Hanif Kureishi is one of the most exciting and controversial British writers who has produced significant work in a range of forms: plays, essays, novels, short stories and film. This guide introduces and sets in context the key debates about his work, and discusses his writing in relation to such issues as gender, postcolonial theory and British identity today. By exploring Kureishi's own statements and a wide range of critical perspectives, the guide provides a comprehensive resource for the study of one of the most important critical figures in contemporary culture.
Susie Gilbert traces the development of ENO from its earliest origins in the darkest Victorian slums of the Cut, where it was conceived as a vehicle of social reform, through two world wars, and via Sadler's Wells to its great glory days at the Coliseum and beyond. Setting the company's artistic achievements within the wider context of social and political attitudes to the arts and the ever-changing theatrical style, Gilbert provides a vivid cultural history of this unique institution's 150 years. Inspired by the idealism of Lilian Baylis, the company has been based on the belief that opera in the vernacular can not only reach out to even the least privileged members of society but also create a potent and immediate communication with its audience. With full access to ENO's archive, Gilbert has unearthed a rich range of material and held numerous interviews with a fascinating array of personalities, to weave an absorbing tale of life both in front and behind the scenes of ENO as it developed over the years.
This book brings an era to life with vivid stories and information from those who were there. During World War Two, 90% of the British population remained civilians. The War affected daily life more than any other war had done before. The majority of British people faced this will fortitude, courage and determination and this is their story, the telling of events and situations that forced their ingenuity and survival instincts to rise. Make do and mend came to mean so much more than reworking old clothes and this book describes the enterprise that went on and has long been forgotten. From the coasts and the countryside, this is how those at home faced and fought the war passively, particularly women whose job it was to keep the home fires burning. These ordinary people were crucial to the war effort; without their courage and inventiveness, the outcome could have been very different. Packed with interviews, photographs and other firsthand information, this book will appeal to all those who were there, but even more for those with little or no experience of World War Two, who will gain insights into the humor, strength and creativity that emerged in the face of hardship and tragedy. The book explores how people lived in Britain during times of fear, hardship and uncertainty; how they functioned and supported those away fighting and how they dealt with the enormous challenges and adversities
Worldwide, increasingly large numbers of people are seeing therapists on a regular basis. In the UK alone, 1.5 million people are in therapy. We go to address past traumas, to break patterns of behaviour, to confront eating disorders or addiction, to talk about relationships, or simply because we want to find out more about what makes us tick. Susie Orbach, the bestselling author of Fat is a Feminist Issue and Bodies, has been a psychotherapist for over forty years. Here, she explores what goes on in the process of therapy - what she thinks, feels and believes about the people who seek her help - through five dramatised case studies. Originally broadcast as a Radio 4 series, here the improvised dialogue is replicated as a playscript, and Orbach offers us the experience of reading along with a session, while revealing what is going on behind each exchange between analyst and client. Insightful and honest about a process often necessarily shrouded in secrecy, In Therapy is an essential read for those curious about, or considering entering, therapy. Published in partnership with the Wellcome Collection. Wellcome Collection is a free museum and library that aims to challenge how we think and feel about health. Inspired by the medical objects and curiosities collected by Henry Wellcome, it connects science, medicine, life and art. Wellcome Collection exhibitions, events and books explore a diverse range of subjects, including consciousness, forensic medicine, emotions, sexology, identity and death. Wellcome Collection is part of Wellcome, a global charitable foundation that exists to improve health for everyone by helping great ideas to thrive, funding over 14,000 researchers and projects in more than 70 countries. wellcomecollection.org
The Victorian era was a time of dramatic change. During this period Britain ruled the largest empire on earth, witnessed the expansion of democracy, and developed universal education and mass print culture. Both its imperial might and the fact that it had industrialised and urbanised decades before any other nation, allowed it to dominate world politics and culture in many ways for the better part of the nineteenth century. Understanding the Victorians paints a vivid portrait of the era, combining broad survey with close analysis, and introduces students to the critical debates taking place among historians today. It encompasses all of Great Britain and Ireland over the whole of the Victorian period, giving prominence to social and cultural topics alongside politics and economics and emphasising class, gender, and racial and imperial positioning as constitutive of human relations. Starting with the Queen Caroline Affair in 1820 and coming right up to the start of World War I in 1914, Susie L. Steinbach uses thematic chapters to discuss and evaluate politics, imperialism, the economy, class, gender, the monarchy, arts and entertainment, religion, sexuality, religion, and science. Steinbach also provides three much-needed chapters on topics rarely covered at this introductory level on space, consumption, and the law. With a clear introduction outlining the key themes of the period, a detailed timeline, and suggestions for further reading, this is the ideal companion for all students of the nineteenth century.
