Originally published in 1967, Meagher’s masterful dissection of the Warren Report, based on the Warren Commission’s own evidence, has stood the test of time. In some cases, declassifications of government records have corroborated the author’s suspicions and analyses, such as her amazing assertion that Oswald had never actually been charged with Kennedy’s murder, despite sworn testimony to the contrary. Meagher’s book raises serious questions not only about Oswald’s guilt in the JFK assassination and related crimes, such as the Tippit murder and the Walker shooting, but also about the methods and honesty of the Warren Commission, the FBI, and various Dallas police and other officials. When the Church Committee first began to re-examine the Warren Commission and its relationship with intelligence agencies in 1975, investigators were shocked by what they discovered. In Accessories After the Fact, Sylvia Meagher delivers a blistering blow to the credibility of the Warren Report, and decades after its original publication researchers and readers are still discovering what made her work so important.
Kari Melton is traveling from Boone, NC to Wimington, NC and is caught up in traffic problems and a detour; before she can make her way back to the 74 east Interstate, she has a flat tire out on a lonely country road. A nice lawyer from London stops to assist her, and during their parting conversation, a dark car pulls up and a man starts shooting at them. The good samariatn rolls down the embankment with her, sheilding her from the spray of bullets. She is safe, but he is shot and before she can be shot, a truck driver stops and the other car speeds away, but her new friend dies before she can help him. Keri is questioned when the authorities arrive, but she has no idea why the lawyer was killed. Later, she stops at a small cafe for a cup of coffee and comes face with someone who looks identical to the man she just saw die on the old country road, and she starts running for her own life.
In Keywords for Southern Studies, the editors have compiled an eclectic collection of essays which address the fluidity and ever-changing nature of southern studies by adopting a transnational, interdisciplinary focus. This book is termed 'critical' because the essays in it are pertinent to modern life beyond the world of 'southern studies.' The non-binary, non-traditional approach of Keywords unmasks and refuses the binary thinking -- First World/Third World, self/other -- that postcolonial studies has taught us is the worst rhetorical structure of empire. Keywords promotes a holistic way of thinking that starts with southern studies but extends even further"--
This important sourcebook examines the latest developments in the use of social group work in establishing out-of-home children in permanent homes in an age of federal cutbacks.
Bumpy Road: The Making, Flop, and Revival of “Two-Lane Blacktop” chronicles the genesis, production, box-office debacle, resurrection, near-canonization, and lasting influence of director Monte Hellman’s 1971 existentialist car-racing movie. Hellman’s unconventional choices for the film included casting three nonactors—musicians James Taylor and Dennis Wilson, as well as his girlfriend, Laurie Bird—in lead roles; shooting the movie in sequence from west to east on Route 66; and refusing to show the actors the full script, instead giving each his or her lines for the day. Before its release, Esquire put the film on its cover as the magazine’s choice for movie of the year and printed the entire screenplay, leading moviegoers to expect a crowd-pleaser. Audiences anticipated that Two-Lane Blacktop would be an action-packed car-racing movie and were disappointed when nobody won or even finished the race, no one got the girl, the two leading men barely spoke, and the leading lady was foul-mouthed and promiscuous. Universal Studios Chairman Lew Wasserman found the film subversive and refused to release it on video. Years after it flopped, however, the movie soared in stature, and it is now revered by such contemporary directors as Quentin Tarantino and Richard Linklater. It was included in the National Film Registry and was released on DVD and Blu-ray by the prestigious Criterion Collection and the highly regarded Masters of Cinema series. Author Sylvia Townsend conducts a comprehensive examination of the film, its reception, and the resurgence of interest it has more recently generated. Interviewing individuals involved in and influenced by the film, including James Taylor, Richard Linklater, Gary Kurtz, and scriptwriter Rudy Wurlitzer, Townsend provides an inside look at the cult classic.
