This publication covers the latest innovative research findings involved with the incorporation of technologies into everyday aspects of life"--Provided by publisher.
Thomas De Quincey (1785-1859) is considered one of the most important English prose writers of the early-19th century. This is the final part of a 21-volume set presenting De Quincey's work, also including previously unpublished material.
This is a book about collaboration in the arts, which explores how working together seems to achieve more than the sum of the parts. It introduces ideas from economics to conceptualize notions of externalities, complementarity, and emergence, and playfully explores collaborative structures such as the swarm, the crowd, the flock, and the network. It uses up-to-date thinking about Wikinomics, Postcapitalism, and Biopolitics, underpinned by ideas from Foucault, Bourriaud, and Hardt and Negri. In a series of thought-provoking case studies, the authors consider creative practices in theatre, music and film. They explore work by artists such as Gob Squad, Eric Whitacre, Dries Verhoeven, Pete Wyer, and Tino Seghal, and encounter both live and online collaborative possibilities in fascinating discussions of Craigslist and crowdfunding at the Edinburgh Festival. What is revealed is that the introduction of Web 2.0 has enabled a new paradigm of artistic practice to emerge, in which participatory encounters, collaboration, and online dialogue become key creative drivers. Written itself as a collaborative project between Karen Savage and Dominic Symonds, this is a strikingly original take on the economics of working together.
Many books exist illustrating the power structure of the medical professional, which is male gendered, and its significance for women within this. No study has so far tackled the relationship between women as child birth professionals and women as mothers. The attitude of the midwife towards the labour ward is examined. How the mother is marginalised by the managerial role taken on by the midwife towards the production process (childbirth) and the object of production (child) is the main focus of this book. The stream of feminist orientation, which is said to run through a section of the midwifery profession, is examined.
Six more tales of Sherlock Holmes... 'The Torso At Highgate Cemetery' I watched as the policeman took out a notebook and read from an open page. He spoke in a whisper. Inspector Lestrade's face turned ashen. He turned towards me, looking grim. 'The Mystery Of the Missing Artefacts' August 1916. A telegram is brought to my fetid prison cell under the magnificent State rooms of Sultan Mehmed V Reşâd's Çırağan Palace. It's from Sherlock Holmes. "My dear Watson," it read, "do you remember the name of the fellow at the British Museum who contacted us over a certain matter just before I retired to my bee-farm in the South Downs?" 'The Case of the Seventeenth Monk' "Now, Holmes," I interrupted, checking the dragoman was out of hearing range, "at least I've discovered you're alive. What of the raison d'être of your presence in the back of beyond? What of this Otto Müller?" "What indeed?" came the rueful reply. 'The Strange Death of an Art Dealer' "Oh my God!" he exclaimed despairingly. "It could be a catastrophe! I beseech you, Holmes, sort this whole thing out. I can neither think nor sleep nor attend to any matter of State." 'The Case of the Impressionist Painting' Holmes folded his napkin and sat back, staring into the fire. "Watson, I do not say this lightly: a shiver went through me at the look in O'Clery's eye when I revealed our identity. I have never before felt so deeply we were in the presence of some vast potency, a power of evil..." 'The Ambassador's Skating Competition' "Holmes," Watson retorted, "I must warn you, no one should confront such rich, powerful, and ruthless men head on. We learned that lesson a few years ago. We are not of their ilk. They'll ride rough-shod over us again.
Thomas De Quincey (1785-1859) is considered one of the most important English prose writers of the early-19th century. This is the second part of a 21-volume set presenting De Quincey's work, also including previously unpublished material.
Gestures of Music Theater: The Performativity of Song and Dance offers new, cutting-edge essays focusing on song and dance as performative gestures that not only entertain but also act on audiences and performers. The chapters range across musical theater, opera, theater, and other artistic practices, from Glee to Gardzienice, Beckett to Disney, Broadway to Turner-Prize-winning sound installation. The chapters draw together these diverse examples of vocality and physicality by exploring their affect rather than through considering them as texts. The book's contributors derive methodologies from many disciplines. Resisting discrete discipline-based enquiry, they share methodologies and performance repertoires with discipline-based scholarship from theater studies, musicology, and cultural studies, among other approaches. Together, they view these as neighboring voices whose dialogue enriches the study of contemporary music theater.
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