Judy Garland has been an important figure in Susie Boyt's life since she was three years old, comforting, inspiring, and at times disturbing her. In this unique book Boyt travels deep into the underworld of hero-worship, examining our understanding of rescue, consolation, love, grief, and fame through the prism of Judy. Her journey takes in a duetting breakfast with Mickey Rooney, a munchkin luncheon, a late-night spree at the Minnesota Judy Garland Museum, and a breathless, semi-sacred encounter with Liza Minnelli. Layering key episodes from Garland's life with defining moments from her own, Boyt demands with insight and humor, what it means, exactly, to adore someone you don't know. Does hero worship have to be a pursuit that's low in status or can it be performed with pride and style? Are there similarities that lie at the heart of all fans? Chronicling her obsession, Boyt illuminates her own life and perfectly distills why Judy Garland is such a legend.
Along "The Front" the Great Plains skid to an abrupt halt against the soaring escarpment of the Northern Rockies. Through essays and photography, this book captures the essence of this magnificent and uncommon landscape.
When Annie Jacobson's brother Mike enlists as a medic in the Army in 1967, he hands her a piece of paper with the address of their long-estranged father. If anything should happen to him in Vietnam, Mike says, Annie must let their father know. In Mike's absence, their father returns to face tragedy at home, adding an extra measure of complication to an already tense time. As they work toward healing and pray fervently for Mike's safety overseas, letter by letter the Jacobsons must find a way to pull together as a family, regardless of past hurts. In the tumult of this time, Annie and her family grapple with the tension of holding both hope and grief in the same hand, even as they learn to turn to the One who binds the wounds of the brokenhearted. Author Susie Finkbeiner invites you into the Jacobson family's home and hearts during a time in which the chaos of the outside world touched their small community in ways they never imagined. "Finkbeiner's characters believably navigate the emotional upheaval of war, and she skillfully depicts how the Jacobson's slowly open up to one another, emerging with greater strength, faith, and mutual respect."--Publishers Weekly "The small-town experience and connect readers deeply to characters who cry, cringe, and are, ultimately, able to rest assured that all will be well."--Booklist, starred review "Susie Finkbeiner's new novel captures that fraught time with beauty and gentleness. . . . A beautiful, arresting novel."--The Banner
Born in Bryan, Texas, and raised in Houston, Dorothy Hood won a scholarship to the Rhode Island School of Design in the early 1930s, then worked as a model in New York to earn money for classes at the Art Students League. On a whim, she drove a roadster to Mexico City with friends in 1941 and ended up staying for more than twenty years. Hood was front and center at the cultural, political, and social crossroads of Mexico and Latin America during a period of intense creative ferment. She developed close friendships with the exiled European intelligentsia and Latin American surrealists: artists, composers, poets, playwrights, and revolutionary writers. She married the Bolivian composer José María Velasco Maidana, and together they traveled all over the world. Once back in Houston, Hood produced epic paintings that evoked the psychic void of space: large-scale works evoking primordial seas, volcanic explosions, and the cosmos contained within the mind. The Color of Being / El Color del Ser establishes a vital connection among Texas, Latin America, New York, and Europe. It celebrates this important Modernist painter whose oeuvre is integral to the ongoing dialogue of abstraction by artists of the postwar period. Sponsored by the Art Museum of South Texas
In 1971, Eddie Conway, Lieutenant of Security for the Baltimore chapter of the Black Panther Party, was convicted of murdering a police officer and sentenced to life plus thirty years behind bars. Paul Coates was a community worker at the time and didn't know Eddie well – the little he knew, he didn't much like. But Paul was dead certain that Eddie's charges were bogus. He vowed never to leave Eddie – and in so doing, changed the course of both their lives. For over forty-three years, as he raised a family and started a business, Paul visited Eddie in prison, often taking his kids with him. He and Eddie shared their lives and worked together on dozens of legal campaigns in hopes of gaining Eddie's release. Paul's founding of the Black Classic Press in 1978 was originally a way to get books to Eddie in prison. When, in 2014, Eddie finally walked out onto the streets of Baltimore, Paul Coates was there to greet him. Today, these two men remain rock-solid comrades and friends – each, the other's chosen brother. When Eddie and Paul met in the Baltimore Panther Party, they were in their early twenties. They are now into their seventies. This book is a record of their lives and their relationship, told in their own voices. Paul and Eddie talk about their individual stories, their work, their politics, and their immeasurable bond.
