The Disordered Body presents a fascinating look at how three epidemics of the medieval and Early Renaissance period in Western Europe shaped and altered conceptions of the human body in ways that continue today. Authors Suzanne E. Hatty and James Hatty show the ways in which concepts of the disordered body relate to constructions of disease. In so doing, they establish a historical link between the discourses of the disordered body and the constructs of gender. The ideas of embodiment, contagion and social space are placed in historical context, and the authors argue that our current anxieties about bodies and places have important historical precedents. They show how the cultural practices of embodied social interaction have been shaped by disease, especially epidemics.
These original essays introduce students to the complex and influential field of critical criminology. It presents many of the theories of critical criminology - Marxist, Feminist, Left Realist, Postmodern, Constitutive, Peacemaking, and Restorative Justice - and explores how, despite their distinctions, each theory is rooted in radical criminology, and all are critical of mainstream criminology. A product of the Division on Critical Criminology of the American Society of Criminology, the book is designed to introduce the reader to an important segment of criminology theory. Discussion questions at the end of each chapter provoke thought, discusson and review.
This exciting and unique new book offers a post-modern analysis linking the contemporary social crisis of masculine subjectivity and the law and order crisis over escalating violence. In doing so it examines the major biological, psychological, sociological, and anthropological theoretical models of masculinity and violence, and formulates an integrated theoretical approach to the relationship between violence and masculinity. In essence, the book focuses on violence as a gendered activity - specifically a masculine activity. Early chapters define and theorize both violence and masculinity, and subsequent chapters focus on representations of violence and masculinity in popular culture. Familiar but insightful examples from cartoons, fiction, television, and the movies are used to illustrate the construction of masculinity in popular culture as well as the range of images of violence that dominate our senses. Drawing from diverse literatures and traditions, this engaging book is directed to advanced undergraduate and graduate students as well as professionals in Criminology, Legal Studies, Psychology, Sociology, Gender Studies, and Cultural Studies. Because of its theoretical aspects, it will be of interest to students and scholars in the United Kingdom, Australia, and Canada, as well as in the United States.
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