It had been fifteen years since Cole Dempsey had set foot in Azalea Bend, Louisiana --or laid eyes on Bryn Louvel, the beautiful girl who'd betrayed him. He had come home to uncover the truth no matter what the cost...even if it meant risking his heart to Bryn once more. Little was left of the tender boy she had adored before her sister's murder turned their carefree world upside down. Now Bryn was completely vulnerable to an embittered stranger hell-bent on raking up painful memories and rekindling a passion that burned even hotter. She couldn't deny Cole Dempsey was a man on a mission. But was it a second chance at happiness...or revenge? -- back cover.
Ms. Frizzle's class is building a wonderful diorama of the desert, but learning about such a harsh environment has gotten Phoebe worried. What happens to all the animals in the desert without any water to sustain them in the scorching heat? Ties in with the PBS-TV series beginning in October 1995. Full color.
A survey of the huge importance of Thomas Tallis, the `Father of Church Music', on Victorian musical life. In Victorian England, Tallis was ever-present: in performances of his music, in accounts of his biography, and through his representation in physical monuments. Known in the nineteenth century as the 'Father of English Church Music', Tallis occupies a central position in the history of the music of the Anglican Church. This book examines in detail the reception of two works that lie at the stylistic extremes of his output: Spem in alium, revived in the 1830s, though generally not greatly admired, and the Responses, which were very popular. A close study of the performances, manuscripts and editions of these works casts light on the intersections between the antiquarian, liturgical and aesthetic goals of nineteenth-century editors and musicians. By tracing Tallis's reception in nineteenth-century England, the author charts the hold Tallis had on the Victorians and the ways in which Anglican - and English - identity was defined and challenged. Dr SUE COLE is a research associate at the Faculty of Music, University of Melbourne.
Poetry. Translated from the French by Cole Swensen. The supernatural, ventriloquism, table-turning, magic carpets, ghosts, THE FIELD IS LETHAL is immersed in a late nineteeth-century spiritualism. Borrowing freely from folklore and anecdote, Doppelt mixes oblique references, catching us in the sound and play of language as much as of ideas. Well-known as a photographer, Doppelt juxtaposes her text with delicate, eerie images. As Avital Ronell writes in her Postface for the book, we appreciate here "her manner, her astonishing modalities, the precision of her cuts.
Get a taste of the books you can read for FREE on Pulseit.com, including: Cassandra Clare’s The Mortal Instruments and The Infernal Devices series, Kresley Cole’s Poison Princess, Jodi Picoult and Samantha van Leer’s Between the Lines, Jenny Han’s The Summer I Turned Pretty, and more!
This book "will show you that there is pleasure in reading a poem, play, or prose work, and how to freely react to literature - to form opinions, express feelings, and relate the art to your own life."--Preface.
.".. a course for students who will be living, working or studying with Americans either in the United States or overseas. The course aims to give a deeper insight into verbal and nonverbal aspects of American English as well as to develop Language skills.
Louis Kevin Celestin (born August 25, 1992), known by his stage name Kaytranada is a Haitian-Canadian DJ and record producer. Celestin began his career under the alias Kaytradamus in 2010. He is part of the hip hop duo The Celestics.
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