The introduction of compulsory citizenship education into the national curriculum has generated a plethora of new interests in the politics of childhood and youth. Citizenship for Teenagers explores teenagers’ acts of and engagement with citizenship in their local communities and examines the role of citizenship education in creating future responsible citizens. The first half of the book provides the context for teenagers’ experiences of citizenship, discussing issues around the ideas of childhood and citizenship, as well as the curriculum. The second half goes on to explore teenagers’ experiences of citizenship education, practising citizenship and exclusion from citizenship. The book concludes with a call for a new cumulative approach to citizenship which upgrades the status of teenagers, particularly within the classroom. Susie Weller’s important book will throw new light on how teenagers engage with citizenship education and take on civic responsibility. It is an interesting and useful read for all those involved with education and youth policy as well as those studying for a PGCE or researching in citizenship education.
Popular Culture: A User’s Guide, International Edition ventures beyond the history of pop culture to give readers the vocabulary and tools to address and analyze the contemporary cultural landscape that surrounds them. Moves beyond the history of pop culture to give students the vocabulary and tools to analyze popular culture suitable for the study of popular culture across a range of disciplines, from literary theory and cultural studies to philosophy and sociology Covers a broad range of important topics including the underlying socioeconomic structures that affect media, the politics of pop culture, the role of consumers, subcultures and countercultures, and the construction of social reality Examines the ways in which individuals and societies act as consumers and agents of popular culture
In this delightful debut, Kyle Constantini discovers what it takes to navigate middle school: good friends, a crusading spirit, and her lucky blue fedora. On the first day of sixth grade, Kyle Constantini lands in the principal's office after standing up against (that is, punching) Ino Nevarez, who was teasing a deaf girl at school. Her punishment? Join the NAVS program, which teaches constructive problem-solving (that is, not punching).Kyle loves NAVS, where her team competes in a challenge to navigate a maze. But her parents refuse to let her participate... so Kyle may just have to fudge the truth a bit to get around them. Then her best friend starts to crush on a cute new English boy, who seems to be interested in -- Kyle? As the NAVS competition approaches, she has to trust her instincts, take some good advice, and figure out her way through the amazing maze of middle school.Rich characters, a big heart, and a witty, warm voice make Kyle Finds Her Way a debut worth discovering.
Do you want more money in your life? Pocket Guide to Riches/A Formula to Create Money On a Consistent Basis, shows you step by step how to attract money NOW! Susie Greene shares insights of attracting money through an honest, genuine, sometimes humorous collection of inspiring stories and personal experiences. She reveals how to partner with this Invisible Creative Force that works with us on a consistent basis to delight us with every single thing we want in life, including money! It provides powerful, practical tools to be used towards the success of abundance and living a life of freedom. In her Pocket Guide to Riches / A Formula to Create Money on a Consistent Basis, Susie Greene has given you a masterpiece on how to attract visible wealth. It is written in a clear and practical way to provide a process that will excite and delight you. Best of all, it works! John Randolph Price Author of The Abundance Book
The Familiar Past surveys material culture from 1500 to the present day. Fourteen case studies, grouped under related topics, include discussion of issues such as: * the origins of modernity in urban contexts * the historical anthropology of food * the social and spatial construction of country houses * the social history of a workhouse site * changes in memorial forms and inscriptions * the archaeological treatment of gardens. The Familiar Past has been structured as a teaching text and will be useful to students of history and archaeology.
