Calcutta in 1836: an uneasy mix of two worlds–the patient, implacably unchangeable India and the tableau vivant of English life created of imperialism’s desperation. This is where Lady Eleanor, her sister Harriet, and her brother, Henry–the newly appointed Governor-General of the colony–arrive after a harrowing sea journey “from Heaven, across the world, to Hell.” But none of them will find India hellish in anticipated ways, and some–including Harriet and, against her better judgment, Eleanor–will find an irresistible and endlessly confounding heaven. In Lady Eleanor–whose story is based on actual diaries–we have a keenly intelligent and observant narrator. Her descriptions of her profoundly unfamiliar world are vivid and sensual. The stultifying heat, the sensuous relief of the monsoon rains, the aromas and colors of the gardens and marketplaces, the mystifying grace and silence of the Indians themselves all come to rich life on the page. When she, Harriet, Henry, and ten thousand soldiers and servants make a three-year trek to the Punjab from Calcutta under Henry’s failing leadership, Eleanor’s impressions of the people and landscape are deepened, charged by her own revulsion and exaltation: “My life,” she says, “once a fastidious nibble, has turned into an endless disorderly feast.” Harriet, whose passivity conceals a dazed openness to the true India, and Henry, with his frightened adherence to the crumbling ideals of empire, become foils to Eleanor’s slow but inexorable seduction. Historically precise, gorgeously evocative, banked with the heat of unbidden desires, One Last Look is a mesmerizing tale of the complex lure of the exotic and the brazen failure of imperialism–both political and personal. It is a powerful confirmation of Susanna Moore’s remarkable gifts.
Miss Aluminum is Susanna Moore's revealing and refreshing memoir of Hollywood in the 1970s In 1963 after the death of her mother, seventeen-year-old Susanna Moore leaves her home in Hawai’i with no money, no belongings, and no prospects to live with her Irish grandmother in Philadelphia. She soon receives four trunks of expensive clothes from a concerned family friend, allowing her to assume the first of many disguises she will need to find her sometimes perilous, always valorous way. Her journey takes her from New York to Los Angeles where she becomes a model and meets Joan Didion and Audrey Hepburn. She works as a script reader for Warren Beatty and Jack Nicholson, and is given a screen test by Mike Nichols. But beneath Miss Aluminum’s glittering fairytale surface lies the story of a girl’s insatiable hunger to learn and her anguished determination to understand the circumstances of her mother’s death. Moore gives us a sardonic, often humorous portrait of Hollywood in the seventies, and of a young woman’s hard-won arrival at selfhood.
In her ravishing and moving second novel, the bestselling author of In the Cut tells the story of Mamie Clarke, who sets out to lose herself in New York City. Having only previously known the fragile, magical world of her childhood on the lush Hawaiian island of Kaua’i, Mamie leaves college to visit her sophisticated aunt in New York. With her beautiful and self-destructive younger sister Claire in tow, Mamie must learn to make her way in a world of money, power, sex, and drugs. Moore’s sharp and witty book captures an unforgettable time and place—the Manhattan of the early 80s— and the powerful feelings engendered there.
Helen is serving a life sentence at Sloatsburg women's prison for the murder of her children. Dr. Louise Forrest, a recently divorced mother of an eight-year-old boy, is the new chief of psychiatry there. Captain Ike Bradshaw is the corrections officer who wants her. And Angie, an ambitious Hollywood starlet contacted by Helen, is intent on nothing but fame. Drawing these four characters together in a story of shocking and disturbing revelations, The Big Girls is an electrifying novel about the anarchy of families, the sometimes destructive power of maternal instinct, and the cult of celebrity.
Frannie Thorstin is a divorced English professor, living in a two room New York apartment. She spends much of her time alone, working on a book about dialects and idiomatic language. One evening at a bar, Frannie stumbles upon a man and a woman engaged in a sexual act. A week later a detective shows up at her door. The woman’s body has been discovered in the park across the street. What follows is a chilling tale of lust and murder as Frannie finds herself drawn to the detective. In the Cut is a masterpiece of literary suspense and sexual exploration.
A memoir by the author of "In the Cut" and "The Big Girls" describes growing up in Hawai'i, interweaving her memories of childhood and adolescence with excerpts from some of her favorites pieces of literature.
