship between science and faith, the mystery of suffering, the necessity of forgiveness, the meaning of the cross, the urgency of reconciliation, and the call to care for the earth. These reflections will appeal to traditional Christians seeking spiritual enrichment and are accessible to those seeking answers to how their faith fits into our modern world.
Stories anchored in the Welsh American immigrant experience. Anchored in the community of first-, second-, and third-generation Welsh Americans in Utica, New York, during the 1960s, the stories in David Lloyds The Moving of the Water delve into universal concerns: identity, home, religion, language, culture, belonging, personal and national histories, mortality. Unflinching in their portrayal of the traumas and conflicts of fictional Welsh Americans, these stories also embrace multiple communities and diverse experiences in linked, innovative narratives: soldiers fighting in World War I and in Vietnam, the criminal underworld, the poignant struggles of children and adults caught between old and new worlds. The complexly damaged characters of these surprising and affecting stories seek transformation and revelation, healing and regeneration: a sometimes traumatic moving of the water. This collection of stories has a great-grandfather: Joyces Dubliners. Like Joyces, Lloyds stories are in the realist mode, yet sometimes broken up with startling, dream-like, hallucinatory passages that are decisive in opening up another range of experience. The final title story is magnificent, no other word will do, and it recalls The Dead, the concluding story of Joyces book. If Joyce were from Utica, New York, as Lloyd is, hed have written this book and called it Uticans. Frank Lentricchia, author of The Music of the Inferno A unique collection of stories that are sometimes puzzling, sometimes moving, sometimes enigmatic, and sometimes crystal clear, but always profoundly interesting. Jan Morris, author of A Writers House in Wales
Complex and controversial issues have accompanied the development of English-language literature in Wales, generating a continuing debate over the nature of Welsh writing in English. The main issues include the claim of some Welsh-language writers to represent the only authentic literature of Wales, the question of whether or not an extended literary tradition in English has existed in Wales, the absence (until fairly recently) of a publishing apparatus for English-language writers, the rise of a Welsh nationalism committed to preserving the Welsh language, and the question of whether English-language literature in Wales can be distinguished from English literature proper. The primary impulse for the interviews with the thirteen writers and editors in Writing on the Edge was to explore these and other issues relating to the literary and cultural identity in Wales in the last decade. The book's title reflects these ongoing debates about the nature and direction of contemporary Welsh literature in English, which is often perceived as peripheral both to Welsh-speaking Wales and to the literary culture of England. As one of the contributors to the volume says This is what it is to be Welsh ... It's an edge. There's no moment of life in Wales that hasn't got that edge, unless you decide you're not Welsh.
On May 18, 1980, the eruption of Mount Saint Helens captured the attention of America. The communities east of the Cascade Mountains were woefully unprepared for the devastation and disruption that followed, transforming for many a bright spring day into a murky, twenty-hour night. Grey Pine is the story of Phillip Stark, a bright and innovative young science teacher who attempts to treat the ash fall as an opportunity for experiment and wonder, but who is constantly thwarted by the resulting havoc in the community, and his own personal demons. As his health declines, his relationships suffer. The chaotic and often dangerous situations with his alcoholic father, irksome neighbor, unreliable girlfriend, and strained friendships derail any attempt to regain control of his life. All the while the omnipresent ash from the volcanic eruption acts as a symbolic reminder of his oppression and inability to break through.Grey Pine is a gritty account of post-Vietnam America that chronicles social ills that are not unfamiliar to us in the present day: youth suicide, clinical depression, racial tension, alcoholism, and the malaise from an unpopular war. Phillip must learn to find a way to hold on to his sanity and strength to move past the obstacles created by the forces of nature-both those from without and within.
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In The Woman's Place is in the Boardroom the authors put the business case for more women on company boards. In the next book they explained how to achieve it. Here the authors discuss the role women directors can play in the reform of corporate governance systems following recent financial, crises in leadership, governance and the economy.
In the bestseller A Woman's Place is in the Boardroom the authors described the problem, gave comprehensive views of how it looked from both sides, and presented the arguments for positive change. This book is all about the 'how to'. It takes all the arguments and analysis of the first book, and focuses on how to apply it and what to do.
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