Beware once you cross this threshold, there’s no going back. Experience 20 different tales of dread and despair that will have your heart pounding, and your mind drifting through gateways of things not of this world. Relinquish your understanding of fear at the door, for the things that sprout forth from the minds of Suzie & Bruce Lockhart 2nd are far beyond the normal ideas of terror you’ve become accustomed to. HorrorLand will take you on a rollercoaster ride of insanity, from the undead, to the great deceiver himself! Around every corner, in every crack and crevice, you will encounter terror. You can’t find sanctuary even in your own home… So why run? Would you strike a deal with death, hunt the things of shadow and substance, or seek revenge over justice? Come now, just one more step, to face your fears behind that looming, wrought iron gate. This is going to be one helluva of a show, and, in truth, now that you’re here… I really can’t let you go.
“This is a celebratory meld of memoir, biography and travelogue, intensely personal and all the better for it.” —Eleanor Fitzsimons, author of Wilde’s Women John Keats is one of Britain’s best-known and most-loved poets. Despite dying in Rome in 1821, at the age of just twenty-five, his poems continue to inspire generations who reinterpret and reinvent the ways in which we consume his work. Apart from his long association with Hampstead, North London, he has not previously been known as a poet of ‘place’ in the way we associate Wordsworth with the Lake District, for example, and for many years readers considered Keats’s work remote from political and social context. Yet Keats was acutely aware of and influenced by his surroundings: Hampstead; Guy’s Hospital in London where he trained as a doctor; Teignmouth where he nursed his brother Tom; a walking tour of the Lake District and Scotland; the Isle of Wight; the area around Chichester and in Winchester, where his last great ode, “To Autumn,” was composed. Suzie Grogan takes the reader on a journey through Keats’s life and landscapes, introducing us to his best and most influential work. Utilizing primary sources such as Keats’s letters to friends and family and the very latest biographical and academic work, it offers an accessible way to see Keats through the lens of the places he visited and aims to spark a lasting interest in the real Keats—the poet and the man. “Warm and worthwhile observations on how places as varied as the Lake District and the Isle of Wight shaped Keats’s verse.” —Camden New Journal
“A deep dive into the education and lives of a medical professional’s life over the span of 100 years . . . A good addition to any medical historian’s library” (The Lazy Historian). Imagine performing surgery on a patient without anesthetic or administering medicine that could kill or cure. Welcome to the world of the surgeon-apothecary. During the eighteenth and nineteenth centuries, significant changes occurred in medicine. New treatments were developed and medical training improved. Yet, with doctors’ fees out of the reach of ordinary people, most relied on the advice of their local apothecary, among them, the poet John Keats, who worked at Guy’s Hospital in London. These men were the general practitioners of their time, making up pills and potions for everything from toothache to childbirth. Death, Disease & Dissection examines the vital role these men played within their communities, their training, the treatments they offered, the quacks, and the shocking sights and sounds in hospitals and operating theaters of the time. Suzie Grogan transports readers through 100 years of medical history, exploring the impact of illness and death and bringing the experiences of the surgeon-apothecary vividly to life. “I think the author has done a wonderful job of researching the topic and presenting the history of the profession, and biographical information on some of the most influential Surgeon-Apothecaries of the period. . . . This book is well organized and full of fascinating information on the topic.” —A Line from a Book
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