Susanna Moore's novel astonished me--one of those brilliant objects that come along only rarely, all light on clear water, and then one realizes the faster currents underneath, the terrible swiftness of sex and time. " --Joan Didion In this mesmerizing novel, Susanna Moore displays a naturalist's eye for the landscape of her native Hawaii and an uncanny sensitivity to the despairing love between mothers and daughters. Lily Shields grows up amid the fragrance of night-jasmine and burning sugar cane, and the heady atmosphere of her mother's madness. For if Anna Shields is an island unto herself--fragile, glamorous, and fearfully needy--Lily is the bridge that connects her to reality. But now Lily is a young woman and a mother herself, self-exiled from Hawaii but still attached to Anna's tragedy. And as she tries to untangle those threads of love and loyalty, Moore gives us a novel of shimmering beauty and sadness. My Old Sweetheart is a small classic, perfectly formed and mysteriously wise. "Susanna Moore is a gifted and compelling novelist . . . in possession of her own unique voice." --The New York Times Book Review "I can't recall another novel like this about mothers and daughters. . . . Lily's mysterious, half-told tale delighted and touched me." --Susan Lydon, Village Voice
From one of our most compelling and sensual writers comes a searing, immersive novel about a seminal and shameful moment in America’s conquest of the West. Drawing partly from a true story, it brings to life a devastating Native American revolt and the woman caught in the middle of the conflict. In the summer of 1855, Sarah Brinton abandons her husband and child to make the long and difficult journey from Rhode Island to Minnesota Territory, where she plans to reunite with a childhood friend. When she arrives at a small frontier post on the edge of the prairie with no prospect of work or money, she quickly remarries and has two children. Anticipating unease and hardship at the Indian Agency, where her husband Dr. John Brinton is the new resident physician, Sarah instead finds acceptance and kinship among the Sioux women at a nearby reservation. The Sioux tribes, however, are wary of the white settlers and resent the rampant theft of their land. Promised payments by the federal government are never made, and starvation and disease soon begin to decimate their community. Tragically and inevitably, this leads to the Sioux Uprising of 1862. During the conflict, Sarah and her children are abducted by the Sioux, who protect her, but because she sympathizes with her captors, Sarah becomes an outcast to the white settlers. In the end, she is lost to both worlds. Intimate and raw, The Lost Wife is a brilliantly subversive tale of the conquest of the American West.
Calcutta in 1836: an uneasy mix of two worlds–the patient, implacably unchangeable India and the tableau vivant of English life created of imperialism’s desperation. This is where Lady Eleanor, her sister Harriet, and her brother, Henry–the newly appointed Governor-General of the colony–arrive after a harrowing sea journey “from Heaven, across the world, to Hell.” But none of them will find India hellish in anticipated ways, and some–including Harriet and, against her better judgment, Eleanor–will find an irresistible and endlessly confounding heaven. In Lady Eleanor–whose story is based on actual diaries–we have a keenly intelligent and observant narrator. Her descriptions of her profoundly unfamiliar world are vivid and sensual. The stultifying heat, the sensuous relief of the monsoon rains, the aromas and colors of the gardens and marketplaces, the mystifying grace and silence of the Indians themselves all come to rich life on the page. When she, Harriet, Henry, and ten thousand soldiers and servants make a three-year trek to the Punjab from Calcutta under Henry’s failing leadership, Eleanor’s impressions of the people and landscape are deepened, charged by her own revulsion and exaltation: “My life,” she says, “once a fastidious nibble, has turned into an endless disorderly feast.” Harriet, whose passivity conceals a dazed openness to the true India, and Henry, with his frightened adherence to the crumbling ideals of empire, become foils to Eleanor’s slow but inexorable seduction. Historically precise, gorgeously evocative, banked with the heat of unbidden desires, One Last Look is a mesmerizing tale of the complex lure of the exotic and the brazen failure of imperialism–both political and personal. It is a powerful confirmation of Susanna Moore’s remarkable gifts.
