First published in 2006. This volume marks the tenth volume in its series: Religion in History, Society and Culture. This series is designed to bring exciting new work by young scholars on religion to a wider audience. Susanna Morrill offers here a fine and sensitive reading of the little known, and often simply caricatured, history of the religious lives of Mormon women at the turn of the twentieth century. She reads the extensive use of flower imagery in poetry and other writing by these women as a species of lay theologizing—a way that LDS women elaborated and celebrated the latent female symbolism within a still young and incomplete religious system.
This book examines Southerners' claims to loyal citizenship in the reunited nation after the American Civil War. Southerners - male and female; elite and non-elite; white, black, and American Indian - disagreed with the federal government over the obligations citizens owed to their nation and the obligations the nation owed to its citizens. Susanna Michele Lee explores these clashes through the operations of the Southern Claims Commission, a federal body that rewarded compensation for wartime losses to Southerners who proved that they had been loyal citizens of the Union. Lee argues that Southerners forced the federal government to consider how white men who had not been soldiers and voters, and women and racial minorities who had not been allowed to serve in those capacities, could also qualify as loyal citizens. Postwar considerations of the former Confederacy potentially demanded a reconceptualization of citizenship that replaced exclusions by race and gender with inclusions according to loyalty.
Susanna Wesley, long celebrated in Methodist mythology as mother of the movement's founders, now takes place as a practical theologian in her own right. This collection of her letters, spiritual diary, and longer treatises (only one of which was published in her lifetime) shows her to be more than the nurturing mother of Wesleyan legend. It also reveals her to be a well-educated woman in conversation with contemporary theological, philosophical, and literary works. Her quotations and allusions include Locke, Pascal, and Herbert, as well as a number of now forgotten theologians. In some of her work, one can distinguish doctrinal and spiritual leanings, such as Arminianism and Christian perfection, that would later find wide expression in the spread of Methodism. Further, her writings demonstrate her readiness, for conscience's sake, to stand up to the men in her life--father, husband, and sons---and the three incarnations of English Protestantism they represented: respectively, Puritanism, the Established Church, and the new Methodist movement. Tracing these incidents in her letters and diaries, a reader can begin to understand how spirituality, even an otherwise conservative one in rather restrictive times, can serve to empower the voice of women.
The remarkable story of the man behind the book that helped spark the Civil War, in a stunning historical detective story In December of 1850, a faculty wife in Brunswick, Maine, named Harriet Beecher Stowe hid a fugitive slave in her house. While John Andrew Jackson stayed for only one night, he made a lasting impression: drawing from this experience, Stowe began to write Uncle Tom’s Cabin, one of the most influential books in American history and the novel that helped inspire the overthrow of slavery in the United States. A Plausible Man unfolds as a historical detective story, as Susanna Ashton combs obscure records for evidence of Jackson’s remarkable flight from slavery to freedom, his quest to liberate his enslaved family, and his emergence as an international advocate for abolition. This fresh and original work takes us through the Civil War, Reconstruction, and the restoration of white supremacy—where we last glimpse Jackson losing his freedom again on a Southern chain gang. In the spirit of Tiya Miles’s prizewinning All That She Carried and Erica Armstrong Dunbar’s Never Caught, Susanna Ashton breathes life into a striving and nuanced American character, one unmistakably rooted in the vast sweep of nineteenth-century America.
This book demonstrates that nutrients play a direct role as co-factors and regulators of the immune system. The book also shows that modulating the immune response with nutrients can provide a fundamental approach to preventive medicine.;Containing nearly 2300 bibliographic citations as well as illustrative figures, tables, and micrographs, this book is designed to be of interest to clinical immunologists, immunology and vitamin researchers, nutrition specialists, paediatricians, neonatologists, and upper-level undergraduate, graduate, and medical school students in these disciplines.
The Centennial decade was an era of ambivalence, the United States still unresolved about the incomprehensible damage it had wrought over four years of Civil War, and why. Philadelphia’s 1876 Centennial Exhibition -- a spectacular international event celebrating one hundred years of American strength, unity, and freedom -- took place in the immediate wake of this trauma of war and the failures of Reconstruction as a means to restore power and patriotism in the nation’s struggle to rebuild itself. The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era. This careful consideration of the visual record exposes the complexities of the war’s impact on Americans and clarifies how the Centennial art exhibition affected a nation still finding its direction at a critical moment in its history.
“At last! A complete book on doll design and soft sculpture has been written.” —Virginia Robertson, designer and publisher Master dollmaker Susanna Oroyan gives you the definitive book on fabric sculpting. Anatomy of a Doll is packed with an abundance of exquisite photographs that capture the best work from dollmakers today. Detailed step-by-step illustrations for an incredible variety of cloth dolls are included for you to create any type of cloth doll imaginable. Many methods of doll construction are covered so that beginning and professional dollmakers have a handy answer book. Beginners will find the book a practical guide that examines techniques for making all kinds of dolls. The more experienced dollmaker will discover an abundance of new ideas and techniques never before found in one book. Anatomy of a Doll shows you everything from bending wire to cutting cloth, which will allow you to create your own original dolls! “[Enjoy] this book as a peerless museum guide, as a user’s manual of the inventive hand and mind, and as a parable of science.” —Scientific American “It’s finally happened—the cloth doll book that says it all! Thank you Susanna—the table is set, the banquet is prepared!” —Elinor Peace Bailey, author of Storytelling with Dolls “Here is all the information you need—written in Susie’s friendly, casual style.” —Cary Raesner, editor of Doll World
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