Gangland Queensland heads north of the border to tell exploits of a colourful pantheon of mobsters, shysters, club owners, drug dealers, Black Hand gangs, crooked police and bikers over the last century. Beginning with the drug and sex trades of the early 1900s, and including the infamous fire at the Whiskey Au Go Go club, the explosive revelations of The Fitzgerald Inquiry and organised crime syndicates like Japan’s Yakuza, authors James Morton and Susanna Lobez examine the scale of Queensland’s crime scene in forensic and fascinating detail.
Gangland Australia details the exploits of an unforgettable cast of villains, crooks and mobsters who have made up the criminal and gangland scene in Australia for over two centuries. In this fully updated and bestselling book, Britain's top true crime author James Morton and barrister and legal broadcaster Susanna Lobez track the rise and fall of Australia's talented contract killers, brothel keepers, club owners, robbers, bikers, standover men, conmen and drug dealers, and also examine the role of police, politicians and lawyers who have helped and hindered the growth of criminal empires. Vivid and explosive, Gangland Australia is compulsive reading.
Calcutta in 1836: an uneasy mix of two worlds–the patient, implacably unchangeable India and the tableau vivant of English life created of imperialism’s desperation. This is where Lady Eleanor, her sister Harriet, and her brother, Henry–the newly appointed Governor-General of the colony–arrive after a harrowing sea journey “from Heaven, across the world, to Hell.” But none of them will find India hellish in anticipated ways, and some–including Harriet and, against her better judgment, Eleanor–will find an irresistible and endlessly confounding heaven. In Lady Eleanor–whose story is based on actual diaries–we have a keenly intelligent and observant narrator. Her descriptions of her profoundly unfamiliar world are vivid and sensual. The stultifying heat, the sensuous relief of the monsoon rains, the aromas and colors of the gardens and marketplaces, the mystifying grace and silence of the Indians themselves all come to rich life on the page. When she, Harriet, Henry, and ten thousand soldiers and servants make a three-year trek to the Punjab from Calcutta under Henry’s failing leadership, Eleanor’s impressions of the people and landscape are deepened, charged by her own revulsion and exaltation: “My life,” she says, “once a fastidious nibble, has turned into an endless disorderly feast.” Harriet, whose passivity conceals a dazed openness to the true India, and Henry, with his frightened adherence to the crumbling ideals of empire, become foils to Eleanor’s slow but inexorable seduction. Historically precise, gorgeously evocative, banked with the heat of unbidden desires, One Last Look is a mesmerizing tale of the complex lure of the exotic and the brazen failure of imperialism–both political and personal. It is a powerful confirmation of Susanna Moore’s remarkable gifts.
Do you want to...Help distribute money to the poor and be given a fee to do so? Share in Al Qaeda's hidden gold? Help a young girl orphaned in the tsunami? In their highly entertaining and often shocking new book James Morton and Susanna Lobez follow up their bestselling Gangland Australia by delving into the world of Australian con artists such as Mario Condello, Helen Demidenko, Christopher Skase, Brenton Jarrett, Peter Foster, Lola Montez and Fairlie Arrow. Here are highly talented men and women and their tricks: changing paper into banknotes, selling other people's property, faking deaths, and forging paintings; promising miracle cures and impersonating aristocracy, preachers, military gents, lawyers and doctors. In fact, whatever it takes to separate the unwary from their money. Read about the scams and think twice about that offer that seems almost too good to be true.
What may seem to be a romance is not at all what this novel is actually about. This fictional book contains a little of everything, not so much for just the females any longer, Romance, mystery, comedy, deceit, adventure as this small framed woman becomes the night mare for this all American famous Bounty/PI who was first assigned to her case with twists and turns enough to make you sit on the edge of the seat wanting, needing to know whats next in this triangle of love/hate. Oh yes there are plenty of women who are known as Man eaters but this small town girl comes packing ready for each and every battle this handsome egotistical man brings, is she the victim or does she have something else in mind through out the series of this roller coaster ride of adventure that never seems to end. Susies journey down the road of heaven and hell continues finding Roberts brother Paul has a twin brother adding further turmoil and harm to this already hell filled life others thought to be a life of leisure. A few times Susie almost calls it quits but something was guiding her to find the truth that is not yet revealed, actually causing her to feel it was more of a duty to find the truth rather than just wanting this relationship to work. A true friend comes into the picture in this second novel of the Murray series helping provide strength but also provides the means to turn the mind games around during this journey of unjust circumstances. Can this friend be called an angel or is he just in it for the hell of it?
