A raucous debut picture book about an invasion of pesky animals. Mrs Golightly doesn't like animals – and now a whole zoo has moved next door! No matter how hard she tries to shoo them away, she finds animals everywhere: a kangaroo on the loo, a giraffe in her bath, and even ants in her pants. What can she do to get rid of these stinky, bothersome creatures? Bursting with colour, delightful rhyme and outrageous humour, Shoo! is acclaimed children's author Susie Bower's first picture book.
When Annie Jacobson's brother Mike enlists as a medic in the Army in 1967, he hands her a piece of paper with the address of their long-estranged father. If anything should happen to him in Vietnam, Mike says, Annie must let their father know. In Mike's absence, their father returns to face tragedy at home, adding an extra measure of complication to an already tense time. As they work toward healing and pray fervently for Mike's safety overseas, letter by letter the Jacobsons must find a way to pull together as a family, regardless of past hurts. In the tumult of this time, Annie and her family grapple with the tension of holding both hope and grief in the same hand, even as they learn to turn to the One who binds the wounds of the brokenhearted. Author Susie Finkbeiner invites you into the Jacobson family's home and hearts during a time in which the chaos of the outside world touched their small community in ways they never imagined. "Finkbeiner's characters believably navigate the emotional upheaval of war, and she skillfully depicts how the Jacobson's slowly open up to one another, emerging with greater strength, faith, and mutual respect."--Publishers Weekly "The small-town experience and connect readers deeply to characters who cry, cringe, and are, ultimately, able to rest assured that all will be well."--Booklist, starred review "Susie Finkbeiner's new novel captures that fraught time with beauty and gentleness. . . . A beautiful, arresting novel."--The Banner
The redistribution of land has profound implications for women and for gender relations; however, gender issues have been marginalised from both theoretical and policy discussions of agrarian reform. This book presents an overview of gender and agrarian reform experiences globally. Jacobs highlights case studies from Latin America, Asia, Africa and eastern Europe and also compares agrarian and land reforms organised along collective lines as well as along individual household lines. This volume will be of interest to scholars in Geography, Women’s Studies, and Economics.
Pop Art burst onto the scene in the mid-20th century, filling the gray post-World War II years with life, color, and fun! Pop artists from Andy Warhol to David Hockney strived to make art accessible for everyone, celebrating the popular symbols fo the modern age--from cars to hamburgers--in their work. In the process they changes the face of art forever."--
Introduces the ancient ways of shamanism, a spiritual practice through which we can learn to 'journey' and discover our animal guides. This book includes a history of shamanic peoples, outlining their cultural beliefs and ceremonies to give a context and understanding of shamanism as a spiritual tradition.
Susie Dent is a national treasure' RICHARD OSMAN 'Susie Dent is a one-off. She breathes life and fun into words and language' PAM AYRES __________________________________________ Would you be bewildered if someone described you as radgy? Do you know how to recognise a tittamatorter? And would you understand if someone called you a culchie? How to Talk Like a Local gathers together hundreds of words from all over the country and digs down to uncover their origins. From dardledumdue, which means daydreamer in East Anglia, through forkin robbins, the Yorkshire term for earwigs, to clemt, a Lancashire word that means hungry, it investigates an astonishingly rich variety of regional expressions, and provides a fascinating insight into the history of the English language. If you're intrigued by colourful words and phrases, if you're interested in how English is really spoken, or if you simply want to find out a bit more about the development of our language, How to Talk Like a Local is irresistible - and enlightening - reading. __________________________________________________ 'Nobody on earth knows more about the English language than Susie Dent and nobody writes about it more entertainingly' GYLES BRANDRETH 'It's an interesting and, at times, hilarious read. One for word-lovers' THE SUN
I can wholeheartedly confirm that Susie Donkin is funnier than Shakespeare' MEL GIEDROYC 'Impeccably researched, contagiously enjoyable, highly recommended.' BRIAN COX Imogen thinks she knows what Shakespeare's most famous plays are all about. Everyone does, right? Star-crossed lovers. Naughty Greeks getting up to mischief in the woods. Scottish kings losing their minds. Young men with daddy issues. Dads who just need some positive affirmation from their daughters*. (*Okay, that's maybe putting it a bit mildly) But when Imogen brings 14 amateur actors together to perform one of the Bard's great works in a bid to save their local community centre, it becomes apparent that she - or anyone who reads this book for that matter - will never see Shakespeare's greatest works in the same light again . . . "BAFTA-winning Horrible Histories writer Susie Donkin makes Shakespeare's greatest works even greater." Stan Lafski, Imogen's uncle "A very funny book. Would definitely not have been as funny if it was about Christopher Marlowe." Larry Fairfoul, troupe member
A travel guide with a difference: a combination of regional tour and style file which presents the means of escape to the wonders of another age. Aimed at those who love travelling Britain to explore country houses and stately homes, or at a dedicated follower of historical architecture and style, this delightful book contains 500 illustrations and regional maps.