From the influential craftsmen of the high renaissance to the Dutch masters, and from the rococo and neoclassical movements of the 18th century to romanticism, modernism and contemporary art, the lives of the great artists are as varied and multifaceted as the works of creative genius they produced. The Great Art Guide introduces readers to 100 of the world's most important artists, from the 13th century to the present. Works by artists such as Caravaggio, Vermeer, van Gogh and Warhol are arranged chronologically and set in their historical context by Susie Hodge's authoritative narrative. Succinct and insightful artist profiles are accompanied by high-quality reproductions of the individual's most significant works of art. Including a glossary of key terms and a comprehensive list of the most important art institutions from across the globe, this concise and readable guide is a joy for students of art or anyone wanting to know more about great works of art.
From the first synchronized sound films of the late 1920s through the end of World War II, African American music and dance styles were ubiquitous in films. Black performers, however, were marginalized, mostly limited to appearing in "specialty acts" and various types of short films, whereas stardom was reserved for Whites. Jumping the Color Line discusses vernacular jazz dance in film as a focal point of American race relations. Looking at intersections of race, gender, and class, the book examines how the racialized and gendered body in film performs, challenges, and negotiates identities and stereotypes. Arguing for the transformative and subversive potential of jazz dance performance onscreen, the six chapters address a variety of films and performers, including many that have received little attention to date. Topics include Hollywood's first Black female star (Nina Mae McKinney), male tap dance "class acts" in Black-cast short films of the early 1930s, the film career of Black tap soloist Jeni LeGon, the role of dance in the Soundies jukebox shorts of the 1940s, cinematic images of the Lindy hop, and a series of teen films from the early 1940s that appealed primarily to young White fans of swing culture. With a majority of examples taken from marginal film forms, such as shorts and B movies, the book highlights their role in disseminating alternative images of racial and gender identities as embodied by dancers – images that were at least partly at odds with those typically found in major Hollywood productions.
What are the words you hold in your heart? Are words like afraid, dismissed, alone, and regret weighing you down? Do you feel like you are living under a thick layer of discouragement as words like shame, loss, and frustration hover overhead? The heaviness of life is causing many of us to become more overwhelmed and anxious than ever before. We often forget that Jesus promises us his peace and his presence no matter what we are going through. We sometimes wonder if the words in the Bible really have the power to help us live differently, peacefully, bravely, lightheartedly. Susie Crosby has written this refreshing combination of a promise book with a daily devotional to remind us that they do. Lighthearted will: Provide several promises from Scripture for each hard emotion. Include a short meditation with a keyword, prayer, and some simple ways to remember God’s faithfulness throughout the day. Offer compassion, strength, truth, and help by calling readers to look to Jesus. Let this simple devotional help you find these promises to be lasting and true as you accept his invitation into a lighthearted life with him.
A rich and fresh survey of women's lives between George III and the First World War Using diaries, letters, memoirs as well as social and statistical research, this book looks at life-expectancy, sex, marriage and childbirth, and work inside and outside the home, for all classes of women. It charts the poverty and struggles of the working class as well as the leadership roles of middle-class and elite women. It considers the influence of religion, education, and politics, especially the advent of organised feminism and the suffragette movement. It looks, too, at the huge role played by women in the British Empire: how imperialism shaped English women's lives and how women also moulded the Empire.
