Manuel Puig & The Spider Woman tells the life story of the innovative and flamboyant novelist and playwright himself. Suzanne Jill Levine, his principal English translator, draws upon years of friendship as well as copious research and interviews in her remarkable book, the first biography of the inimitable writer. Manuel Puig (1932-1990), Argentinian author of Kiss of the Spider Woman and pioneer of high camp, stands alone in the pantheon of contemporary Latin American literature. Strongly influenced by Hollywood films of the thirties and forties, his many-layered novels and plays integrate serious fiction and popular culture, mixing political and sexual themes with B-movie scenarios. When his first two novels were published in the late 1960s, they delighted the public but were dismissed as frivolous by the leftist intellectuals of the Boom; his third novel was banned by the Peronist government for irreverence. His influence was already felt, though-even by writers who had dismissed him-and by the time the film version of Kiss of the Spider Woman became a worldwide hit, he was a renowned literary figure. Puig's way of life was as unconventional as his fiction: he spoke of himself in the female form in Spanish, renamed his friends for his favorite movie stars, referred to his young male devotees as "daughters," and, as a perennial expatriate, lived (often with his mother) everywhere from Rome to Rio de Janeiro.
“One of the most adventurous and rewarding collections since the publication of Cortázar’s own Blow-up.” —Los Angeles Times A traffic jam outside Paris lasts for weeks. Che Guevara and Fidel Castro meet on a mountaintop during the Cuban Revolution. A flight attendant becomes obsessed with a small Greek island, resulting in a surreal encounter with death. In All Fires the Fire, Julio Cortázar (author of Hopscotch and the short story “Blow-Up” ) creates his own mindscapes beyond space and time, where lives intersect for brief moments and situations break and refract. All Fires the Fire contains some of Julio Cortázar’s most beloved stories. It is a classic collection by “one of the world’s great writers” (Washington Post).
Here is an English translation of Infante's legendary novel about Havana before Castro's revolution. First published in 1965, it has long been recognized as a classic of Spanish-language fiction and has won its author worldwide acclaim. "I doubt a funnier book has been written in Spanish since Don Quixote.--New York Times.
Manuel Puig (1932-1990), Argentinian author of Kiss of the Spiderwoman and pioneer of high camp, stands alone in the pantheon of contemporary Latin American literature. Strongly influenced by Hollywood films of the 30s and 40s, his many-layered novels and plays integrate serious fiction and popular culture, mixing political and sexual themes with B-movie scenarios. Puig's way of life was as unconventional as his fiction: he spoke of himself in the female form in Spanish, renamed his friends for his favourite movie stars and referred to his young male devotees as 'daughters'. Suzanne Jill Levine, his principal English translator, draws upon years of friendship as well as copious research and interviews in her remarkable book.
Manuel Puig & The Spider Woman tells the life story of the innovative and flamboyant novelist and playwright himself. Suzanne Jill Levine, his principal English translator, draws upon years of friendship as well as copious research and interviews in her remarkable book, the first biography of the inimitable writer. Manuel Puig (1932-1990), Argentinian author of Kiss of the Spider Woman and pioneer of high camp, stands alone in the pantheon of contemporary Latin American literature. Strongly influenced by Hollywood films of the thirties and forties, his many-layered novels and plays integrate serious fiction and popular culture, mixing political and sexual themes with B-movie scenarios. When his first two novels were published in the late 1960s, they delighted the public but were dismissed as frivolous by the leftist intellectuals of the Boom; his third novel was banned by the Peronist government for irreverence. His influence was already felt, though-even by writers who had dismissed him-and by the time the film version of Kiss of the Spider Woman became a worldwide hit, he was a renowned literary figure. Puig's way of life was as unconventional as his fiction: he spoke of himself in the female form in Spanish, renamed his friends for his favorite movie stars, referred to his young male devotees as "daughters," and, as a perennial expatriate, lived (often with his mother) everywhere from Rome to Rio de Janeiro.
“One of the most adventurous and rewarding collections since the publication of Cortázar’s own Blow-up.” —Los Angeles Times A traffic jam outside Paris lasts for weeks. Che Guevara and Fidel Castro meet on a mountaintop during the Cuban Revolution. A flight attendant becomes obsessed with a small Greek island, resulting in a surreal encounter with death. In All Fires the Fire, Julio Cortázar (author of Hopscotch and the short story “Blow-Up” ) creates his own mindscapes beyond space and time, where lives intersect for brief moments and situations break and refract. All Fires the Fire contains some of Julio Cortázar’s most beloved stories. It is a classic collection by “one of the world’s great writers” (Washington Post).
Suzanne Evans finds commonalities between the many images of war mothers - the Canadian Silver Cross mother, the ancient Jewish Maccabean mother of seven martyred sons, the mother of a Palestinian suicide bomber. She compares the lore about mothers of martyrs in the Judeo-Christian, Muslim, and Sikh traditions with stories of World War I Canadian mothers who were depicted in the media as having sacrificed their sons for the sake of civilization, justice, freedom, and God. After the war these mothers were honoured with the Silver Cross medal. Evans argues that, like the mothers of past martyrs, the image of the war-supportive mother in Canada had a powerful influence over public opinion and drew supporters to the cause.
This survey focuses on five key concepts to explain sociological principles: function; structure; action; culture; and power. These concepts enable the text to present structural sociology and culture, with student-orientated examples.
McGraw-Hill Humanities, Social Sciences & World Languages
Published Date
ISBN 10
0070380694
ISBN 13
9780070380691
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