Winner of the 1991 Commonwealth Writers' Prize. Syl Cheney-Coker's acclaimed debut novel, The Last Harmattan of Alusine Dunbar traces the history of a nation's rise and fall, as prophesied by an ancient sorcerer. A military general sits in one of Malagueta's prison cells, awaiting his execution. He has just failed to overthrow the government. In the same land, over two centuries ago, the wife of a formerly enslaved man takes her first steps towards freedom. From the creation of Malagueta to its devastating fall, Alusine Dunbar, the wizened old diviner, has prophesied it all. And what he sees, he calls a tragedy. One of Sierra Leone's most renowned novelists and poets, Sly Cheney-Coker creates a world teeming with magical realism as he paints the journey from precolonial Africa to its shaky independence.
The reincarnation of a legendary nineteenth-century Caribbean emperor as a contemporary African leader is at the heart of this novel. Sacred River deals with the extraordinary lives, hopes, powerful myths, stories, and tragedies of the people of a modern West African nation. It is also the compelling love story of an idealistic philosophy professor and an ex-courtesan of incomparable beauty. Two hundred years after his death, the great Haitian emperor Henri Christophe miraculously appears in a dream to Tankor Satani, president of the fictional West African country of Kissi, with instructions for Tankor to continue Henri Christophe’s rule, which had been interrupted by “that damned Napoleon.” Ambitious in scope, Sacred River is a diaspora-inspired novel, in which Cheney-Coker has tackled the major themes of politics, social strife, crime and punishment, and human frailty and redemption in Malagueta, the fictional, magical town and its surroundings first created by the author in The Last Harmattan of Alusine Dunbar, for which he was awarded the coveted Commonwealth Writers’ Prize. Sacred River is equally about love and politics, and marks the return to fiction of one of Africa’s major writers.
Winner of the 1991 Commonwealth Writers' Prize. Syl Cheney-Coker's acclaimed debut novel, The Last Harmattan of Alusine Dunbar traces the history of a nation's rise and fall, as prophesied by an ancient sorcerer. A military general sits in one of Malagueta's prison cells, awaiting his execution. He has just failed to overthrow the government. In the same land, over two centuries ago, the wife of a formerly enslaved man takes her first steps towards freedom. From the creation of Malagueta to its devastating fall, Alusine Dunbar, the wizened old diviner, has prophesied it all. And what he sees, he calls a tragedy. One of Sierra Leone's most renowned novelists and poets, Sly Cheney-Coker creates a world teeming with magical realism as he paints the journey from precolonial Africa to its shaky independence.
In The Road to Jamaica, which was announced over forty years ago, but suppressed, Cheney- Coker looks at a particular period of African history; the tragic, outward voyages of people and other social variants that have been part of what he calls his Afro-Saxon narrative. Crucially, the volume is divided into two sections: the first being a look at the shock of displacement, but also the remembrance of identifiable modes in the formation of a new cultural perspective. Looking back at remembered landscape, languages and cultural comforts, the poet has attempted to recreate as chapter of history that changed his and other people's idea of identity. The long poems that usher in Part 2 of the volume are, in a sense, reflections on that evolving template about our small world: the happenstances of regeneration, while at the same time an attempt to come to terms with the realities that societies, the world over, are bound to the inevitability of change. Given the smallness of that world, the oneness of our humanity, and the quiet personal awareness of aging, Cheney-Coker has, as usual, focused his lenses on them.
The reincarnation of a legendary nineteenth-century Caribbean emperor as a contemporary African leader is at the heart of this novel. Sacred River deals with the extraordinary lives, hopes, powerful myths, stories, and tragedies of the people of a modern West African nation. It is also the compelling love story of an idealistic philosophy professor and an ex-courtesan of incomparable beauty. Two hundred years after his death, the great Haitian emperor Henri Christophe miraculously appears in a dream to Tankor Satani, president of the fictional West African country of Kissi, with instructions for Tankor to continue Henri Christophe’s rule, which had been interrupted by “that damned Napoleon.” Ambitious in scope, Sacred River is a diaspora-inspired novel, in which Cheney-Coker has tackled the major themes of politics, social strife, crime and punishment, and human frailty and redemption in Malagueta, the fictional, magical town and its surroundings first created by the author in The Last Harmattan of Alusine Dunbar, for which he was awarded the coveted Commonwealth Writers’ Prize. Sacred River is equally about love and politics, and marks the return to fiction of one of Africa’s major writers.
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