Born Nikolai Pewsner into a Russian-Jewish family in Leipzig in 1902, Nikolaus Pevsner was a dedicated scholar who pursued a promising career as an academic in Dresden and Göttingen. When, in 1933 Jews were no longer permitted to teach in German universities, he lost his job and looked for employment in England. Here, over a long and amazingly industrious career, he made himself an authority on the exploration and enjoyment of English art and architecture, so much so that his magisterial county-by-county series of 46 books on The Buildings of England (first published 1951 - 74) is usually referred to simply as 'Pevsner'. As a critic, academic and champion of Modernism, Pevsner became a central figure in the architectural consensus that accompanied post-war reconstruction; as a 'general practitioner' of architectural history, he covered an astonishing range, from Gothic cathedrals and Georgian coffee houses to the Festival of Britain and Brutalist tower blocks. Susie Harries explores the truth about Nikolaus Pevsner's reported sympathies with elements of Nazi ideology, his internment in England as an enemy alien and his sometimes painful assimilation into his country of exile. His Heftchen - secret diaries he kept from the age of 14 for another sixty years - reveal hidden aspirations and anxieties, as do his numerous letters (he wrote to his wife, Lola, every day that they were apart).Harries is the first biographer to have read Pevsner's private papers and, through them, to have seen into the workings of his mind.Her definitive biography is not only rich in context and far-ranging, but is also brought to life by quotations from Pevsner himself. He was born a Jew but converted to Lutheranism; trained in the rigour of German scholarship, he became an Everyman in his copious commissions, publications, broadcasts and lectures on art, architecture, design, education, town planning, social housing, conservation, Mannerism, the Bauhaus, the Victorians, Zeitgeist, Englishness and how a nation's character may, or must, be reflected in its art. His life - as an outsider yet an insider at the heart of English art history - illuminates both the predicament and the prowess of the continental émigrés who did so much to shape British culture after 1945.
Snake in the Grass has something for everyone: a dead body, racism, social injustice, kids coming-of-age, the challenges and dangers police face, and romance, all served up with a dash of snarky humor. The good guys are a mixed-race male detective, a smart wise-cracking female cop, and the officer’s daughter. The bad guys are a network of white supremacists masquerading as respectable neighbors while covertly promoting a culture of systemic racism. “Dedicated detective Will Kelley’s search for the murderer of a corpse discovered at the bottom of a country club pool forces him to expose a privileged community’s evil underbelly, a network of white supremacists masquerading as respectable neighbors while covertly promoting a culture of systemic racism. The exciting twists and turns of this suspenseful mystery about social justice make for a great read.” Ked Oder, Author of the Whippoorwill Hollow Series.
Theological discourse in the West has consistently valued the word over the image. Aesthetics, which discerns the criteria and value of the beautiful and what "pleases the senses," is the discipline that prioritizes sensual intelligence over the rational; this book advocates a reconsideration of the doctrine of the incarnation through an aesthetics of vulnerability, in which the ethical optics of attention to the vulnerable other becomes the standpoint in which to ponder the significance of "God became human." Relying on such diverse thinkers as Emmanuel Levinas, Maurice Blanchot, Karl Rahner, and Masao Abe, Susie Paulik Babka explores visual art, images, and poetry as theological sources, designating what Blanchot called "a region where impossibility is no longer deprivation, but affirmation.
Hardworking. Loyal. Outspoken. Ahead of their time. Hilarious. The "Fancy Frosters" of Charleston, West Virginia, were a close-knit and devoted circle - a merry band of Southern women who got together once a month to swap recipes and stories, to cook and bake together, to celebrate friendship and have some hearty laughs...and of course to eat. Food editor and cookbook author Susie Quick's mother Emma was a member of this very special circle of sisters, aunts, cousins, and friends. Susie grew up to be a sophisticated "foodie," but she never forgot the great homemade desserts and ingenious creativity of these talented and delightful home cooks. The Cake Club collects their most prized recipes for southern desserts, along with those of Susie's other colorful friends and relatives - all presented with their original homespun flair combined with the author's modern simplicity and style. The book includes seventy-five recipes for cakes, pies, cobblers, crumbles, cookies, candies, and other treats, plus a chapter of "Lady Food" that's sure to make a lady out of any cook. From the very first recipe ("Funeral Cake") to Brown Sugar Pound Cake, Tunnel of Love Chocolate Macaroon Bundt Cake, Blackberry Bread Pudding, Emma's Molasses Crinkles, Minnie Pearl's Chess Pie, and the other treasured creations in this book, The Cake Club will entertain, inspire, and bring back memories of an earlier era. With stories like "A Good Man Really is Hard to Find" and "Driving Miss Minnie," photographs, and voices from several generations, this unique and delightful cookbook pays tribute to the healing power of friendship, shared recipes, and a delicious piece of cake.
