The image of the rose winds through the book, symbol of eternity and transience, gravity and folly. We find it in the ghastly bloom of the atomic bomb, in the relic of St. Therese of Lisieux, in the wool of a cloned sheep. Its image glows silently under the Waste Isolation Projects of Yucca Mountain and New Mexico, in the U.S. Human Radiation Experiments, in the altars constructed at the schoolyard gate of the Columbine massacre. The poems -- witty, sly, sensitive, and immensely informed -- trace the spiritual inquiries of a series of linked personae adrift in bodies and a world made toxic by the residues of scientific experimentation. Paola’s dramatic monologues begin and end with the same fictional narrator, a wry, cynical, cake-baking woman who, on learning of the atomic structure of all matter, begins a lifetime of questioning. At times blasphemous, at times poignant and humorous, these voices are never less than heartbreakingly human, and the words they utter chill with their honesty. The Lives of the Saints is a stark, wise, meticulously researched book by a writer whose reputation leaps forward with each publication.
An authentic culinary journey—part memoir, part cookbook—introducing readers to the people, places, and food of Umbria Veteran food critic Suzanne Carriero spent a year and a half in Umbria, and this is her intimate look at its ancient recipes, traditions, and the people who pass them on. Each of the book's eight chapters features local cooks, as their personal stories are as much a part of the cuisine's essence as are the crops they grow and the family dishes they prepare. Anecdotes, sidebars, and boxes are used throughout the book to further illustrate Umbrian life—from buying a rabbit in the country, to making torta di Pasqua for Easter, to reading the Italian wine label, and drinking cappuccino after lunch (a serious breach in tradition). With a food and wine glossary included as a reference for travelers, The Dog Who Ate the Truffle immerses the reader in the people, cuisine, and lifestyle that few are privileged to experience. Suzanne's colorful stories and authentic classic recipes make for an intimate and illustrious travel cookbook.
A Hispanic detective wades through accusations, bigotry, and fear when a teenage girl disappears in this novel from “a tremendous talent” (Lee Child). A blond-haired, blue-eyed teenager from a prominent family vanishes after teaching English to a group of immigrants. Suspicion falls on the men she was tutoring, inflaming tensions in the close-knit, picturesque community of Lake Holly, New York. For Detective Jimmy Vega, more is at stake than just keeping the peace. His girlfriend, Adele, heads the community center where the girl was last seen. Now all she’s worked for is at risk. After a murder suspect’s surrender goes horribly wrong, Vega gets tossed into a grunt detail that quickly turns into a political minefield. A powerful, charismatic leader will stop at nothing to cleave the town in two. But Vega uncovers even darker forces at play. And no matter which way he turns, every step could cost him his job, his town, his family—even his life. Praise for the Jimmy Vega mysteries “Chazin delivers a complex, suspenseful story, with the grace of a ballerina and the impact of a boxer’s fist.” —William Kent Krueger, New York Times–bestselling author “A terrific mystery that keeps on surprising right to the end. Don’t miss this series.” —Robert Dugoni, New York Times–bestselling author “What a wonderful read! Suspenseful, involving, peopled with colorful, engaging characters . . . This fine novel will touch your heart.” —Julia Spencer-Fleming, New York Times–bestselling author “Chazin’s pulse-pounding procedurals excel at plucking stories from the headlines.” —Kirkus Reviews
This text is an unbound, three hole punched version. Access to WileyPLUS sold separately. Parliamo italiano!, Binder Ready Version, Edition 5 continues to offer a communicative, culture based approach for beginning students of Italian. Not only does Parliamo Italiano provide students learning Italian with a strong ground in the four ACTFL skills: reading, writing, speaking, and listening, but it also emphasizes cultural fluency. The text follows a more visual approach by integrating maps, photos, regalia, and cultural notes that offer a vibrant image of Italy. The chapters are organized around functions and activities. Cultural information has been updated to make the material more relevant. In addition, discussions on functional communications give readers early success in the language and encourage them to use it in practical situations.
The Pinocchio Effect' draws on a broad array of sources to trace the making of a modern national identity in Italy. The author explores all the ways that identity was constructed through newly formed attachments, voluntary and otherwise, to the nation.