First published in 2006. This volume marks the tenth volume in its series: Religion in History, Society and Culture. This series is designed to bring exciting new work by young scholars on religion to a wider audience. Susanna Morrill offers here a fine and sensitive reading of the little known, and often simply caricatured, history of the religious lives of Mormon women at the turn of the twentieth century. She reads the extensive use of flower imagery in poetry and other writing by these women as a species of lay theologizing—a way that LDS women elaborated and celebrated the latent female symbolism within a still young and incomplete religious system.
Classic Plays by Women: an anthology of the best plays by female dramatists from 1600-2000 Staged in theatres by successive generations and proving relevant to contemporary audiences, the plays demonstrate the wit, theatrical skill and innovation of their creators in exploring timeless topics from marriage, morality and money to class conflict, rage and sexual desire. An essential resource for students, playwrights, colleges, universities and libraries, this collection also provides theatres with the opportunity to programme a range of theatrical classics by women. Plays from: Hroswitha’s Paphnutius (extract); Elizabeth Cary’s The Tragedy of Mariam(extract); Aphra Behn’s The Rover; Susanna Centlivre’s A Bold Stroke For A Wife; Joanna Baillie’s De Montfort; Githa Sowerby’s Rutherford and Son; Enid Bagnold’s The Chalk Garden; Caryl Churchill’s Top Girls (extract); Marie Jones’ Stones in his Pockets.
Includes introduction and overview of the literature; statement of the problem and study rationale; research methods, data collection and analysis; assessing research quality; constructing the social problem of self-neglect; defining elder abuse: should self-neglect be included? setting the future agenda for self-neglect; explicating the key concepts, processes, and framework for understanding self-neglect among the elderly; threats to identity and personal control; strategies, resources, and responses to identity and control threats; current policy issues; and recommendations.
Gangland Sydney details the exploits of an unforgettable cast of villains, crooks and mobsters who have defined the criminal and gangland scene in Sydney from the mid-1800s to the present day.In this compelling book, Britain’s top true crime author James Morton and barrister and legal broadcaster Susanna Lobez track the rise and fall of Sydney’s standover men, contract killers, robbers, brothel keepers, biker gangs and drug dealers, and also examine the role of police, politicians and lawyers who have helped and hindered the growth of these criminal empires.Vivid and explosive, Gangland Sydney is compulsive reading.
Dangerous to Know documents murders known and not so well known, conmen and their victims, street gangs of the early twentieth century, crime lords of the 1920s, dock wars of the 1970s, bikers, sex offenders, and the drug gangs of today as well as the wrongly accused and wrongly convicted. They're all here, as well as some of the police, lawyers and judges who have tried to deal with them.
From the bestselling authors of Gangland Australia comes Dangerous to Know, an A to Z of Australasian crimes, criminals and their victims. James Morton and Susanna Lobez have trawled through written records to compile this snappy yet comprehensive account of the bad, mad and plain notorious. All the names are here, from Ronald Ryan (the last man hanged in Australia), to the Carlton Crew. An unmissable book, in one handy volume, for anyone who wants to know all there is to know about Australia's dark underbelly.
Sensuous foreplay heats up the pages but never overtakes the captivating story or the charming, witty characters."—Publishers Weekly Handsome, silver-tongued Lord Randall doesn't always get along with his bank partner, the financially brilliant Isabella St. Vincent. When their two-faced partner commits fraud and runs, Randall and Isabella pursue, finding wicked adventure and love along the way. Posing as anarray of far-fetched characters and pursued by crooked police and a powerful railroad baron, the Randall and Isabella discover the only person they can trust with their lives—and their love—is one another. Wicked Little Secrets Series: Wicked Little Secrets (Book 1) Wicked, My Love (Book 2) How to Impress a Marquess (Book 3) Praise for Wicked Little Secrets: "With Wicked Little Secrets' intriguing plot, quirky characters, witty escapades, and heartfelt dialogue, Ives has created a read that's as thought-provoking as it is romantic." —RT Book Reviews, 4 1/5 stars and nominee for Best First Historical Romance "A fresh voice that reminded me of Julia Quinn's characters." —Eloisa JAMES, New York Times bestselling author
&‘Every week we would disinvent something. This week it would be plastic. Next week it would be the aeroplane. I stood outside the supermarket and handed out flyers, which people kindly refused as they left carrying large packs of bottled water.'The short history of the Disinvent Movement is told by its creator as she looks back on her life in New Zealand, France, Switzerland and other countries. Intertwined with the movement are her efforts to find a way &‘inside' &– an entry point to the system in which so many others seem to be living happily. But once you're in, what if you want to escape? How do you disinvent the all-encompassing structure of a violent marriage?The Disinvent Movement is a brilliantly original and poignant first novel, both elliptical and direct, about how we dismantle and remake our stories &– and re-cast the people who occupy the most important roles in our lives &– in hopes of finding sanctuary.'Funny, sad, brilliantly observational' —Renee Liang, Kete Books'a highly original and moving exploration of the division we all experience between who we are to ourselves and who we appear to be to others' —Rachel O'Connor, Landfall Review Online&‘Like Olivia Lai
