While Houston has enjoyed unprecedented growth in its development into an increasingly international business center, coastal Galveston retains the history and charm of its past. Visitors to both cities and new residents of the area will enjoy the sites, restaurants, accommodations, and other features included in this new edition.
While Houston has enjoyed unprecedented growth in its development into an increasingly international business center, coastal Galveston retains the history and charm of its past. Visitors to both cities and new residents of the area will enjoy the sites, restaurants, accommodations, and other features included in this new edition.
Eight Dollars and a Dream tells of a remarkable personal and professional journey by one of America's premier CEOs and corporate directors. Raj Gupta, working with Syd Havely, offers a candid and captivating story, told with passion and special appreciation for how family, mentors and other leaders transformed him and how he in turn changed his world, a compelling account for all who are navigating a corner office, a boardroom, or their life course. " - Michael Useem, Professor and Director of the Leadership Center, Wharton School, University of Pennsylvania "Raj's story is the American dream writ large with a focus on what is really important in life. I have had the privilege of working with Raj for many years and have seen his qualities as a business leader firsthand. But I have benefitted even more by watching his example of how to lead one's life with dignity, integrity, and grace. This is a book that needs to be read!" - Bill McNabb, Chairman and CEO, The Vanguard Group, Inc.
In No One's Witness Rachel Zolf activates the last three lines of a poem by Jewish Nazi holocaust survivor Paul Celan—“No one / bears witness for the / witness”—to theorize the poetics and im/possibility of witnessing. Drawing on black studies, continental philosophy, queer theory, experimental poetics, and work by several writers and artists, Zolf asks what it means to witness from the excessive, incalculable position of No One. In a fragmentary and recursive style that enacts the monstrous speech it pursues, No One's Witness demonstrates the necessity of confronting the Nazi holocaust in relation to transatlantic slavery and its afterlives. Thinking along with black feminist theory's notions of entangled swarm, field, plenum, chorus, No One's Witness interrogates the limits and thresholds of witnessing, its dangerous perhaps. No One operates outside the bounds of the sovereign individual, hauntologically informed by the fleshly no-thingness that has been historically ascribed to blackness and that blackness enacts within, apposite to, and beyond the No One. No One bears witness to becomings beyond comprehension, making and unmaking monstrous forms of entangled future anterior life.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.