For millions of Americans, home means Italy, where their roots started years ago. In Finding Your Italian Ancestors, you'll discover the tools you need to trace your ancestors back to the homeland. Learn how and where to find records in the United States and Italy, get practical advice on deciphering those hard-to-read documents, and explore valuable online resources. The guide also includes maps, multiple glossaries, and an extensive bibliography.
Between 1550 and 1650, Europe was swept by a fascination with wondrous accounts of monsters and other marvels - of valiant men slaying dragons, women giving birth to animals, young girls growing penises, and all manner of fantastic phenomena. Known as 'fairy tales,' these stories had many guises and inhabited a variety of literary texts. The first two collections of such fairy tales published on the continent, Giovan Francesco Straparola's Le piacevoli notti and Giambattista Basile's Lo cunto de li cunti, were greeted with much enthusiasm at home and abroad and essentially established a new literary genre. Contrary to popular thought, Italy, not Germany or France, was the birthplace of the literary fairy tale. This fascination with the marvellous also extended to the worlds of science, medicine, philosophy, and religion, and many treatises from the period focused on discussions of monsters, demons, magic, and witchcraft. In Fairy-Tale Science Suzanne Magnanini looks at these 'science fictions' and explores the birth and evolution of the literary fairy tale in the context of early modern discourses on the monstrous. She demonstrates how both the normative literary theories of the Italian intellectual establishment and the emerging New Science limited the genre's success on its native soil. Natural philosophers, physicians, and clergymen positioned the fairy tale in opposition in opposition to science, fixing it as a negative pole in a binary system, one which came to define both a new type of scientific inquiry and the nascent literary genre. Magnanini also suggests that, by identifying their literary production with the monstrous and the feminine, Straparola and Basile contributed to the marginalization of the new genre. A wide-ranging yet carefully crafted study, Fairy-Tale Science investigates the complex interplay between scientific discourse and an emerging literary genre, and expands our understanding of the early modern European imagination.
This book provides an introductory understanding of fluvial geomorphic principles and how these principles can be integrated with geochemical data to cost-effectively characterize, assess and remediate contaminated rivers. The book stresses the importance of needing to understand both geomorphic and geochemical processes. Thus, the overall presentation is first an analysis of physical and chemical processes and, second, a discussion of how an understanding of these processes can be applied to specific aspects of site assessment and remediation. Such analyses provide the basis for a realistic prediction of the kinds of environmental responses that might be expected, for example, during future changes in climate or land-use.
A contemporary of Shakespeare and Monteverdi, and a colleague of Galileo and Artemisia Gentileschi at the Medici court, Francesca Caccini was a dominant musical figure there for thirty years. Dazzling listeners with the transformative power of her performances and the sparkling wit of the music she composed for more than a dozen court theatricals, Caccini is best remembered today as the first woman to have composed opera. Francesca Caccini at the Medici Court reveals for the first time how this multitalented composer established a fully professional musical career at a time when virtually no other women were able to achieve comparable success. Suzanne G. Cusick argues that Caccini’s career depended on the usefulness of her talents to the political agenda of Grand Duchess Christine de Lorraine, Tuscany’s de facto regent from 1606 to 1636. Drawing on Classical and feminist theory, Cusick shows how the music Caccini made for the Medici court sustained the culture that enabled Christine’s power, thereby also supporting the sexual and political aims of its women. In bringing Caccini’s surprising story so vividly to life, Cusick ultimately illuminates how music making functioned in early modern Italy as a significant medium for the circulation of power.
The Rise of the Military Entrepreneur explores how a new kind of international military figure emerged from, and exploited, the seventeenth century's momentous political, military, commercial, and scientific changes. In the era of the Thirty Years' War, these figures traveled rapidly and frequently across Europe using private wealth, credit, and connections to raise and command the armies that rulers desperately needed. Their careers reveal the roles international networks, private resources, and expertise played in building and at times undermining the state. Suzanne Sutherland uncovers the influence of military entrepreneurs by examining their activities as not only commanders but also diplomats, natural philosophers, information brokers, clients, and subjects on the battlefield, as well as through strategic marital and family allegiances. Sutherland focuses on Raimondo Montecuccoli (1609–80), a middling nobleman from the Duchy of Modena, who became one of the most powerful men in the Austrian Habsburg monarchy and helped found a new discipline, military science. The Rise of the Military Entrepreneur explains how Montecuccoli successfully met battlefield, court, and family responsibilities while contributing to the world of scholarship on an often violent, fragmented political-military landscape. As a result, Sutherland shifts the perspective on war away from the ruler and his court to instead examine the figures supplying force, along with their methods, networks, and reflections on those experiences.