Born Nikolai Pewsner into a Russian-Jewish family in Leipzig in 1902, Nikolaus Pevsner was a dedicated scholar who pursued a promising career as an academic in Dresden and Göttingen. When, in 1933 Jews were no longer permitted to teach in German universities, he lost his job and looked for employment in England. Here, over a long and amazingly industrious career, he made himself an authority on the exploration and enjoyment of English art and architecture, so much so that his magisterial county-by-county series of 46 books on The Buildings of England (first published 1951 - 74) is usually referred to simply as 'Pevsner'. As a critic, academic and champion of Modernism, Pevsner became a central figure in the architectural consensus that accompanied post-war reconstruction; as a 'general practitioner' of architectural history, he covered an astonishing range, from Gothic cathedrals and Georgian coffee houses to the Festival of Britain and Brutalist tower blocks. Susie Harries explores the truth about Nikolaus Pevsner's reported sympathies with elements of Nazi ideology, his internment in England as an enemy alien and his sometimes painful assimilation into his country of exile. His Heftchen - secret diaries he kept from the age of 14 for another sixty years - reveal hidden aspirations and anxieties, as do his numerous letters (he wrote to his wife, Lola, every day that they were apart).Harries is the first biographer to have read Pevsner's private papers and, through them, to have seen into the workings of his mind.Her definitive biography is not only rich in context and far-ranging, but is also brought to life by quotations from Pevsner himself. He was born a Jew but converted to Lutheranism; trained in the rigour of German scholarship, he became an Everyman in his copious commissions, publications, broadcasts and lectures on art, architecture, design, education, town planning, social housing, conservation, Mannerism, the Bauhaus, the Victorians, Zeitgeist, Englishness and how a nation's character may, or must, be reflected in its art. His life - as an outsider yet an insider at the heart of English art history - illuminates both the predicament and the prowess of the continental émigrés who did so much to shape British culture after 1945.
Art introduces readers to 100 of the world's most important artists and their paintings, from the 13th century to the modern era. Works by artists including Caravaggio, Vermeer, van Gogh and Warhol are reproduced in superb high quality, arranged chronologically and set in their historical context by Susie Hodge's concise and readable narrative. Including explanations of key periods in art history - from the Early Renaissance to Dutch Realism, and from Rococo to Pop Art - a guide to the world's best art galleries and a helpful glossary of key terms, this is the perfect book for any art lover.
Examining manuscript illumination in Amiens in its historical and socio-economic context, the author pinpoints the artistic interchange between France and Flanders.
You spotted him the first day of school: those incredible eyes, that gorgeous smile...and he's even got a great personality! Your heart jumps and your palms get sweaty every time you see him or hear his name. So what do you do now? How do you act? What do you say? Help! Whether you've dated a little or maybe not at all, the truth is the same: It's not easy relating to guys. They're tough to read sometimes and it's hard to know how you should respond. You'll probably never learn to "think like a guy." But Susie Shellenberger's wit and wisdom will help you understand the signals of the opposite sex. Anybody Got a Clue about Guys? gives you sound advice about starting -- and keeping -- good relationships with today's guys. It will also teach you a lot about what they like and dislike about girls. Read this book to get the inside scoop on what guys like -- and dislike -- about the opposite sex! Book jacket.
The War on Drugs doesn’t work. This became obvious to El Paso City Representatives Susie Byrd and Beto O’Rourke when they started to ask questions about why El Paso’s sister city Ciudad Juárez has become the deadliest city in the world—8,000-plus deaths since January 1, 2008. Byrd and O’Rourke soon realized American drug use and United States' failed War on Drugs are at the core of problem. In Dealing Death and Drugs — a book written for the general reader — they explore the costs and consequences of marijuana prohibition. They argue that marijuana prohibition has created a black market so profitable that drug kingpins are billionaires and drug control doesn’t stand a chance. Using Juárez as their focus, they describe the business model of drug trafficking and explain why this illicit system has led to the never-ending slaughter of human beings. Their position: the only rational alternative to the War on Drugs is to end to the current prohibition on marijuana. "If Washington won’t do anything different, if Mexico City won’t do anything different, then it is up to us — the citizens of the border who understand the futility and tragedy of this current policy first hand — to lead the way." — from the Afterword A portion of the proceeds from the sale of Dealing Death and Drugs will be donated to Centro Santa Catalina, a faith-based community in Ciudad Juárez, Mexico, founded in 1996 by Dominican Sisters for the spiritual, educational and economic empowerment of economically poor women and for the welfare of their families.
Working memory" is a term used to refer to the systems responsible for the temporary storage of information during the performance of cognitive tasks. The efficiency of working memory skills in children may place limitations on the learning and performance of educationally important skills such as reading, language comprehension and arithmetic. Originally published in 1992, this monograph considers the development of working memory skills in children with severe learning difficulties. These children have marked difficulties with a wide range of cognitive tasks. The studies reported show that they also experience profound difficulties in verbal working memory tasks. These memory problems are associated with a failure to rehearse information within an articulatory loop. Training the children to rehearse material is shown to help alleviate these problems. The implications of these studies for understanding normal memory development, and for models of the structure of working memory and its development are discussed. It is argued that the working memory deficits seen in people with severe learning difficulties may contribute to their difficulties on other cognitive tasks.