Roger Winter has always been preoccupied with “recording reality in all its strangeness,” in the words of biographer and art historian Susie Kalil. His works partake of wide-ranging influences: childhood memories of gospel hymns blaring from a loudspeaker atop the “Holy Roller” church near his home; strange totems composed of crows, foxes, angels, and old family photographs; rusted cars resting among chest-high weeds; faces reflected in the windows of a New York City bus. According to his siblings, he has been an artist since he was “pre-verbal,” and in a career spanning eight decades, he has continually reinvented himself, breaching the boundaries of one stylistic convention after another—never content to allow the expression of his vision to be constrained to a single vocabulary. In this definitive retrospective of Winter’s life and art, Kalil explores not only the myriad influences of the artist and his dizzying stylistic journey but also allows Winter’s work to pose important questions: Why do some people become artists and others don’t? What gives artists their unique modes of perception and expression? Where is the line of separation between what is seen and what is represented? Between the maker and what is made? The Art of Roger Winter: Fire and Ice offers an in-depth portrait of one of today’s most important American painters. Critics, collectors, scholars, students, and art lovers will glean deep insights from this study in contrasts.
Identity is never just an individual matter; it is intricately shaped by our experiences of social life. Taking a Symbolic Interactionist approach, and drawing on Goffman’s dramaturgical theory, Susie Scott explores the micro-social processes of interaction through which identities are created, maintained, challenged and reinvented. With a focus on empirical studies as illustrations, classic sociological theory is applied to contemporary examples. Each chapter focuses on a key dimension of how identities are negotiated in the drama of everyday life, from politeness and face-saving rituals to secrecy, lies and deception. Goffman’s ideas are explored in relation to self-presentation, role-making, group interaction and public behaviour, while language and discourse are shown to help people to give credible identity performances and to frame social situations. The book reveals how social selves change over the life course through stigma, labelling and deviant careers, and how life in a total institution can radically transform its members' identities. Through all of these processes, self and society are shown to be intertwined. This insightful approach will appeal to students taking a range of courses in the sociology of the self, identity, interaction and everyday life
People with bipolar disorder are particularly vulnerable to anxiety and intrusive mental imagery, which can contribute to mood swings and a heightened risk for relapse. This book presents a novel brief treatment that focuses on working with mental images to reduce distress and enhance mood stability. Grounded in cognitive-behavioral therapy (CBT), the book provides therapists with tested techniques for formulating individualized treatment targets, using metacognitive strategies to reduce the power of images, rescripting problematic images, and building adaptive positive images. User-friendly instructions for assessment and intervention include case examples, sample scripts, and troubleshooting tips. In a large-size format for easy photocopying, the book includes 19 reproducible handouts and session agendas. Purchasers get access to a Web page where they can download and print the reproducible materials.
What do a member of the royal family, Olympic rowing champion, comedienne, retired construction worker, a job seeker, a parent, a prisoner and a vet have in common? They are among the many people who have shared their personal stories about what dyslexia means to them. Not every contributor is dyslexic but they have all been sufficiently affected by dyslexia to write their story. With a foreword by Formula 1 champion Sir Jackie Stewart OBE, this is a collection of over 100 moving, poignant, sad, shocking, funny, instructive and illuminating stories. They describe the powerful impact of dyslexia on individuals, families, relationships, professionals and support staff. They give a fascinating insight into how dyslexic people are treated in a wide range of different day to day settings, including job centres, adult literacy classes, education and workplaces. Dyslexia and Us was originally published by Edinburgh Libraries, demonstrating close partnership work with Dyslexia Scotland that has developed over a number of years.
Eagle River, created in 1885, is the county seat of Vilas County and is home to the longest chain of freshwater lakes in the world. By the late 1890s, the virgin pine forests were depleted, but Eagle River residents recognized that the abundant local hunting and fishing promised a new thriving industry, tourism.