A sniper attack propels Latino cop Jimmy Vega on a twisting hunt for a predator who stalks the unforgiving landscape of immigrant America. Probing beyond the hardships of the journey north, Suzanne Chazin’s taut and timely novel explores the perils that await the hopeful once they reach their destination—and the price they must pay to survive . . . Jimmy Vega straddles two worlds – the hardscrabble Bronx where he grew up as the child of a Puerto Rican single mother, and the upscale, mostly white, suburban county where he now serves as a police detective. Yet despite his sense of never belonging, he’s a good and decent cop—even if the multi-million-dollar civil suit he’s facing says otherwise. His own troubles take a back seat when Vega learns that a court officer has just been shot and killed while transporting a controversial judge across the courthouse lot. Vega quickly surmises that the judge was the real target. She’s earned the ire of alt-right hate groups for going soft on undocumented defendants accused of petty crimes. The sole witness to the sniper’s identity is a Guatemalan girl traveling by bus from the border. And now, she’s vanished—melted into a community fearful of the police. Her days are numbered if Vega can’t get to her before the killer does. But as Vega and his girlfriend, Adele Figueroa, head of the local outreach center, probe deeper into the shadowy farm community where immigrants toil in horrifying conditions, they tap into a chilling discovery. One that offers Vega a stark choice: keep quiet and be lauded as a hero, knowing he let the real villain go. Or risk everything for an ugly truth no one wants him to find . . .
Take students on a culinary trip around the world and introduce them to other cultures through the recipes, research, readings, and related media offered in this tasty resource. More than 20 countries and regions frequently studied in elementary and middle schools are represented. Each chapter has a brief introduction that describes the cookery of a culture, five to six recipes that provide a complete meal, research questions that connect the culture and food to history, and an annotated bibliography of reading resources and media. Great for social studies and for multicultural extensions. Grades K-6.
William Kilpatrick's recent book Why Johnny Can't Tell Right from Wrong convinced thousands that reading is one of the most effective ways to combat moral illiteracy and build a child's character. This follow-up book--featuring evaluations of more than 300 books for children--will help parents and teachers put his key ideas into practice.
Provide fourth-grade students with the right tools to grow their grammar skills. This easy-to-use classroom resource is correlated to state and national standards and provides teachers and parents with daily practice in punctuation, capitalization, parts of speech, spelling, and more! Featuring 180 quick, diagnostic-based activities, data-driven assessment tips, and digital resources including pdfs of the activity sheets, and assessments, fourth graders will be gaining and improving grammar skills in no time!
Renaissance music, like its sister arts, was most often experienced collectively. While it was possible to read Renaissance polyphony silently from a music manuscript or print, improvise alone, or perform as a soloist, the very practical nature of Renaissance music defied individualism. The reading and improvisation of polyphony was most frequently achieved through close co-operation, and this mutual endeavour extended beyond the musicians to include the society to which it is addressed. In sixteenth-century Milan, music, an art traditionally associated with the court and cathedral, came to be appropriated by the old nobility and the new aristocracy alike as a means of demonstrating social primacy and newly acquired wealth. As class mobility assumed greater significance in Milan and the size of the city expanded beyond its Medieval borders, music-making became ever more closely associated with public life. With its novel structures and diverse urban spaces, sixteenth-century Milan offered an unlimited variety of public performance arenas. The city's political and ecclesiastical authorities staged grand processions, church services, entertainments, and entries aimed at the propagation of both church and state. Yet the private citizen utilized such displays as well, creating his own miniature spectacle in a visual and an aural imitation of the ecclesiastical and political panoply of the age. Using archival documents, music prints, manuscripts and contemporary writing, Getz examines the musical culture of sixteenth-century Milan via its life within the city's most influential social institutions to show how fifteenth-century courtly traditions were adapted to the public arena. The book considers the relationship of the primary cappella musicale, including those of the Duomo, the court of Milan, Santa Maria della Scala, and Santa Maria presso San Celso, to the sixteenth-century institutions that housed them. In addition, the book investigates the musician's role as an actor and a functionary in the political, religious, and social spectacles produced by the Milanese church, state, and aristocracy within the city's diverse urban spaces. Furthermore, it establishes a context for the numerous motets, madrigals, and lute intabulations composed and printed in sixteenth-century Milan by examining their function within the urban milieu in which they were first performed. Finally, it musically documents Milan's transformation from a ducal state dominated by provincial traditions into a mercantile centre of international acclaim. Such an important study in Italian Renaissance music will therefore appeal to anyone interested in the culture of Renaissance Italy.