Sylvia Hood Washingtons Packing Them In provides strong and often startling evidence of the depths and complexities of environmental racism in Chicago, and offers an innovative historical explanation for how this social ill developed in nineteenth and twentieth century America. Drawing from Michel Foucaults concept of power/knowledge and from theories of racial formation, Washington also demonstrates how the process through which some European immigrant groups were reclassified from non-white to white over time, allowed them to move out of spaces where they faced environmental injustice into spaces of environmental privilege. This argument represents a significant contribution to environmental justice studies and suggests a comparative and relational ethnic studies approach to future treatments of the subject. Packing Them In is a path breaking book and a welcome addition to the fields of environmental history and environmental justice studies (David Naguib Pellow, Dehlsen professor of Environmental Studies, University of California Santa Barbara, and author of Garbage Wars: The Struggle for Environmental Justice in Chicago). A pathbreaking book. Sylvia Hood Washington uses Chicago as a case study of how human health inequalities in urban environments change over time. In showing the ways white identity shaped exposure to environmental pollutants in the nineteenth and early twentieth centuries, she provides historical context to the environmental racism identified in the United States in the late twentieth century. Packing Them In is instructive for those seeking to understand the structural origins of the present struggle for environmental justice, and a model for undertaking studies of urban environmental history that address the struggle. This model remains as important today as it was when Packing Them In was first published (Carl Zimring, associate professor and coordinator of the Sustainability Studies, Pratt Institute, and author of Clean and White: A History of Environmental Racism). Packing Them In is a path-breaking book that is a must-read for anyone interested in understanding how the social, political, and economic dimensions of urban environmental issues evolve over time. Packing Them In makes a significant contribution to the environmental justice literature as it challenges the notion that racism and inequalities arise solely from black-white dynamics. By using history to understand the evolution of racial and spatial dynamics and by embedding the work in Michel Foucault theoretical framework of power and knowledge, Washington demonstrates the importance of expanding traditional environmental justice frameworks in the analysis of case studies such as these (Dorceta E. Taylor, James E. Crowfoot, collegiate professor of the University of Michigan, School of Natural Resources and Environment).
Get hot and bothered with the bad boys of Starfish Cove in this beachy box set featuring three books from the Bad Boys on Holiday series: Beached with the Bad Boy The battle of the sexes is on when the bad boy rock star and the author who’s lost her muse are double-booked in a cozy Starfish Cove cottage. A no-strings fling might be just what Layla needs to get her writing groove back… but will Trick rise to the occasion, or is this breezy seaside romance doomed to sink? Rescued by the Bad Boy When the sun goes down in Starfish Cove, it’s a match made in one-night-stand heaven for the bad boy lifeguard and the bridesmaid who doesn't believe in happily ever afters. But when feelings deepen on both sides, can Haley open herself up to love, or will Max’s painful secrets send her swimming for the shore? Bad Boy Summer After a ten-year estrangement, the bad boy Army Ranger and the brainy beauty he left behind are unexpectedly reunited in Starfish Cove for one last red-hot, wall-banging, toe-curling summer. But when secrets come to light and Ash puts his heart on the line, will Pam break her rules for a second chance at love?
In an era of rapidly shrinking resources, efficient utilization of public resources is of paramount importance. Health care, social services, education, law enforcement, and other fields have established their own standards against which program operations are assessed. National accrediting bodies have implemented systems of rigorous peer review to ensure the quality of program processes and outcomes. Nongovernmental organizations must demonstrate success in achieving their stated goals in order to sustain or expand program funding. In the 21st century, process (how programs are organized and how work is conducted) has become as important as outcomes in determining program effectiveness. Responding to these dynamic challenges, the authors utilize concrete case studies to immerse students in the techniques of program evaluation. They effectively examine systems theory, project planning, queuing theory, cost-benefit analysis, and organization processes (including standards-based program accreditation), providing practical examples in an easy-to-comprehend style. In addition, comprehensive discussions explain how process intervention is utilized to achieve program adaptations and strategic change. Like its highly regarded predecessors, the latest edition features evaluation exercises designed to facilitate student development of indicators and measures when dealing with real-world programs. An Instructors Manual provides solutions to the case studies in the appendix of the text, further clarifying the program planning and evaluation process.