Berlin, 1938. When Beatrice, a young Irish Protestant lace maker, is whisked away from her dreary life to join the household of Felix and Dorthea Metzenburg, she feels like she’s landed in the middle of a fairy tale. Art collectors, and friends to the most fascinating men and women of Europe, the Metzenburgs are part of a world where there is more to desire than she ever imagined. However Germany has launched its campaign of aggression across Europe, and, before long, the conflict reaches the family’s threshold. Retreating to their country estate, the Metzenburgs do their best to ignore the encroaching war until the realities of hunger, illness, and Nazi terror begin to threaten their very existence. In searing and emotional detail, The Life of Objects illuminates Beatrice’s journey from childhood to womanhood, from naïveté to wisdom, as a continent collapses into darkness around her.
Like her much-acclaimed previous novels, Susanna Moore's Sleeping Beauties is set in Hawaii, whose shimmering beauty and melancholy traditions are both seductive and dangerously hard to leave. Or so they prove for Clio, who marries a well-known Hollywood actor--providing her with the promise of escape from the entanglements of island life.
Gangland Queensland heads north of the border to tell exploits of a colourful pantheon of mobsters, shysters, club owners, drug dealers, Black Hand gangs, crooked police and bikers over the last century. Beginning with the drug and sex trades of the early 1900s, and including the infamous fire at the Whiskey Au Go Go club, the explosive revelations of The Fitzgerald Inquiry and organised crime syndicates like Japan’s Yakuza, authors James Morton and Susanna Lobez examine the scale of Queensland’s crime scene in forensic and fascinating detail.
Gangland Melbourne details the exploits of an unforgettable cast of villains, crooks and mobsters who have defined the criminal and gangland scene in Melbourne from the late 1800s to the present day. In this compelling book, Britain’s top true crime author James Morton and barrister and legal broadcaster Susanna Lobez track the rise and fall of Melbourne’s standover men, contract killers, robbers, brothel keepers and drug dealers, and also examine the role the police have played in both helping and hindering the growth of these criminal empires. In particular, Melbourne’s criminal past is explored through its famous villainous families, the Painters’ and Dockers’ union war of the 1970s and the more recent underworld gangland killings.Vivid and explosive, Gangland Melbourne is compulsive reading.
In Jesus and Other Men, Susanna Asikainen explores the masculinities of Jesus and other male characters and the ideal femininities in the Synoptic Gospels.
Perception is our key to the world. It plays at least three different roles in our lives. It justifies beliefs and provides us with knowledge of our environment. It brings about conscious mental states. It converts informational input, such as light and sound waves, into representations of invariant features in our environment. Corresponding to these three roles, there are at least three fundamental questions that have motivated the study of perception. How does perception justify beliefs and yield knowledge of our environment? How does perception bring about conscious mental states? How does a perceptual system accomplish the feat of converting varying informational input into mental representations of invariant features in our environment? This book presents a unified account of the phenomenological and epistemological role of perception that is informed by empirical research. So it develops an account of perception that provides an answer to the first two questions, while being sensitive to scientific accounts that address the third question. The key idea is that perception is constituted by employing perceptual capacities - for example the capacity to discriminate instances of red from instances of blue. Perceptual content, consciousness, and evidence are each analyzed in terms of this basic property of perception. Employing perceptual capacities constitutes phenomenal character as well as perceptual content. The primacy of employing perceptual capacities in perception over their derivative employment in hallucination and illusion grounds the epistemic force of perceptual experience. In this way, the book provides a unified account of perceptual content, consciousness, and evidence.