People who don't have embarrassing stories are untrustworthy. Or at the very least, they aren't telling the truth. -- Suzanne Guillette By your own definition, you are very, very trustworthy. After all, you are the kind of person who spills pasta sauce down the shirt of a famous writer you're trying to impress. You are the girl who, when taking a new mentor out for a fancy lunch, forgets to bring cash -- or a backup credit card. You are almost thirty, an unemployed writer, recently un-engaged from your fiancŽ of several years, and in all your naivetŽ can't foresee that mixing the personal and the professional will bring you mortifyingly disastrous results. You are Suzanne Guillette, the author of Much to Your Chagrin, a smart, hilarious memoir of how chronicling the humiliations of others helped her come to understand and accept herself. Guillette was twenty-nine and the proud owner of a freshly inked MFA when she began to work on her first book -- a collection of embarrassing moments gathered from family, friends, coworkers, and strangers on the street. Stories poured in about every possible type of gaffe, from wardrobe malfunctions (widespread) to romantic misunderstandings (ditto), and from office faux pas (common) to bodily fluid mishaps (distressingly common). Everyone Guillette talked to was enthusiastic about her clever project -- and no one more so than Jack, the wry, handsome literary agent who Guillette thought might just be her soul mate. But as time marched on, Guillette began to see that the tales she'd been gathering were nothing compared to her own moments of shame. Like her increasingly frequent need to sneak out of work (at a health agency, natch) for a "quick smoke" to settle her nerves. Or her stubborn ability to ignore the reality that her fairy-tale romance with Jack was imploding in a truly spectacular fashion. When Guillette accepted that the story she was meant to tell was not others' but her own, Much to Your Chagrin was born. Told in a unique and captivating voice, punctuated by the embarrassing stories she collected, Much to Your Chagrin follows one woman's discovery of what it's like to finally feel comfortable in your own skin (even while accidentally exposing yourself to your elderly neighbors). Raw, honest, and brilliantly funny, it is an extremely personal memoir about the lengths to which we human beings sometimes go to conceal the parts of ourselves that we are least willing to admit are true. Forget the stuff we keep from the world -- it's what we hide from ourselves that is of greatest consequence. What is your most embarrassing moment?
In this book, Suzanne Gordon describes the everyday work of three RNs in Boston—a nurse practitioner, an oncology nurse, and a clinical nurse specialist on a medical unit. At a time when nursing is often undervalued and nurses themselves in short supply, Life Support provides a vivid, engaging, and intimate portrait of health care's largest profession and the important role it plays in patients' lives. Life Support is essential reading for working nurses, nursing students, and anyone considering a career in nursing as well as for physicians and health policy makers seeking a better understanding of what nurses do and why we need them. For the Cornell edition of this landmark work, Gordon has written a new introduction that describes the current nursing crisis and its impact on bedside nurses like those she profiled in the book.
Provides practical examples of diverse classrooms at work and embeds theory on English-language development throughout, as well as offering teachers a repertoire of ideas to meet the needs of ELL students in their classrooms. Elementary level.
A long-buried family secret and a chance encounter with an estranged sibling force police detective Jimmy Vega to confront his deepest fears in this gripping new mystery by award-winning author Suzanne Chazin . . . It's spring in Lake Holly, New York, a time of hope and renewal. But not for immigrants in this picturesque upstate town. Raids and deportations are on the rise, spurring fear throughout the community. Tensions reach the boiling point when the district attorney’s beautiful young bride is found hanging in her flooded basement, an apparent victim of suicide. But is she, wonders Vega? If so, where is her undocumented immigrant maid? Is she a missing witness, afraid to come forward? Or an accessory to murder? Vega gets more help than he bargained for when Immigration and Customs Enforcement sends an investigator to help find—and likely deport—the maid. It’s Vega’s half-sister Michelle, the child who caused his father to leave his mother. Now an ICE agent, Michelle tangles with Vega and his girlfriend, immigrant activist Adele Figueroa. The law is the law, Michelle reminds Vega. And yet, his heart tells him he needs to dig deeper, not just into the case but into his past, to a childhood terror only Michelle can unlock. While Vega searches for the demon from his youth, he discovers one uncomfortably close by, erecting a scheme of monstrous proportions. It’s a race against the clock with lives on the line. And a choice Vega never thought he’d have to make: Obey the law. Or obey his conscience. There’s no margin for error . . .
