This is work of high accomplishment, by one who serenely takes her place among the better poets of America." ~ X.J. Kennedy Suzanne Rhodes writes technically honed, emotionally true poems that draw the reader closer to nature: its power to awe and humble and enrich our human relationships. ~ Eve Shelnutt
The poems in Flying Yellow cry out for the day just out of reach, the day which unaccountably may in a moment or a season let down a joyful light into the obscurity of human trial. A hopeful belief in heaven and the end of suffering colors these profoundly spiritual, often uneasy, poems. Carried by musical currents that shape her work, Rhodes ventures into what she calls “the good dark stuff” of experience—good because the dark is where Christ went, willingly, to take it captive. Whether probing the meaning of her own personal traumas or those of historical figures like Mary Rowlandson and Dorothy Bradford; whether peeling back layers of habitual sight to see the natural world of robins and ghost crabs and shorelines more truly, she brings the reader alongside in each surprising encounter to see the possibilities of light.
From the foreword: "It is an ongoing wonder when a writer is able to infuse her prose with such poetic quality and tenderness that each piece becomes a poem in itself. Suzanne Rhodes has this magical facility of seeing to the heart of things . . . To retain the precision of the moment, one has to be there to experience it. Suzanne is a friend who takes my hand and says "Look!" or "Listen!" or just "Stay here with me while the meaning of this beauty unfolds." It's in that particularity and specificity of Rhodes' seeing and speaking that a comparison with Mary Oliver's writing becomes consistent in my mind. Both have eyes wide open for beauty and the significance of earthy things like shorelines and sedges, shells and what Suzanne calls "the slow simmer of time." Her subjects include things like the miracle of the human hand, the tang of a marinade, how improvisational prayer is, a horse-shoe crab, or the weight of wetness on a morning tent. And much, much more-each sample a small slice of a life lived well, in which we are invited to join, powerfully moved, weeping or rejoicing with the writer." -Luci Shaw
For all its storied past and lofty reputation, poetry is really just the art of noticing, naming, and comparing the stuff of this world. Unlike the eye of modern science (which sees the world as a giant specimen for us to dissect), poetry fosters and nurtures life by finding wonder in the nooks and crannies of ordinary life. Suzanne Rhodes, a longtime poet and teacher, offers The Roar on the Other Side as an introductory guide for students (junior high and up). Clear and imaginative, this book makes poetry approachable. Focusing on the importance of sight and the necessity of practice, Rhodes easily communicates the joy of words to her readers and helps them see how good poetry binds all seemingly-contradictory things together. Students will emerge from this book with a good handle on the basics of writing poetry and a new appreciation for the awesome world in which we live.
The poems in Flying Yellow cry out for the day just out of reach, the day which unaccountably may in a moment or a season let down a joyful light into the obscurity of human trial. A hopeful belief in heaven and the end of suffering colors these profoundly spiritual, often uneasy, poems. Carried by musical currents that shape her work, Rhodes ventures into what she calls “the good dark stuff” of experience—good because the dark is where Christ went, willingly, to take it captive. Whether probing the meaning of her own personal traumas or those of historical figures like Mary Rowlandson and Dorothy Bradford; whether peeling back layers of habitual sight to see the natural world of robins and ghost crabs and shorelines more truly, she brings the reader alongside in each surprising encounter to see the possibilities of light.
Don't Stop Believin' pays tribute to the glorious mash-up of music, comedy, drama and social commentary that has put Glee and its band of misfits in the spotlight"--Page 4 of cover
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.