This is the first single reference of classifications and scores of the shoulder. It gives a clearly structured, well-defined compendium of classifications and scores of the shoulder for use in everyday clinical life to improve and simplify the communication between physicians and physiotherapists. It is the first single reference of classifications and scores of the shoulder. The book is for orthopedic and trauma surgeons, radiologists, and physiotherapists.
This is the first single reference of classifications and scores of the shoulder. It gives a clearly structured, well-defined compendium of classifications and scores of the shoulder for use in everyday clinical life to improve and simplify the communication between physicians and physiotherapists. It is the first single reference of classifications and scores of the shoulder. The book is for orthopedic and trauma surgeons, radiologists, and physiotherapists.
“An interesting, well-documented overview of Cold War espionage in Berlin” including photographs (Studies in Intelligence). For almost half a century, the hottest front in the Cold War ran through Berlin. From summer 1945 until 1990, the secret services of NATO and the Warsaw Pact fought an ongoing duel in the dark. Throughout the Cold War, espionage was part of everyday life in both East and West Berlin, with German spies playing a crucial part of operations on both sides: Erich Mielke’s Stasi and Reinhard Gehlen’s Federal Intelligence Service, for example. The construction of the wall in 1961 changed the political situation and the environment for espionage—the invisible front was now concreted and unmistakable. But the fundamentals had not changed: Berlin was and would remain the capital of spies until the fall of the Berlin Wall, a fact that makes it all the more surprising that there are hardly any books about the work of the secret services in Berlin during the Cold War. Now in this compelling volume, journalist Sven Felix Kellerhoff and historian Bernd von Kostka describe the spectacular successes and failures of the various secret services based in the city. “Engaging and useful.” —Journal of Military History
Enlightening stories of courageous eighteenth- and nineteenth-century men and women who defied the racial prejudices of their communities In this unique book, Sven Lindqvist, author of the acclaimed “Exterminate All the Brutes,” shows why the history of antiracist work must not be limited only to the study of racists. Here we have the inspiring stories of more than twenty eighteenth- and nineteenth-century men and women who struggled and fought against ignorance and animus, often going against the times to expose the many facets of racism and hate. Well-documented and rich in anecdote, The Skull Measurer’s Mistake recounts the antiracist efforts of Benjamin Franklin, Helen Hunt, Joseph Conrad, and Alexis de Tocqueville, as well as others whose names are perhaps forgotten but whose important work lives on. Lindqvist—whose writing, Adam Hochschild has said, “leaves you changed”—shows how racist arguments emerged, and reemerged, over time. At a time when conversations about racial justice are occurring in every corner of society, knowledge of past antiracists can help us defeat racism today.
Art forms tend to mirror themselves in each other. In order to understand literature and fine arts better, we often turn to music, speaking of the ‘tone’ in a book and of the ‘rhythm’ in a painting. In attempts to understand music better, we turn instead to the narrative arts, speaking of the ‘story’ of a musical piece. This book focuses on two examples of such conceptual mirror reflexivity: narrativity in jazz music and musicality in spoken theatre. These intermedial metaphors are shown to be significant to the practice and reflection of performing artists through their ability to mediate holistic views of what is considered to be of crucial importance in artistic practice, analysis, and education. This exploration opens up possibilities for new theoretical and practical insights with regard to how the borderland between temporal art forms can be conceptualized. The book will be of interest not only to scholars of music and theatre, but also to those who work in the fields of aesthetics, intermedial studies, cognitive linguistics, arts theory, communication theory, and cultural studies.
This book describes two main classes of non-equilibrium phase-transitions: static and dynamics of transitions into an absorbing state, and dynamical scaling in far-from-equilibrium relaxation behavior and ageing.
“An interesting, well-documented overview of Cold War espionage in Berlin” including photographs (Studies in Intelligence). For almost half a century, the hottest front in the Cold War ran through Berlin. From summer 1945 until 1990, the secret services of NATO and the Warsaw Pact fought an ongoing duel in the dark. Throughout the Cold War, espionage was part of everyday life in both East and West Berlin, with German spies playing a crucial part of operations on both sides: Erich Mielke’s Stasi and Reinhard Gehlen’s Federal Intelligence Service, for example. The construction of the wall in 1961 changed the political situation and the environment for espionage—the invisible front was now concreted and unmistakable. But the fundamentals had not changed: Berlin was and would remain the capital of spies until the fall of the Berlin Wall, a fact that makes it all the more surprising that there are hardly any books about the work of the secret services in Berlin during the Cold War. Now in this compelling volume, journalist Sven Felix Kellerhoff and historian Bernd von Kostka describe the spectacular successes and failures of the various secret services based in the city. “Engaging and useful.” —Journal of Military History
After the fall of the Wall, Berlin is full of disused spaces and abandoned buildings, just waiting to be filled with new life. It is unclear who owns any of this, which allows the techno scene to take over these new empty spaces in both halves of the city. Clubs, galleries, ateliers and studios spring up – only to disappear again a few weeks later. Soon Berlin has become the epicentre of a new culture, attracting enthusiastic followers from all over the world to clubs like the Tresor and the E-Werk. Wearing gasmasks and welding goggles they dance the night away to the jackhammer sound of previously obscure Detroit DJs. Among them are writers, artists, photographers, designers, DJs, club-owners, music producers, bouncers and scenesters, people from the centre of the movement and from its peripheries – in Der Klang der Familie they all get to have their say and paint a vibrant picture of a time when it felt like everything was possible.
When the German Reichstag went up in flames on the evening of 27 February 1933, Hitler used the incident to seize power, claiming it was the work of Communists planning a violent uprising. But who really started the fire? Were the Nazis to blame, or was it the work of lone arsonist Marinus van der Lubbe? This debate has been raging for more than eighty years. The Reichstag Fire seeks to shed light on this pivotal event that changed the course of world history. Through a thorough and unbiased analysis of original source material, award-winning journalist Sven Felix Kellerhoff charts the outbreak of the fire, the Reich Cabinet's response to the event, Marinus van der Lubbe's repeated confession to the crime, and the far-reaching consequences of the fire.
This classic text provides an excellent introduction to a new and rapidly developing field of research. Now well established as a textbook in this rapidly developing field of research, the new edition is much enlarged and covers a host of new results.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.