Hestia feels unseen at Mount Olympus Academy in this eighteenth Goddess Girls adventure. Hestia, the sweet goddess of the hearth, loves to cook, but is too shy to share her passion with other students. Her famous yambrosia salad is a MOA favorite—but no one has any idea that was her recipe! When she has to pick a symbol that represents her highest self for a Service to Humankind contest, her classmates laugh at her first choice of an ordinary cooking pot. After initial embarrassment, Hestia becomes determined to break out of her shell and stop feeling so invisible around everyone at Mount Olympus Academy. With the help of Pheme, and a lizard-tailed boy named Asca, she begins to see that she has much to offer others. But will her quest not show her best self after all?
Published on the occasion of the exhibition "Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at the Yale University Art Gallery" held at the Yale University Art Gallery, New Haven, Connecticut, December 18, 2015-April 24, 2016, the Samuel P. Harn Museum of Art, University of Florida, Gainesville, January 29-May 8, 2017 and at the Syracuse University Art Galleries, New York, August 17-November 19, 2017.
During the later Middle Ages, new optical theories were introduced that located the power of sight not in the seeing subject, but in the passive object of vision. This shift had a powerful impact not only on medieval science but also on theories of knowledge, and this changing relationship of vision and knowledge was a crucial element in late medieval religious devotion. In Seeing through the Veil, Suzanne Conklin Akbari examines several late medieval allegories in the context of contemporary paradigm shifts in scientific and philosophical theories of vision. After a survey on the genre of allegory and an overview of medieval optical theories, Akbari delves into more detailed studies of several medieval literary works, including the Roman de la Rose, Dante's Vita Nuova, Convivio, and Commedia, and Chaucer's dream visions and Canterbury Tales. The final chapter, 'Division and Darkness, ' centres on the legacy of allegory in the fifteenth century. Offering a new interdisciplinary, synthetic approach to late medieval intellectual history and to major works within the medieval literary canon, Seeing through the Veil will be an essential resource to the study of medieval literature and culture, as well as philosophy, history of art, and history of science.
A modern, quantitative, process-oriented approach to geomorphology and the role of Earth surface processes in shaping landforms, starting from basic principles.
This book sheds new light on the interplay of the funerary arts, tomb cult and the mentalities that shaped them in France, over a period famous for profound and often violent change. Using previously untouched archival sources and period published material, this study proposes new and vital contexts for nineteenth-century France's celebrated funerary projects, often profoundly reinterpreting them, and brings to light significant enterprises that are little known today.
I never understood what makes me so special," mused Audrey Hepburn. The daughter of a Dutch baroness, Hepburn first won international acclaim with her role as a princess in the 1953 film Roman Holiday, and she maintained a rare grace and elegance throughout her life that millions have adored and tried to emulate. Audrey Hepburn: A Photographic Celebration showcases the film star, who also worked as a UNICEF goodwill ambassador. This book is packed with great quotes from the woman herself and those who admire her (including Hollywood directors and movie stars) as well as engaging trivia and beautiful images of Audrey in all phases of her career. "I've been in pictures over thirty years, but I've never had a more exciting leading lady than Audrey," enthused Gary Cooper, her Love in the Afternoon costar. Audrey Hepburn: A Photographic Celebration features everybody's favorite leading lady with her leading men, including such luminaries as Gregory Peck, Fred Astaire, George Peppard, Albert Finney, William Holden, Humphrey Bogart, Henry Fonda, Rex Harrison, Peter O'Toole, Sean Connery, Richard Dreyfuss, and Cary Grant along with her real-life costar, her first husband— Mel Ferrer. This lovely book about this classic lady will delight both the casual and die-hard Audrey fan, as well as anyone with an eye for classic elegance.
Provide sixth-grade students with the right tools to grow their grammar skills. This easy-to-use classroom resource is correlated to state and national standards and provides teachers and parents with daily practice in punctuation, capitalization, parts of speech, spelling, and more! Featuring 180 quick, diagnostic-based activities, data-driven assessment tips, and digital resources including pdfs of the activity sheets, and assessments, sixth graders will be gaining and improving grammar skills in no time!