I've loved every one of Susanna's books! She has bedrock research and a butterfly's delicate touch with characters—sure recipe for historical fiction that sucks you in and won't let go!"—DIANA GABALDON, #1 New York Times bestselling author of Outlander Archaeologist Verity Grey has been drawn to the dark legends of the Scottish Borderlands in search of the truth buried in a rocky field by the sea, in this darkly romantic novel of historical fiction by bestselling author Susanna Kearsley. The invincible ninth Roman Legion marches from York to fight the Northern tribes, and then vanishes from the pages of history. When Verity Grey goes looking for them in modern-day Scotland, she may find more than she bargained for. Her eccentric boss has spent his whole life searching for the resting place of the lost Ninth Roman Legion and is convinced he's finally found it—not because of any scientific evidence, but because a local boy has "seen" a Roman soldier walking in the fields, a ghostly sentinel who guards the bodies of his long-dead comrades. Here on the windswept Scottish shores, Verity may find the answer to one of the great unsolved mysteries of the historical record. Or she may uncover secrets from the romantic past that were buried for a reason. Fans of historical romance will be completely transported by The Shadowy Horses, an exquisite novel of Scottish historical fiction. Also by Susanna Kearsley: The Winter Sea A Desperate Fortune The Firebird The Rose Garden The Splendour Falls Season of Storms Mariana Named of the Dragon Bellewether
From the bestselling authors of Gangland Australia comes Dangerous to Know, an A to Z of Australasian crimes, criminals and their victims. James Morton and Susanna Lobez have trawled through written records to compile this snappy yet comprehensive account of the bad, mad and plain notorious. All the names are here, from Ronald Ryan (the last man hanged in Australia), to the Carlton Crew. An unmissable book, in one handy volume, for anyone who wants to know all there is to know about Australia's dark underbelly.
First modern biography of Thomas William Coke, first earl of Leicester, who revolutionised agricultural practices and became an outspoken critic of Britain's war against America over independence.
Providing comprehensive and up-to-date coverage of the licensing legislation in England and Wales, this title is a suitable text for both professionals and students.
As Christian leaders in the first through fifth centuries embraced ascetic interpretations of the Bible and practices of sexual renunciation, sexual slander—such as the accusations Paul leveled against wayward Gentiles in the New Testament—played a pivotal role in the formation of early Christian identity. In particular, the imagined construct of the lascivious, literal-minded Jew served as a convenient foil to the chaste Christian ideal. Susanna Drake examines representations of Jewish sexuality in early Christian writings that use accusations of carnality, fleshliness, bestiality, and licentiousness as strategies to differentiate the "spiritual" Christian from the "carnal" Jew. Church fathers such as Justin Martyr, Hippolytus of Rome, Origen of Alexandria, and John Chrysostom portrayed Jewish men variously as dangerously hypersexual, at times literally seducing virtuous Christians into heresy, or as weak and effeminate, unable to control bodily impulses or govern their wives. As Drake shows, these carnal caricatures served not only to emphasize religious difference between Christians and Jews but also to justify increased legal constraints and violent acts against Jews as the interests of Christian leaders began to dovetail with the interests of the empire. Placing Christian representations of Jews at the root of the destruction of synagogues and mobbing of Jewish communities in the late fourth and early fifth centuries, Slandering the Jew casts new light on the intersections of sexuality, violence, representation, and religious identity.
This book examines Southerners' claims to loyal citizenship in the reunited nation after the American Civil War. Southerners - male and female; elite and non-elite; white, black, and American Indian - disagreed with the federal government over the obligations citizens owed to their nation and the obligations the nation owed to its citizens. Susanna Michele Lee explores these clashes through the operations of the Southern Claims Commission, a federal body that rewarded compensation for wartime losses to Southerners who proved that they had been loyal citizens of the Union. Lee argues that Southerners forced the federal government to consider how white men who had not been soldiers and voters, and women and racial minorities who had not been allowed to serve in those capacities, could also qualify as loyal citizens. Postwar considerations of the former Confederacy potentially demanded a reconceptualization of citizenship that replaced exclusions by race and gender with inclusions according to loyalty.
Gangland Australia details the exploits of an unforgettable cast of villains, crooks and mobsters who have made up the criminal and gangland scene in Australia for over two centuries. In this fully updated and bestselling book, Britain's top true crime author James Morton and barrister and legal broadcaster Susanna Lobez track the rise and fall of Australia's talented contract killers, brothel keepers, club owners, robbers, bikers, standover men, conmen and drug dealers, and also examine the role of police, politicians and lawyers who have helped and hindered the growth of criminal empires. Vivid and explosive, Gangland Australia is compulsive reading.
The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era.