NLP (Neuro-Linguistic Programming) is believed by many to be a powerful set of tools for facilitating change and enhancing performance. Yet, despite the success stories and proliferation of courses, there is still much skepticism about the validity and effectiveness of NLP. In NLP Coaching Susie Linder-Pelz brings, for the first time, an evidence-based perspective to this coaching methodology. She explains how and where NLP coaching is used, examines its links to established principles and practices, and questions aspects of NLP where the empirical evidence is missing. She reviews recent developments in NLP-based coaching practice and proposes a specific research agenda that will move NLP coaching towards an evidence-based approach. NLP Coaching provides numerous case studies and real-life examples which show how NLP assists personal, professional, team, leadership and organizational development. The book includes contributions from leaders in the field: Andrew Bryant, Michelle Duval, Joseph O'Connor, Paul Tosey and Lisa Wake.
Presenting the unique vision of an American original . . . Alexandre Hogue, a renowned artist whose career spanned from the 1920s to his death in 1994, inherited the view of an America that imagined itself as filled with limitless potential for improvement, that considered high art and great ideas accessible to ordinary working people, and that saw no reason for an intellectual chasm between a learned elite and the masses. He always viewed himself as a radical, yet his passion stemmed from a deeply conservative idea: that art, culture, and nature should form a central force in the life of every human being. His well-known Dust Bowl series labeled him as a regionalist painter, but Hogue never accepted that identity. His work reveals the spirit of Texas and the Southwest as he experienced it for nearly a century. In his later years Hogue worked in forms of crisply rendered nonobjective and calligraphic one-liner paintings. Bringing to light new information regarding the Erosion and Oil Industry series, this book gives special attention to lesser known, post-1945 works, in addition to the awe-inspiring Moon Shot and final Big Bend series. Each series—from the hauntingly beautiful Taos landscapes and prophetic canvases of a dust-covered Southwest to his depictions of the fierce geological phenomena of the Big Bend—serves as a paean to the awesomeness of nature. Houston-based curator and critic Susie Kalil grew close to Hogue from 1986 to 1994, a time during which she interviewed him, considered his oeuvre with him, and came to share his vision of the nature and purposes of art. In Alexandre Hogue she reveals Hogue as he presented himself and his work to her. Collections with Alexandre Hogue's paintings: Musee National D'Art Moderne, Pompidou, Paris DallasMuseum of Art Museum of Fine Arts, Houston The GilcreaseMuseum, Tulsa The Philbrook Museum of Art, Tulsa University of Tulsa Tulsa Performing ArtsCenter Smithsonian Institution (NationalMuseum of American Art), Washington, DC OklahomaMuseum of Art, Okla City The SheldonMuseum of Art, University of Nebraska, Lincoln PhoenixArt Museum University of Arizona, Tucson Art Museum of SouthTexas, Corpus Christi Panhandle Plains Historical Museum, Canyon, Tx. StarkMuseum, Orange, Tx Southern MethodistUniversity, Dallas SpringfieldArt Museum, Springfield, Missouri WeatherspoonArt Museum, University of North Carolina at Greensboro The Federal Reserve Bank, Dallas The Williams Companies, Tulsa
Roger Winter has always been preoccupied with “recording reality in all its strangeness,” in the words of biographer and art historian Susie Kalil. His works partake of wide-ranging influences: childhood memories of gospel hymns blaring from a loudspeaker atop the “Holy Roller” church near his home; strange totems composed of crows, foxes, angels, and old family photographs; rusted cars resting among chest-high weeds; faces reflected in the windows of a New York City bus. According to his siblings, he has been an artist since he was “pre-verbal,” and in a career spanning eight decades, he has continually reinvented himself, breaching the boundaries of one stylistic convention after another—never content to allow the expression of his vision to be constrained to a single vocabulary. In this definitive retrospective of Winter’s life and art, Kalil explores not only the myriad influences of the artist and his dizzying stylistic journey but also allows Winter’s work to pose important questions: Why do some people become artists and others don’t? What gives artists their unique modes of perception and expression? Where is the line of separation between what is seen and what is represented? Between the maker and what is made? The Art of Roger Winter: Fire and Ice offers an in-depth portrait of one of today’s most important American painters. Critics, collectors, scholars, students, and art lovers will glean deep insights from this study in contrasts.
The aim of this book is to let us see our language as a living and developing human activity in a period of history which offers special advantages for the purpose. Miss Tucker's method is to analyse in the course of a connected narrative a large, wide-ranging body of words and phrases from two principal points of view. In Part One, using as the basis of evidence and discussion a few representative critical journals, including those with which Johnson, Goldsmith, Smollett, and Burke were prominently associated, she asks how the eighteenth century looked at its own language: what, for example, it esteemed elegant or vulgar, held correct or a solecism, found new or old-fashioned, impressive or funny. In Part Two the emphasis shifts from the eighteenth century's views of itself to our views of the eighteenth century as we look back. Here the interest centres by contrast on our difficulties, our discoveries, and our conclusions and in the process our understanding of eighteenth century literature and manners is immeasurably sharpened.
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