With over 9,000 total entries, this concise, easy-to-use dictionary features eastern Armenian dialect, phonetic pronunciation for each language, and is ideal for the student and traveler. --
Asylum-Seeking, Migration and Church addresses one of the most pressing issues confronting contemporary society. How are we to engage with migrants? Drawing on studies of church engagement with asylum seekers in the UK and critical immigration and refugee issues in North America, Snyder presents an extended theological reflection on both the issue of asylum-seeking and the fears of established populations surrounding immigration. This book outlines ways in which churches are currently supporting asylum seekers, encouraging closer engagement with people seen as 'other' and more thoughtful responses to newcomers. Creatively exploring biblical and theological traditions surrounding the 'stranger', Snyder argues that as well as practising a vision of inclusive community churches would do well to engage with established population fears. Trends in global migration and the dynamics of fear and hostility surrounding immigration are critically and creatively explored throughout the book. Inviting more complex, nuanced responses to asylum seekers and immigrants, this book offers invaluable insights to those interested in Christian ethics, practical theology, social work, mission and faith and social action, as well as those working in the field of migration.
Susanna Rustin's Sexed is a radical retelling of the story of British feminism. Starting in the revolutionary 1790s and ending in the present day, she introduces the 1830s radicals who demanded “LIBERTY FOR EVER!”, Victorian petitioners who expected to be dead before women won the vote, and rival camps of suffragists who embraced and rejected violence. She considers the contributions of the first female MPs, as well as activists including the Greenham peace protesters and the black and Asian women’s groups of the 1970s and 1980s. Her goal? To show how successive generations have fiercely contested what it means to be a woman, and why this matters. Biology on its own is not destiny. But this book argues that differences between male and female bodies have always been feminist issues. While gender is a useful concept, women cannot be supported by a politics that forgets that they, like men, are sexed.
The fortunes of the late nineteenth century’s imperial and industrial powers depended on a single raw material—rubber—with only one source: the Amazon basin. And so began the scramble for the Amazon—a decades-long conflict that found Britain, France, Belgium, and the United States fighting with and against the new nations of Peru, Bolivia, and Brazil for the forest’s riches. In the midst of this struggle, Euclides da Cunha, engineer, journalist, geographer, political theorist, and one of Brazil’s most celebrated writers, led a survey expedition to the farthest reaches of the river, among the world’s most valuable, dangerous, and little-known landscapes. The Scramble for the Amazon tells the story of da Cunha’s terrifying journey, the unfinished novel born from it, and the global strife that formed the backdrop for both. Haunted by his broken marriage, da Cunha trekked through a beautiful region thrown into chaos by guerrilla warfare, starving migrants, and native slavery. All the while, he worked on his masterpiece, a nationalist synthesis of geography, philosophy, biology, and journalism he named the Lost Paradise. Da Cunha intended his epic to unveil the Amazon’s explorers, spies, natives, and brutal geopolitics, but, as Susanna B. Hecht recounts, he never completed it—his wife’s lover shot him dead upon his return. At once the biography of an extraordinary writer, a masterly chronicle of the social, political, and environmental history of the Amazon, and a superb translation of the remaining pieces of da Cunha’s project, The Scramble for the Amazon is a work of thrilling intellectual ambition.
In recent years, Italian cinema has experienced a quiet revolution: the proliferation of films by women. But their thought-provoking work has not yet received the attention it deserves. Reframing Italy fills this gap. The book introduces readers to films and documentaries by recognized women directors such as Cristina Comencini, Wilma Labate, Alina Marazzi, Antonietta De Lillo, Marina Spada, and Francesca Comencini, as well as to filmmakers whose work has so far been undeservedly ignored. Through a thematically based analysis supported by case studies, Luciano and Scarparo argue that Italian women filmmakers, while not overtly feminist, are producing work that increasingly foregrounds female subjectivity from a variety of social, political, and cultural positions. This book, with its accompanying video interviews, explores the filmmakers' challenging relationship with a highly patriarchal cinema industry. The incisive readings of individual films demonstrate how women's rich cinematic production reframes the aesthetic of their cinematic fathers, re-positions relationships between mothers and daughters, functions as a space for remembering women's (hi)stories, and highlights pressing social issues such as immigration and workplace discrimination. This original and timely study makes an invaluable contribution to film studies and to the study of gender and culture in the early twenty-first century.