This book provides the historical and political context for the security interventions in Mali over the past three decades. The work contextualizes external military engagement (including that of the United States, France, the United Nations and G5 Sahel) within the broader framework of weak democratic consolidation, unmet development goals and increasing popular perceptions of widespread corruption in Mali. Over the past three decades, there have been four military coups in Mali: the military coup in 1991 launched the Third Republic; the 2012 coup toppled elected President Touré; the 2020 coup overthrew the elected President Keita; and the coup within a coup that ousted transitional President Bah. Given the political context, how do multiple international interventions relate to insecurity and instability in the country? Drawing on the author’s thirty years of research on Mali, this work examines the relationship between external intervention in the country, domestic actors, and decentralization policies. The book argues that external support has ignored the poor governance that is at the heart of the country’s crises. This book will be of much interest to students of intervention and statebuilding, African politics and International Relations in general.
This book is intended for students of computational systems biology with only a limited background in mathematics. Typical books on systems biology merely mention algorithmic approaches, but without offering a deeper understanding. On the other hand, mathematical books are typically unreadable for computational biologists. The authors of the present book have worked hard to fill this gap. The result is not a book on systems biology, but on computational methods in systems biology. This book originated from courses taught by the authors at Freie Universität Berlin. The guiding idea of the courses was to convey those mathematical insights that are indispensable for systems biology, teaching the necessary mathematical prerequisites by means of many illustrative examples and without any theorems. The three chapters cover the mathematical modelling of biochemical and physiological processes, numerical simulation of the dynamics of biological networks and identification of model parameters by means of comparisons with real data. Throughout the text, the strengths and weaknesses of numerical algorithms with respect to various systems biological issues are discussed. Web addresses for downloading the corresponding software are also included.
Author Susanna M. Lindsay, the former director of the Jefferson County Museum of Clancy, shows here the diverse stories of Jefferson County through vintage imagery. In this volume, she has creatively paired her research with the photographic archives of the museum.
The sensational murder convictions this winter of former NSW detectives Roger Rogerson and Glen McNamara for the killing of drug dealer Jamie Gao has meant that previously suppressed material in Bent can at last be read. James Morton and Susanna Lobez have illustrated, in several Gangland books, that Australia almost certainly has out-ganged other countries. Now their spotlight is turned on corruption within the police services and identifying which state wins the bent cop handicap. Morton and Lobez examine the problems that started with the First Fleet and spread through to the present day, looking at the trouble caused by greed, power, drink, sex, money and, most recently, drugs. They compare the experience in Australia with corruption in America, England and Hong Kong, concentrating in particular on organised corruption at the highest levels, including judges, lawyers and politicians, through to the petty criminals who work our streets. Which state has the shadiest cops? The answer will surprise you.
Susanna Rustin's Sexed is a radical retelling of the story of British feminism. Starting in the revolutionary 1790s and ending in the present day, she introduces the 1830s radicals who demanded “LIBERTY FOR EVER!”, Victorian petitioners who expected to be dead before women won the vote, and rival camps of suffragists who embraced and rejected violence. She considers the contributions of the first female MPs, as well as activists including the Greenham peace protesters and the black and Asian women’s groups of the 1970s and 1980s. Her goal? To show how successive generations have fiercely contested what it means to be a woman, and why this matters. Biology on its own is not destiny. But this book argues that differences between male and female bodies have always been feminist issues. While gender is a useful concept, women cannot be supported by a politics that forgets that they, like men, are sexed.
Only recently have historians of the crusades begun to seriously investigate the presence of the idea of crusading as an act of vengeance, despite its frequent appearance in crusading sources. Understandably, many historians have primarily concentrated on non-ecclesiastical phenomena such as feuding, purportedly a component of "secular" culture and the interpersonal obligations inherent in medieval society. This has led scholars to several assumptions regarding the nature of medieval vengeance and the role that various cultures of vengeance played in the crusading movement. This monograph revises those assumptions and posits a new understanding of how crusading was conceived as an act of vengeance in the context of the twelfth and early thirteenth centuries. Through textual analysis of specific medieval vocabulary it has been possible to clarify the changing course of the concept of vengeance in general as well as the more specific idea of crusading as an act of vengeance. The concept of vengeance was intimately connected with the ideas of justice and punishment. It was perceived as an expression of power, embedded in a series of commonly understood emotional responses, and also as an expression of orthodox Christian values. There was furthermore a strong link between religious zeal, righteous anger, and the vocabulary of vengeance. By looking at these concepts in detail, and in the context of current crusading methodologies, fresh vistas are revealed that allow for a better understanding of the crusading movement and those who "took the cross," with broader implications for the study of crusading ideology and twelfth-century spirituality in general.