Willa Cather's novels were neglected after her death, but a new generation of readers has greeted her work with enthusiasm. This feminist study, which draws extensively on Cather's unpublished letters, analyses how she overcame the difficulties which beset a woman writer in the mid-West during the early part of the century. It shows how her absorption in European culture influenced her perception of America and enabled her to produce some of the most compelling literature of modern times. Susie Thomas's highly readable account will be welcomed by all those studying Cather's work. Contents: Willa Cather 1873-1947; To Bayreuth and Back Again: R The Troll Garden, The Song of the Lark, One of Ours, Uncle Valentine; From Horse Opera to Homesteads: O Pioneers ; The Golden Girl of the West: My Antonia; Time's Fool and A Lost Lady; To Speak of the Woe That is in Marriage: The Professor's House; The Chemistry of Colour: Death Comes For the Archbishop and Shadows on the Rock; Testimony: Obscure Destinies, Sapphira and the Slave Girl, The Old Beauty and Others
Gentlemen Bankers investigates the social and economic circles of one of America’s most renowned and influential financiers to uncover how the Morgan family’s power and prestige stemmed from its unique position within a network of local and international relationships. At the turn of the twentieth century, private banking was a personal enterprise in which business relationships were a statement of identity and reputation. In an era when ethnic and religious differences were pronounced and anti-Semitism was prevalent, Anglo-American and German-Jewish elite bankers lived in their respective cordoned communities, seldom interacting with one another outside the business realm. Ironically, the tacit agreement to maintain separate social spheres made it easier to cooperate in purely financial matters on Wall Street. But as Susie Pak demonstrates, the Morgans’ exceptional relationship with the German-Jewish investment bank Kuhn, Loeb & Co., their strongest competitor and also an important collaborator, was entangled in ways that went far beyond the pursuit of mutual profitability. Delving into the archives of many Morgan partners and legacies, Gentlemen Bankers draws on never-before published letters and testimony to tell a closely focused story of how economic and political interests intersected with personal rivalries and friendships among the Wall Street aristocracy during the first half of the twentieth century.
This book provides an essential introduction to the state-of the-art in interdisciplinary Mathematics Education. First, it begins with an outline of the field’s relevant historical, conceptual and theoretical backgrounds, what “discipline” means and how inter-, trans-, and meta-disciplinary activities can be understood. Relevant theoretical perspectives from Marx, Foucault and Vygotsky are explained, along with key ideas in theory, e.g. boundaries, discourses, identity, and the division of labour in practice. Second, the book reviews research findings of mainly empirical studies on interdisciplinary work involving mathematics in education, in all stages of education that have become disciplined. For example, it reports that a common theme in studies in middle and high schools is assessing the motivational benefits for the learner of subsuming disciplinary motives and even practices to extra-academic problem-solving activities; this is counter-balanced by the effort needed to overcome the disciplinary boundaries in academic institutions, and in professional identities. These disciplinary boundaries are less obviously limitations in middle and primary schools, and in some vocational courses. Third and finally, it explores selected case studies that illustrate these concepts and findings, both in terms of the motivational benefits for learners and the institutional and other boundaries involved.
The idea of resilience is everywhere these days, offering a framework for thriving in volatile times. Dominant resilience stories share an attachment to a mythologized past thought to hold clues for navigating a future that is understood to be full of danger. These stories also uphold values of settler colonialism and white supremacy. What the World Might Look Like examines the way resilience thinking has come to dominate the settler-colonial imagination and explores alternative approaches to resilience writing that instead offer decolonial models of thought. The book traces settler-colonial resilience stories to the rise of resilience science in the 1970s and 1980s, illustrating how the discipline supports the projects of white supremacy and colonialism. Working to unravel the blanket of common sense that shrouds the idea of resilience, the book is equally cautious of settler-colonial antiresilience stories that invoke the idea of death as an antidote to unbearable life. Susie O’Brien argues that, although the dominant narratives of resilience are problematic, resilience itself is neither inherently good nor inherently bad. Appreciating the significance of resilience stories requires asking what worlds and what communities they are meant to preserve. Looking at the fiction of Alexis Wright, David Chariandy, and Leanne Betasamosake Simpson, O’Brien points to the potential of Black and Indigenous thinking around resilience to figure decolonial possibilities for planetary flourishing. Exposing the complexities and limits of resilience, What the World Might Look Like questions the concept of resilience, highlighting how Black and Indigenous novelists can offer different decolonial ways of thinking about and with resilience to imagine things “otherwise.”
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