The Stolen Heiress" by Susanna Centlivre is a captivating comedy of intrigue and mistaken identity set in 18th-century England. The play follows the fortunes of Lady Jealousy, an aging and possessive widow, who seeks to marry off her niece, Isabinda, to the wealthy Sir Charles Meriwell. However, complications arise when Isabinda falls in love with Colonel Standard, a charming young soldier of humble birth. To complicate matters further, Isabinda's long-lost brother, Tom, returns from sea and becomes embroiled in a series of misunderstandings and deceptions. As the plot unfolds, identities are mistaken, secrets are revealed, and true love triumphs over social convention and familial expectations. Centlivre's witty dialogue and clever plotting keep audiences entertained as the characters navigate the complexities of love, marriage, and class distinction.
Current events happening around the world, especially the ’humanitarian interventions’ by NATO and the West within the context of the so-called Arab Spring, make the understanding of the role of spheres of influence in international politics absolutely critical. Hast explores the practical implications and applications of this theory, challenging the concept by using historical examples such as suzerainty and colonialism, as well as the emergence of a hierarchical international order. This study further connects the English School tradition, post-war international order, the Cold War and images of Russia with the concept of the sphere of influence to initiate debate and provide a fresh outlook on a concept which has little recent attention.
Louisa Susanna Cheves McCord (1810-1879) was one of the most remarkable figures in the intellectual history of antebellum America. A conservative intellectual, she broke the confines of Southern gender roles. Over the past decade historians have begun to pay attention to McCord and find her indespensible to understanding American culture. Among Southerners before the Civil War, she is ranked with Thomas Jefferson, George Mason, James Madison, Sarah Grimke, John C. Calhoun, George Fitzhugh, and Frederick Douglass. This volume collects all of her poetry, drama, and correspondence, her account of Sherman's occupation of Columbia, and a memoir of her father, politician and statesman Langdon Cheves. Its publication, together with the previously published Louisa S. McCord: Poltical and Social Essays, makes available all of Louisa McCords's varied writings.
Probably Canada's best known settlement story, this autobiographical account of frontier conditions in the 1830s is a compelling narrative that emphasizes both the tragedies and the triumphs of a sensible and sensitive woman and her family as they come to terms with their new environment.
The Perjur'd Husband" by Susanna Centlivre is a comedic play that explores themes of love, marriage, and deception in 18th-century England. Centlivre, a prominent playwright of her time, infuses the play with wit, humor, and sharp social commentary. At the heart of the play is the character of Sir Charles Easy, a notorious womanizer who finds himself entangled in a web of lies and deceit when his past catches up with him. As Sir Charles attempts to juggle his various romantic entanglements, he must navigate a series of hilarious misunderstandings and mishaps, all while trying to maintain his reputation and avoid the consequences of his actions. Through its lively dialogue and colorful characters, "The Perjur'd Husband" offers a satirical glimpse into the social mores and conventions of 18th-century society. Centlivre's sharp wit and keen observations of human nature ensure that the play remains a delightful and entertaining romp through the world of love and matrimony.
Mary Pix: The Innocent Mistress (1697) Susanna Centlivre: The Busy-Body (1709) Elizabeth Griffith: The Times (1779) Hannah Cowley: The Belle's Stratagem (1780) Oxford English Drama offers plays from the sixteenth to the early twentieth centuries in selections that make available both rarely printed and canonical works. The texts are freshly edited using modern spelling. Critical introductions, wide-ranging annotation, and informative bibliographies illuminate the plays' cultural contexts and theatrical potential for reader and performer alike. 'The series should reshape the canon in a number of signficant areas. A splendid and imaginative project' Professor Anne Barton, Cambridge University ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The Busie Body" is a comedy play written by the English playwright Susanna Centlivre. It was first performed in 1709 and quickly became one of Centlivre's most popular and enduring works. The play revolves around the character of Marplot, a well-meaning but bumbling busybody who inadvertently causes chaos and confusion as he meddles in the romantic affairs of others. Marplot's interference disrupts the plans of several couples, leading to a series of comic misunderstandings and mishaps. At the heart of the plot is the love story between Miranda and Sir George, whose relationship is threatened by Marplot's interference. As Marplot becomes increasingly entangled in their affairs, the other characters must navigate his well-intentioned but disastrous meddling in order to achieve their own romantic goals.
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