Fledgling writers must know the basics of writing in order to get published. Writing is a process that involves prewriting, writing, revising, and writing again. Often, writers will go through the process numerous times before they are pleased with the outcome. This book approaches writing from a basic level and helps novice writers learn to understand that good writing is the result of an often long and frustrating process. This book is divided into four parts. Part one focuses on the writer and provides strategies for confidence building and getting started. Part two offers a dynamic new writing process model; part three presents writing strategies for both personal and professional purposes. Finally, part four is designed to help writers better understand sentence-level choices. Anyone who wants to improve and enhance their current writing.
Travel Happy, Budget Low informs you how to travel economically in planes, trains, and buses, how to find inexpensive meals, and how to book inexpensive hotel rooms or stay for free with locals. With more than 200 tips and 160 website resources, Travel Happy, Budget Low covers the topics of frequent flyer mile tricks, health/safety, expenditures, packing, passports/visas, preparation, customs and more. Budget travel does not mean you will spend weeks on rickety old buses with no ventilation or spend the night in run-down hostels. You will realize that you too can see Paris, The Great Wall of China, the Vienna Opera, and other great sites without breaking the bank. Enrich yourself culturally without being rich! Advance Praise for Travel Happy, Budget Low "Susanna has written a digestible, yet comprehensive, guide to help travelers save money, be comfortable, journey light and stay happy in the process!" -Beth Whitman, author of the Wanderlust and Lipstick guides for women travelers "Susanna is able to combine her personal experience to give the reader some essentials in seeing the world on a budget. This book will enable many folks to see more of the world for less." -Albert Yu, Group Sales Manager, Four Seasons Silicon Valley "A practical read and must have for any budget conscious traveler. Share in Susanna's experiences and learn from her mistakes to become a savvy globetrotter. This book is for both beginners and experienced travelers, with a wealth of tips and resources covering all areas of travel." -Kristine Ng, co-founder of Esplora, an online resource and social networking site for women travelers "I found Ms. Zaraysky's book an invaluable source for an independent traveler. It is very useful, up to the point and very functional. I wish I knew some of the tips that I found in this book during my earlier travels." -Leon Gendin, 27 years of travel, visited 63 countries, lived in 12 countries. "Do you feel grounded by high priced airline tickets, lousy exchange rates, and luxury hotels? Susanna Zaraysky, the quintessential budget globetrotter shows you how to travel well without breaking your budget. A must read for would-be world travelers!" -Prof. Lois Lorentzen, University of San Francisco "An excellent book. For the tourist it is useful since it helps in knowing on what to plan, and for a seasoned traveler it is a checklist. The most wonderful part that I see is - it brings together all the tiny little details, that every traveler would have experienced in various trips, under one umbrella." -Dilip Menon, Traveled in 12 countries, lived in five
Susanna Centlivre’s play The Wonder (1714) was one of the most popular works on the eighteenth-century English stage. Set in Lisbon, the plot interweaves two romantic intrigues around one “secret”: the heroine Violante is hiding her best friend, Isabella (who is the sister of her own lover, Don Felix) from Isabella’s father who wishes to marry her off to a rich but decrepit old merchant. Because she is sworn to secrecy, Violante cannot reveal Isabella’s whereabouts, nor can she explain to Felix why Isabella’s new lover, a dashing British soldier, happens to be about the house, prompting Felix’s intense jealousy. Centlivre’s critique on the tyrannical patriarchs in the world of the play is at the same time a veiled critique of similar conditions in Augustan-era Britain. This Broadview edition includes contemporary responses (by Richard Steele and Arthur Bedford), biographical accounts, selections of Centlivre’s poetry, and early nineteenth-century criticism (by Elizabeth Inchbald and William Hazlitt).
What do we see? We are visually conscious of colors and shapes, but are we also visually conscious of complex properties such as being John Malkovich? In this book, Susanna Siegel develops a framework for understanding the contents of visual experience, and argues that these contents involve all sorts of complex properties. Siegel starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. She then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. She then applies the method to make the case that we are conscious of many kinds of properties, of all sorts of causal properties, and of many other complex properties. She goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. Siegel's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.
Louisa Susanna Cheves McCord (1810-1879) was one of the most remarkable figures in the intellectual history of antebellum America. A conservative intellectual, she broke the confines of Southern gender roles. Over the past decade historians have begun to pay attention to McCord and find her indespensible to understanding American culture. Among Southerners before the Civil War, she is ranked with Thomas Jefferson, George Mason, James Madison, Sarah Grimke, John C. Calhoun, George Fitzhugh, and Frederick Douglass. This volume collects all of her poetry, drama, and correspondence, her account of Sherman's occupation of Columbia, and a memoir of her father, politician and statesman Langdon Cheves. Its publication, together with the previously published Louisa S. McCord: Poltical and Social Essays, makes available all of Louisa McCords's varied writings.