Autobiographical impostures, once they come to light, appear to us as outrageous, scandalous. They confuse lived and textual identity (the person in the world and the character in the text) and call into question what we believe, what we doubt, and how we receive information. In the process, they tell us a lot about cultural norms and anxieties. Burdens of Proof: Faith, Doubt, and Identity in Autobiography examines a broad range of impostures in the United States, Canada, and Europe, and asks about each one: Why this particular imposture? Why here and now? Susanna Egan’s historical survey of texts from early Christendom to the nineteenth century provides an understanding of the author in relation to the text and shows how plagiarism and other false claims have not always been regarded as the frauds we consider them today. She then explores the role of the media in the creation of much contemporary imposture, examining in particular the cases of Jumana Hanna, Norma Khouri, and James Frey. The book also addresses ethnic imposture, deliberate fictions, plagiarism, and ghostwriting, all of which raise moral, legal, historical, and cultural issues. Egan concludes the volume with an examination of how historiography and law failed to support the identities of European Jews during World War II, creating sufficient instability in Jewish identity and doubt about Jewish wartime experience that the impostor could step in. This textual erasure of the Jews of Europe and the refashioning of their experiences in fraudulent texts are examples of imposture as an outcrop of extreme identity crisis. The first to examine these issues in North America and Europe, Burdens of Proof will be of interest to scholars of life writing and cultural studies.
The sensational murder convictions this winter of former NSW detectives Roger Rogerson and Glen McNamara for the killing of drug dealer Jamie Gao has meant that previously suppressed material in Bent can at last be read. James Morton and Susanna Lobez have illustrated, in several Gangland books, that Australia almost certainly has out-ganged other countries. Now their spotlight is turned on corruption within the police services and identifying which state wins the bent cop handicap. Morton and Lobez examine the problems that started with the First Fleet and spread through to the present day, looking at the trouble caused by greed, power, drink, sex, money and, most recently, drugs. They compare the experience in Australia with corruption in America, England and Hong Kong, concentrating in particular on organised corruption at the highest levels, including judges, lawyers and politicians, through to the petty criminals who work our streets. Which state has the shadiest cops? The answer will surprise you.
Robbers have always seen themselves as the cream of the underworld, at the top of the criminal aristocracy, both in and out of prison. Gangland Robbers follows the stories of the men and women who go to great lengths to organise heists which, if all goes well, will keep them in luxury for many years, if not for life. If their plans fail, then often it is another sort of life. Bestselling Gangland authors Morton and Lobez cover the best stories of the past 200 years: from the tunnel-digging burglary of the Bank of Australia in 1828 through to the hold-ups of the bushrangers; Squizzy Taylor and his crew; the train robbers of the 1930s; Jockey Smith; ‘Mad Dog’ Cox; the ill-fated Victorian Bookie Robbery, as well as the less well-known ‘Angel of Death’, ‘The Pushbike Bandit’ and ‘The Gentleman Bandit’. Gangland Robbers explores the lives—their own and others—that these bandits ruined, those who went to the gallows, and the very few who redeemed themselves.
Every girl has her price . . . To Steph, working as a bar hostess in Japan sounds too good to be true. Friends say she can earn a fortune simply by flirting with drunk businessmen, and there's no sex involved - honest. Old friends, Julia and Annabel, are earning piles of cash in Tokyo and say hostessing is perfectly safe. But once in Japan, Steph realises Julia is a shadow of her former self and Annabel has disappeared. No one cares that Annabel's gone - least of all a troubled and secretive Julia. As Steph searches for her missing friend, she is lured into gritty, glamorous Roppongi - an exotic world of sex, modern-day geishas and easy money. There she meets Mama San, a charismatic and powerful hostess club owner, who has worked in the shadowy Japanese sex industry all her life and knows everything about pleasing men. But the longer Steph stays in Tokyo's sex district, the less finding Annabel seems to matter. Steph soon realises she must discover what's happened to Annabel, or risk selling a part of herself she'll never get back.
The 2030 Agenda, adopted by the UN General Assembly in September 2015, outlines an ambitious and universal plan of action for people, planet and prosperity as it seeks to strengthen universal peace and freedom. This report presents national and Nordic action on Agenda 2030 with the aim to inform and support the Nordic Council of Ministers in formulating a new Nordic Sustainable Development Programme. All Nordic countries are engaged and strongly committed to implementing Agenda 2030 and there is a broad societal interest in joint Nordic action. The existing Nordic Strategy for Sustainable Development and several other key initiatives within Nordic cooperation already contribute to the goals of Agenda 2030. A new Nordic Sustainable Development Programme can build upon a strong foundation and add further value to the national and international work done by the Nordic countries.
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