The rise of both the empire of cotton and the empire of fashion in the nineteenth century brought new opportunities for sartorial self-expression to millions of ordinary people who could now afford to dress in style and assert their physical presence. Millions of laborers toiling in cotton fields and producing cotton cloth in industrial mills faced a brutal reality of exploitation, servitude, and regimentation—yet they also had a profound desire to express their selfhood. Another transformative force of this era—the rise of literary publication and the radical extension of literacy to the working class—opened an avenue for them to do so. Cloth and clothing provide potent tropes not only for physical but also for intellectual forms of self-expression. Drawing on sources ranging from fugitive slave narratives, newspapers, manifestos, and mill workers’ magazines to fiction, poetry, and autobiographies, Clothed in Meaning examines the significant part played by mill workers and formerly enslaved people, many of whom still worked picking cotton, in this revolution of literary self-expression. They created a new literature from their palpable daily intimacy with cotton, cloth, and clothing, as well as from their encounters with grimly innovative modes of work. In the materials of their labor they discovered vivid tropes for formulating their ideas and an exotic and expert language for articulating them. The harsh conditions of their work helped foster in their writing a trenchant irony toward the demeaning reduction of human beings to “hands” whose minds were unworthy of interest. Ultimately, Clothed in Meaning provides an essential examination of the intimate connections between oppression and luxury as recorded in the many different voices of nineteenth-century labor.
With one child already at home, Valerie Branch is surprised when she delivers twins on Labor Day of 1961 with her second pregnancy. Rod is predestined to be a mighty hunter, while his sister Carla, is born with the gift of healing. With a strong connection to her brother, she senses when he is in pain or trouble, a gift he doesn’t reciprocate—even when she needs him most. Challenges arise when this over-protective mom and simplistic father Daniel don’t always see eye-to-eye on raising their free-spirited children. But the family bond holds tight through every new trial and their faith grows stronger even when tragedy brings them to their knees and evil invades their community. Holding Her Hand narrates a family saga that takes place in rural North Carolina when tobacco farms still ruled the South, when attending church on Sunday morning was the norm, not the exception and when most families were struggling to make it to middle-class status.
Agatha Christie and the Guilty Pleasure of Poison examines Christie’s female poisoners in the context of Christie’s own experience in pharmacy and of detective fiction. In doing so, it uncovers an overlooked dynamic in which female poisoners deliver well-deserved comeuppance for gendered and classed wrongdoing ordinarily accepted in everyday life. While critics have long recognized male outlaws, like Robin Hood, who use crime to oppose a corrupt system, this book contends that female outlaws – witches and poisoners – offer a similar heritage of empowered femininity. Far from cozy and formulaic, Agatha Christie’s outlaw poisoners offer readers the surprising pleasures of comeuppance, and they set the stage for contemporary detective fiction writers, more recent films depicting poisoning as empowering, and even poison gardens, which are tourist destinations that offer visitors the guilty pleasure of poison.
Perfect for fans of Catherine Hapka -- a heart-warming story about a girl who must find her voice, with lots of manatee and dolphin fun along the way! Becca Wong Walker may be so shy that most people at school think she doesn't speak at all, but why should she care? She has more important things to worry about. Missy, the manatee who visits the dock in Becca's backyard, and Becca's only friend, hasn't been seen for a long time. When Missy finally does return, she has a new baby with her! Becca wants to be excited, but more than ever inconsiderate boaters are speeding through the river, putting the lives of Missy and her baby in terrible danger.One day, Becca spots a dolphin in the river too! By bonding over the dolphin and manatees, Becca finally starts to make friends at school. But when Becca takes a video that goes viral, it seems like it will be harder than ever to save the manatees... and trying might just tear Becca's new friendships apart.
3-Act Black History play. Autobiographical account of the closing of the all-Black high school, Crispus Attucks High School, until its closure in 1964, when segregated schools were outlawed, the effect on the town of Carbondale, Illinois, the people and the students. This play was written in 2005 at the University of Southern California in the Master of Professional Writing Advanced Playwriting Seminar.