For anyone interested in crime fiction and television, or for those wanting to understand America's idolization of the good guy with a gun, Detectives in the Shadows is essential reading.
Figures of Fantasy explores the popularization of the idea of the Internet as a «cyberspace» and considers the implications this has for discussions of gender and identity. The book analyzes the standard figures used to conceptualize and explain technology and gender, and traces the ways in which these concepts have served to create the figure of the Internet as a cyberspace - a manner of thinking that has come to dominate Internet research internationally, making visible its historicity, limitations, and implications. Figures of Fantasy offers an innovative theoretical approach to Internet research, and provides a highly original, systematic critique of the canonical works in the field.
What happens when we take Jesus at his word when he says, "I have come that you might have life and have it to the full?" New York Times bestselling author Mark Batterson and his mentor Richard Foth have done just that with their lives--and in A Trip around the Sun, they show readers how they too can experience their life and faith as the ultimate adventure. In a fun, storytelling style, Mark and Dick challenge readers to shake off fear, dream big, and quit living as if the purpose of life is to arrive safely at death. The accumulated wisdom from their combined 117 trips around the sun radiates from every heartfelt page, invigorating those of us who have found ourselves stuck in a rut dug by our sense of duty and our fear of the unknown. Anyone who wants to grab life and squeeze every ounce of joy out of it will be inspired by this unapologetic celebration of the life Jesus died to give us.
For the twentieth anniversary of the start of the Matthew Bartholomew series, Sphere is delighted to reissue all of the medieval monk's cases with beautiful new series-style covers. ------------------------------------ The winter of 1353 has been appallingly wet, there is a fever outbreak amongst the poorer townspeople and the country is not yet fully recovered from the aftermath of the plague. The increasing reputation and wealth of the Cambridge colleges are causing dangerous tensions between the town, Church and University. Matthew Bartholomew is called to look into the deaths of three members of the University of who died from drinking poisoned wine, and soon he stumbles upon criminal activities that implicate his relatives, friends and colleagues - so he must solve the case before matters in the town get out of hand... It's August, 1354, and physician-monk Matthew Bartholomew jumps at the chance to travel to Ely with his friend and colleague Brother Michael, as it will give him a unique opportunity to study in the richly stocked library of the Benedictine priory. Michael has been summoned to the city by his bishop, but it isn't until they arrive that they discover the reason - the bishop has been accused of murder. The charge seems ludicrous, but Michael takes the investigation seriously and energetically sets about his task. At the same time Bartholomew comes across an underground movement of rebellion against the church and the tithes they demand from the laity, and the two men also learn that there has been a spate of burglaries which are being blamed on a band of travellers. Then a fellow of the priory is murdered almost under their noses. Can this death be connected to the others? Are all the killings linked to the burgeoning rebellion in the city?
Calcutta in 1836: an uneasy mix of two worlds–the patient, implacably unchangeable India and the tableau vivant of English life created of imperialism’s desperation. This is where Lady Eleanor, her sister Harriet, and her brother, Henry–the newly appointed Governor-General of the colony–arrive after a harrowing sea journey “from Heaven, across the world, to Hell.” But none of them will find India hellish in anticipated ways, and some–including Harriet and, against her better judgment, Eleanor–will find an irresistible and endlessly confounding heaven. In Lady Eleanor–whose story is based on actual diaries–we have a keenly intelligent and observant narrator. Her descriptions of her profoundly unfamiliar world are vivid and sensual. The stultifying heat, the sensuous relief of the monsoon rains, the aromas and colors of the gardens and marketplaces, the mystifying grace and silence of the Indians themselves all come to rich life on the page. When she, Harriet, Henry, and ten thousand soldiers and servants make a three-year trek to the Punjab from Calcutta under Henry’s failing leadership, Eleanor’s impressions of the people and landscape are deepened, charged by her own revulsion and exaltation: “My life,” she says, “once a fastidious nibble, has turned into an endless disorderly feast.” Harriet, whose passivity conceals a dazed openness to the true India, and Henry, with his frightened adherence to the crumbling ideals of empire, become foils to Eleanor’s slow but inexorable seduction. Historically precise, gorgeously evocative, banked with the heat of unbidden desires, One Last Look is a mesmerizing tale of the complex lure of the exotic and the brazen failure of imperialism–both political and personal. It is a powerful confirmation of Susanna Moore’s remarkable gifts.
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