A gorgeously illustrated book of short stories from the world of Jonathan Strange and Mr Norrell, the 4-million-copy global bestseller 'These tales read as if Jane Austen had rewritten the Brothers Grimm ... wonderful' Spectator Faerie is never as far away as you think. Sometimes you find you have crossed an invisible line and must cope, as best you can, with petulant princesses, vengeful owls, ladies who pass their time embroidering terrible fates or with endless paths in deep, dark woods and houses that never appear the same way twice. The heroines and heroes bedevilled by such problems in these fairy tales include a conceited Regency clergyman, an eighteenth-century Jewish doctor and Mary, Queen of Scots, as well as two characters from Jonathan Strange & Mr Norrell: Strange himself and the Raven King.
Increasing concerns of global climatic change have stimulated research in all aspects of carbon exchange. This has restored interest in leaf-photosynthetic models to predict and assess changes in photosynthetic CO2 assimilation in different environments. This is a comprehensive presentation of the most widely used models of steady-state photosynthesis by an author who is a world authority. Treatments of C3, C4 and intermediate pathways of photosynthesis in relation to environment have been updated to include work on antisense transgenic plants. It will be a standard reference for the formal analysis of photosynthetic metabolism in vivo by advanced students and researchers.
The fortunes of the late nineteenth century’s imperial and industrial powers depended on a single raw material—rubber—with only one source: the Amazon basin. And so began the scramble for the Amazon—a decades-long conflict that found Britain, France, Belgium, and the United States fighting with and against the new nations of Peru, Bolivia, and Brazil for the forest’s riches. In the midst of this struggle, Euclides da Cunha, engineer, journalist, geographer, political theorist, and one of Brazil’s most celebrated writers, led a survey expedition to the farthest reaches of the river, among the world’s most valuable, dangerous, and little-known landscapes. The Scramble for the Amazon tells the story of da Cunha’s terrifying journey, the unfinished novel born from it, and the global strife that formed the backdrop for both. Haunted by his broken marriage, da Cunha trekked through a beautiful region thrown into chaos by guerrilla warfare, starving migrants, and native slavery. All the while, he worked on his masterpiece, a nationalist synthesis of geography, philosophy, biology, and journalism he named the Lost Paradise. Da Cunha intended his epic to unveil the Amazon’s explorers, spies, natives, and brutal geopolitics, but, as Susanna B. Hecht recounts, he never completed it—his wife’s lover shot him dead upon his return. At once the biography of an extraordinary writer, a masterly chronicle of the social, political, and environmental history of the Amazon, and a superb translation of the remaining pieces of da Cunha’s project, The Scramble for the Amazon is a work of thrilling intellectual ambition.
The growth in chemotherapy has led to a great need for all those involved to be familiar with safe procedures based on best evidence-based practice. Practical Chemotherapy: a multidisciplinary guide is a comprehensive and straightforward guide describing over 70 widely used chemotherapy regimens, helping to make their prescription and administration safer and less problematic. Checklists throughout the book are specifically tailored for the needs of each professional group involved in treatment, and are intended to help prevent potentially serious mistakes that can occur. This book is unique in its practical emphasis and will be invaluable for doctors, pharmacists and nurses working in oncology and haematology.
For me, people come first," Alice Neel (1900–1984) declared in 1950. "I have tried to assert the dignity and eternal importance of the human being." This ambitious publication surveys Neel's nearly 70-year career through the lens of her radical humanism. Remarkable portraits of victims of the Great Depression, fellow residents of Spanish Harlem, leaders of political organizations, queer artists, visibly pregnant women, and members of New York's global diaspora reveal that Neel viewed humanism as both a political and philosophical ideal. In addition to these paintings of famous and unknown sitters, the more than 100 works highlighted include Neel's emotionally charged cityscapes and still lifes as well as the artist’s erotic pastels and watercolors. Essays tackle Neel's portrayal of LGBTQ subjects; her unique aesthetic language, which merged abstraction and figuration; and her commitment to progressive politics, civil rights, feminism, and racial diversity. The authors also explore Neel's highly personal preoccupations with death, illness, and motherhood while reasserting her place in the broader cultural history of the 20th century.
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