Soldier, Indian Fighter, Texas Ranger, Mayor of San Antonio, City Marshal, Justice of the Peace, Federal Interpreter, Spanish-speaking scholar - P. L.. Buquor was all of these and more. As a young man out for adventure, he answered the call to "Save Texas" and found himself on an exciting and wondrous journey that brought him into contact with some of the most famous names in history: Sam Houston, Stephen F. Austin, Robert E. Lee, Santa Anna, John Coffee Hays, Juan Seguin, Winfield Scott, Zachary Taylor, and many others. This story introduces his family, his travels, what life was like for a young man in the 1800's, traveling by horse, stagecoach, sleeping on the ground, and the exciting battles in which he participated. This book takes him from a young man of fifteen in 1836 to his death in 1901. If you want Texas History as lived by one of the unsung heroes of Texas, this is the book for you.
2018 Outstanding Academic Title, given by Choice Magazine An exploration of twentieth and twenty-first century U.S. Muslim womanhood that centers the lived experience of women of color For Sylvia Chan-Malik, Muslim womanhood is constructed through everyday and embodied acts of resistance, what she calls affective insurgency. In negotiating the histories of anti-Blackness, U.S. imperialism, and women’s rights of the twentieth and twenty-first centuries, Being Muslim explores how U.S. Muslim women’s identities are expressions of Islam as both Black protest religion and universal faith tradition. Through archival images, cultural texts, popular media, and interviews, the author maps how communities of American Islam became sites of safety, support, spirituality, and social activism, and how women of color were central to their formation. By accounting for American Islam’s rich histories of mobilization and community, Being Muslim brings insight to the resistance that all Muslim women must engage in the post-9/11 United States. From the stories that she gathers, Chan-Malik demonstrates the diversity and similarities of Black, Arab, South Asian, Latina, and multiracial Muslim women, and how American understandings of Islam have shifted against the evolution of U.S. white nationalism over the past century. In borrowing from the lineages of Black and women-of-color feminism, Chan-Malik offers us a new vocabulary for U.S. Muslim feminism, one that is as conscious of race, gender, sexuality, and nation, as it is region and religion.
When a rich man in seventeenth-century South Asia enjoyed a peaceful night's sleep, he imagined himself enveloped in a velvet sleep. In the poetic imagination of the time, the fine dew of early evening was like a thin cotton cloth from Bengal, and woolen shawls of downy pashmina sent by the Mughal emperors to their trusted noblemen approximated the soft hand of the ruler on the vassal's shoulder. Textiles in seventeenth-century South Asia represented more than cloth to their makers and users. They simulated sensory experience, from natural, environmental conditions to intimate, personal touch. The Art of Cloth in Mughal India is the first art historical account of South Asian textiles from the early modern era. Author Sylvia Houghteling resurrects a truth that seventeenth-century world citizens knew, but which has been forgotten in the modern era: South Asian cloth ranked among the highest forms of art in the global hierarchy of luxury goods, and had a major impact on culture and communication. While studies abound in economic history about the global trade in Indian textiles that flourished from the seventeenth to the nineteenth centuries, they rarely engage with the material itself and are less concerned with the artistic-and much less the literary and social-significance of the taste for cloth. This book is richly illustrated with images of textiles, garments, and paintings that are held in little-known collections and have rarely, if ever, been published. Rather than rely solely on records of European trading companies, Houghteling draws upon poetry in local languages and integrates archival research from unpublished royal Indian inventories to tell a new history of this material culture, one with a far more balanced view of its manufacture and use, as well as its purchase and trade"--
Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
Ida Leeson was no ordinary librarian. At a time when only men rose to such positions in the Australian library world, she won an epic struggle to become Mitchell Librarian - a position previously held only by men.
A joyful exploration of friendship, generosity, and confidence that comes from within. A fresh take on celebrating the beauty of natural textured hair, HAIR TO SHARE tackles the difficulty of childhood medical hair loss and the impact empathy and generosity can have on one's self-esteem. Suri was born with more hair than anyone had ever seen on a baby. As she grew, so did her hair until it eventually reached all the way down to her knees! But when she makes a new friend a girl who has no hair, Suri wants to find a way to help her feel comfortable and confident. Complete with backmatter addressing the many causes of medical hairloss, how to support kids managing hair loss, and how to donate or receive natural hair wigs, this sweet story is the embodiment of generosity and self love.
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