Three women, all philosophers, all of Jewish descent, provide a human face for a decade of crisis in this powerful and moving book. The dark years when the Nazis rose to power are here seen through the lives of Edith Stein, a disciple of Husserl and author of La science et la croix, who died in Auschwitz in 1942; Hannah Arendt, pupil of Heidegger and Jaspers and author of Eichmann in Jerusalem, who unhesitatingly responded to Hitler by making a personal commitment to Zionism; and Simone Weil, a student of Alain and author of La pesanteur et la grâce.Following her subjects from 1933 to 1943, Sylvie Courtine-Denamy recounts how these three great philosophers of the twentieth century endeavored with profound moral commitment to address the issues confronting them. Condemned to exile, they not only sought to understand a horrible reality, but also attempted to make peace with it. To do so, Edith Stein and Simone Weil encouraged a stoic acceptance of necessity while Hannah Arendt argued for the capacity for renewal and the need to fight against the banality of evil.Courtine-Denamy also describes how as a student each woman caught the eye of her famous male teacher, yet dared to criticize and go beyond him. She explores each one's sense of her femininity, her position on the "woman question," and her relation to her Jewishness. "All three," the author writes, "are compelling figures who move us with their fierce desire to understand a world out of joint, reconcile it with itself, and, despite everything, love it.
In this touching and beautifully written book, Sylvie Courtine-Denamy traces her family's exile after their expulsion in 1492 at the time of Spanish unification. Their journey leads her to the exotic ports of Salonika, Constantinople, Bayonne, and Varna, to the cosmopolitan centers of Vienna and Paris, to America and Israel, and to Auschwitz. As she notes, while place and time separate us from those we love or never knew, something continues to link us. For Courtine-Denamy this "something" is, in part, language the Judeo-Spanish (Ladino) that is still spoken, whether on the banks of the Danube, on the Aegean Sea, or along the quays of the Seine. This powerful and moving history of one woman's family will strike a chord with those who have experienced exile and displacement. Julia Kristeva's foreword, which describes the book as being like a "refreshing spring shower," unearths a political intention in this carefully crafted story. One of the undercurrents in The House of Jacob, she notes, seems to be an implied criticism of the language policies of the State of Israel, in particular the imposition of the "sacred" language of Hebrew as a medium of everyday exchange, of domesticity, and of intimacy. Courtine-Denamy presents Sephardic culture as a counterpoint to the perceived prevalence of Ashkenazi culture in forming Jewish identity.
Three women, all philosophers, all of Jewish descent, provide a human face for a decade of crisis in this powerful and moving book. The dark years when the Nazis rose to power are here seen through the lives of Edith Stein, a disciple of Husserl and author of La science et la croix, who died in Auschwitz in 1942; Hannah Arendt, pupil of Heidegger and Jaspers and author of Eichmann in Jerusalem, who unhesitatingly responded to Hitler by making a personal commitment to Zionism; and Simone Weil, a student of Alain and author of La pesanteur et la grâce.Following her subjects from 1933 to 1943, Sylvie Courtine-Denamy recounts how these three great philosophers of the twentieth century endeavored with profound moral commitment to address the issues confronting them. Condemned to exile, they not only sought to understand a horrible reality, but also attempted to make peace with it. To do so, Edith Stein and Simone Weil encouraged a stoic acceptance of necessity while Hannah Arendt argued for the capacity for renewal and the need to fight against the banality of evil.Courtine-Denamy also describes how as a student each woman caught the eye of her famous male teacher, yet dared to criticize and go beyond him. She explores each one's sense of her femininity, her position on the "woman question," and her relation to her Jewishness. "All three," the author writes, "are compelling figures who move us with their fierce desire to understand a world out of joint, reconcile it with itself, and, despite everything, love it.
In this touching and beautifully written book, Sylvie Courtine-Denamy traces her family's exile after their expulsion in 1492 at the time of Spanish unification. Their journey leads her to the exotic ports of Salonika, Constantinople, Bayonne, and Varna, to the cosmopolitan centers of Vienna and Paris, to America and Israel, and to Auschwitz. As she notes, while place and time separate us from those we love or never knew, something continues to link us. For Courtine-Denamy this "something" is, in part, language the Judeo-Spanish (Ladino) that is still spoken, whether on the banks of the Danube, on the Aegean Sea, or along the quays of the Seine. This powerful and moving history of one woman's family will strike a chord with those who have experienced exile and displacement. Julia Kristeva's foreword, which describes the book as being like a "refreshing spring shower," unearths a political intention in this carefully crafted story. One of the undercurrents in The House of Jacob, she notes, seems to be an implied criticism of the language policies of the State of Israel, in particular the imposition of the "sacred" language of Hebrew as a medium of everyday exchange, of domesticity, and of intimacy. Courtine-Denamy presents Sephardic culture as a counterpoint to the perceived prevalence of Ashkenazi culture in forming Jewish identity.
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