Set against the rich but often troubled history of Blacklands, Texas, during an era of pandemic, scientific discovery, and social upheaval, the novel offers a unique—yet eerily familiar—backdrop to a universal tale of triumphing over loss. Even as dementia clouds other memories, eighty-three-year-old Leola can’t forget her father’s disappearance when she was sixteen. Now, as Papa appears in haunting visions, Leola relives the circumstances of that loss: the terrible accident that steals Papa’s livelihood, sending the family deeper into poverty; a scandal from Mama’s past that still wounds; and Leola’s growing unease with her brutally bigoted society. When Papa vanishes while seeking work in Houston and Mama dies in the “boomerang” Influenza outbreak of 1919, Leola and her young sisters are sent to an orphanage, where her exposure of a dark injustice means sacrificing a vital clue to Papa’s whereabouts. That decision echoes into the future, as new details about his disappearance suggest betrayal too painful to contemplate. Only in old age, as her visions of Papa grow more realistic, does Leola confront her long-buried grief, leading to a remarkable family discovery that could offer peace, at last.
A collection of sayings or 'suzisms' by Suzanne Paul, entrepreneur, known for the product, Natural Glow. Sayings are divided into categories including: Home Truths; Family; Sex and Love and Men.
Set against the rich but often troubled history of Blacklands, Texas, during an era of pandemic, scientific discovery, and social upheaval, the novel offers a unique—yet eerily familiar—backdrop to a universal tale of triumphing over loss. Even as dementia clouds other memories, eighty-three-year-old Leola can’t forget her father’s disappearance when she was sixteen. Now, as Papa appears in haunting visions, Leola relives the circumstances of that loss: the terrible accident that steals Papa’s livelihood, sending the family deeper into poverty; a scandal from Mama’s past that still wounds; and Leola’s growing unease with her brutally bigoted society. When Papa vanishes while seeking work in Houston and Mama dies in the “boomerang” Influenza outbreak of 1919, Leola and her young sisters are sent to an orphanage, where her exposure of a dark injustice means sacrificing a vital clue to Papa’s whereabouts. That decision echoes into the future, as new details about his disappearance suggest betrayal too painful to contemplate. Only in old age, as her visions of Papa grow more realistic, does Leola confront her long-buried grief, leading to a remarkable family discovery that could offer peace, at last.
Xurt'an (the end of the world) showcases the rich storytelling traditions of the northern Lacandones of Naha' through a collection of traditional narratives, songs, and ritual speech. Formerly isolated in the dense, tropical rainforest of Chiapas, Mexico, the Lacandon Maya constitute one of the smallest language groups in the world. Although their language remains active and alive, their traditional culture was abandoned after the death of their religious and civic leader in 1996. Lacking the traditional contexts in which the culture was transmitted, the oral traditions are quickly being forgotten. This collection includes creation myths that describe the cycle of destruction and renewal of the world, the structure of the universe, the realms of the gods and their intercessions in the affairs of their mortals, and the journey of the souls after death. Other traditional stories are non-mythic and fictive accounts involving talking animals, supernatural beings, and malevolent beings that stalk and devour hapless victims. In addition to traditional narratives, Xurt'an presents many songs that are claimed to have been received from the Lord of Maize, magical charms that invoke the forces of the natural world, invocations to the gods to heal and protect, and work songs of Lacandon women, whose contribution to Lacandon culture has been hitherto overlooked by scholars. Women's songs offer a rare glimpse into the other half of Lacandon society and the arduous distaff work that sustained the religion. The compilation concludes with descriptions of rainbows, the Milky Way as "the white road of Our Lord," and an account of the solstices. Transcribed and translated by a foremost linguist of the northern Lacandon language, the literary traditions of the Lacandones are finally accessible to English readers. The result is a masterful and authoritative collection of oral literature that will both entertain and provoke, while vividly testifying to the power of Lacandon Maya aesthetic expression.
Explores the nature of Melville's relations to his reader in Moby Dick, arguing that Melville and his narrator Ishmael are so dazzled, so completely seduced by the Ahab's charismatic charm that they, along with most readers and critics, are unable to see Ahab's character clearly confusing his demonism for tragic heroism.
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