A collection of stories funded by the Australian Bicentennial Authority to celebrate Australia's Bicentenary in 1988 and originally published in that year as 'Canberra Tales'. The authors are part of a group of writers known as the 'Seven Writers' who first met in Canberra in 1980 to support and critically encourage each other. The stories cover a wide range of experiences including a man's strange pact with his dying daughter and sadism which erupts out of the commonplaces of a broken marriage. Between the authors they have published seven books.
Focuses on art, the natural world, the intimacy of love, human caprice. These poems will stop you in your tracks with the force of their emotional intensity. '...a highly intelligent, inventive and gifted poet...' - Les Murray. 'Sincere, intimate and straightforward...' - Canberra Times
Through his representation of modern subjects such as ballet dancers and race horses, his constant questioning of traditional artistic practices, and his vital engagement with Parisian society, Edgar Degas (1834-1917) helped to define the beginnings of modernism in visual culture at the end of the nineteenth century. This engaging book yields new scholarship on works by Degas in the collection of the Yale University Art Gallery and provides in-depth discussion of works of art in every medium explored by this innovative artist. Extended entries by distinguished scholars including Richard Kendall and Edgar Munhall provide a complete review of the artist's working methods. The book also introduces several important pieces by Degas that have rarely been available for view by the public, including a notable wax figure and several unique prints and works on paper.
Perverse Feelings: Poe and American Masculinity examines white masculinity in Poe's fiction and the culture it represents. Poe's men are tormented by chronic illness, deviant attachments, and ugly emotions. As it analyzes these afflictions, this book illuminates the pathologies of American masculinity that emerged in a terrible history of imperialism, capitalism, racism, misogyny, and homophobia. One of its central contentions is that we can better understand a past and present American masculinity through a reckoning with its "perverse feelings." More pointedly, this book asks: What does masculinity feel? What does white American masculinity feel in the first decades of nation formation? What does it feel in the crucible of its revolution, its slave system, its democracy, its nascent capitalism, and its pursuit of happiness? What feelings besiege and beleaguer Poe's men? And what can they teach us about the antagonisms of contemporary white American masculinity?
Hailed as the most architecturally significant private residence in the United States, Fallingwater was a welcome retreat for Edgar J. Kaufmann, his wife, Liliane, their son, Edgar jr., and their many guests. The Fallingwater Cookbook captures the experience of fine and casual dining at this famed home. Suzanne Martinson, former food editor and writer for the Pittsburgh Press and the Pittsburgh Post-Gazette, relates recipes from Elsie Henderson, the longtime and last cook for the Kaufmann family at Fallingwater, along with Henderson's memories and anecdotes of life in the renowned house on the waterfall. Henderson also recounts with humor, affection, and vivid detail her encounters with Senators John Heinz and Ted Kennedy, Isaac Stern, and Frank Lloyd Wright, among others.The book is rounded out with additional recipes from Chef Robert Sendall, who began producing special events at Fallingwater in the early 1990s, Jane Citron, with whom Sendall taught cooking classes, and Mary Ann Moreau, former chef of the Cafe at Fallingwater. Artfully composed photographs of food, architecture, landscape, family, and guests complete the collection, which, like Fallingwater, will be treasured for years to come.
We've all had one of those days when one event after another goes wrong until it escalates into calamity. The twenty-four fiction stories in this collection are a diverse selection of comedic situations involving a female protagonist who uses her wits, sense of humor, or stubbornness to make the best of a bad situation. Laughter is truly the best defense against a day that seems beyond redemption. On one of those days, ignore the chaos around you and curl up with A Shaker of margaritas: A Bad Hair Day and let the laughter begin"--Back cover.
This book is not merely a study of Shakespeare’s debt to Montaigne. It traces the evolution of self-consciousness in literary, philosophical and religious writings from antiquity to the Renaissance and demonstrates that its early modern forms first appeared in the Essays and in Shakespearean drama. It shows, however, that, contrary to some postmodern assumptions, the early calling in question of the self did not lead to a negation of identity. Montaigne acknowledged the fairly stable nature of his personality and Shakespeare, as Dryden noted, maintained 'the constant conformity of each character to itself from its very first setting out in the Play quite to the End'. A similar evolution is traced in the progress from an objective to a subjective apprehension of time from Greek philosophy to early modern authors. A final chapter shows that the influence of scepticism on Montaigne and Shakespeare was counterbalanced by their reliance on permanent humanistic values.
Beautiful story... historical fiction at its best... The fashion world, the characters in WWII and present times come alive. A book that drew me in and kept me turning the pages' Reader review, five stars 1942, Paris: Working in her father's tailors shop, Nathalie Leroux dreams of being a famous designer. But with her beloved city under Nazi occupation, her dreams must be put on hold for survival during these dark days. When the Germans take away the person she loves most, Nathalie accepts a dangerous mission from the Resistance. One that will use her skills as a dressmaker and put her at the heart of the Nazi high command in the Ritz hotel. With every stitch she makes, Nathalie moves closer to avenging those she loves and freeing her country from tyranny. But it will also put her in terrible danger... 2022, England: When Darcie takes possession of an old suitcase, abandoned at a railway station, she doesn't know what to expect. Opening the stiff clasps, she discovers a beautiful silk evening dress from the 1940s and a notebook full of sketches. Written inside is the name: Nathalie Leroux. Who was Nathalie? Why did she leave this at the station eighty years ago? And what stopped her from returning for it? Darcie's quest for answers will draw her into the dangerous world of the French Resistance. But is Darcie prepared for what she will find? And for the power of Nathalie's secrets to change her world forever... A heartbreaking and epic wartime story of the bravery of ordinary women and the enduring power of love. Fans of Kate Quinn, Pam Jenoff and Suzanne Goldring will be hooked from the very first page.
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