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Two award-winning authors reveal everything you need to know to develop your own distinctive voice and craft compelling, creative nonfiction “Tell all the Truth but tell it Slant.” —Emily Dickinson With these words, Dickinson offers sound advice for nonfiction writers: Tell the truth but become more than mere transcribers of daily life. Since 2003, Tell It Slant has set the standard for creative nonfiction instruction, showing writers how to move beyond mere facts and, instead, make the most of their own “slant” on the world. This revised and updated third edition offers: • New and expanded chapters on writing about identity, maintaining a productive work/life balance, and navigating the publishing industry • An anthology with diverse pieces that range from traditional essay to the graphic memoir • Expanded discussion of contemporary and emerging literary forms • New “Try It” writing exercises throughout the book Whether planning a course or learning on your own, Tell It Slant provides everything you need to know to develop a distinctive voice and to craft compelling creative nonfiction. This book provides the basis for a complete education in nonfiction writing, wherever your classroom might be. “Tell It Slant is a valuable and comprehensive resource for nonfiction writers, filled with exhilarating examples, powerful exercises, and pure inspiration. Miller and Paola are gifted teachers and writers with endless wisdom to share and a lovely way of sharing it with struggling writers at every level.” —Dinty W. Moore, author of The Mindful Writer: Noble Truths of the Writing Life
Creative nonfiction is the fastest-growing segment in the writing market. Yet, the majority of writing guides are geared toward poetry and fiction writers. Tell It Slant fills the gap. Designed for aspiring nonfiction writers, this much-needed reference provides practical guidance, writing exercises, and a detailed discussion of the range of subcategories that make up the genre, including memoir, travel writing, investigative reporting, and more.
Suzanne Aubert's life was a very full one, ninety-one years packed with eventfulness. It was nonetheless a thoughtful life, in a partnership of reflection and action lived out and communicated to others. The small French nun who strode the streets and roads of New Zealand on behalf of the poor and neglected was in her lifetime a legend - and she has remained so ever since. Highly articulate in both French and English, she wrote copious letters throughout her long life. The correspondence selected here reflects every aspect of her interest - her rich friendships, her challenges to the church hierarchy, her engagement with politicians on behalf of the poor, her relationships with the Sisters of the religious congregation that she founded (the Daughters of the Compassion). This book of letters is a superb presentation of a key figure in New Zealand history.
Can a lipstick left behind in a handbag change a woman’s life? Can a forgotten pair of shoes? Award-winning nonfiction writer Suzanne Antonetta Paola (New York Times Notable Book for Body Toxic; American Book Award winner) turns her knack for imagining how we as humans make sense of our lives to fiction. Inspired by V.S. Naipaul’s dismissal of women’s writing as “feminine tosh,” Paola challenged herself to imagine a story that would move from an item as simple as a lipstick to profound questions of how we exist—as beings in relationship to one another, and to ourselves: “she’d grown tired of herself, and been remade, from the mouth out.” By turns funny, moving, and illuminating, the three interlocked stories of Stolen Moments present women living at a psychological edge—a therapist in a stale marriage, a saleswoman, and a maid—each of whom has something unexpected come into her life, through accident or theft. The stories demonstrate how three very different people can have more in common than they know, and the way our smallest choices lead to the cascades of events that make us who we are.
Five stars for Tell It Slant ... An enlightening, comprehensive, and very satisfying text on writing and shaping creative nonfiction." --Sheila Bender, editor and publisher of writingitreal.com and author of Writing and Publishing Personal Essays When the poet Emily Dickinson wrote, "Tell all the Truth but tell it Slant," she provided today’s writers of creative nonfiction some sound advice: tell the truth but don’t become mere transcribers of day-to-day life. Whether you are writing a memoir or researched essay, the award-winning authors will guide you along the journey, using intensive instruction and an abundance of writing exercises. You will learn how to find a distinctive voice, use prompts to get started and keep writing, discover stories in impossible places, tackle (and enjoy) background research, and more. This second edition includes a new chapter on publication--print, digital; an update on “The Particular Challenges of Creative Nonfiction” chapter to include references to James Frey and other controversies regarding nonfiction ethics; and an expanded resource section and bibliography.
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