From an up-and-coming screenwriter and New Yorker contributor, a hilarious novel in letters by members of an unconventional family, running the gamut from sardonic to heartfelt. From filmmaker and New Yorker contributor Susanna Fogel comes a comedic novel about a fractured family of New England Jews and their discontents, over the course of three decades. Told entirely in letters to a heroine we never meet, we get to know the Fellers through their check-ins with Julie: their thank-you notes, letters of condolence, family gossip, and good old-fashioned familial passive-aggression. The titular "Nuclear Family" includes, among many others: A narcissistic former-child-prodigy father who has taken up haiku-writing in his old age, and his new wife, a traditional Chinese woman whose attempts to help her stepdaughter find a man include FedExing her silk gowns from Filene's Basement. Their six-year-old son Stuart, whose favorite condiment is truffle oil and who wears suits to bed. Julie's mother, a psychologist who never remarried but may be in love with her arrogant Rabbi and overshares about everything, including the threesome she had with Dutch grad students in 1972. Julie's sister, who has disavowed the family's academic Northeast milieu and opted for a life working retail in Arizona and dating a parade of gun-toting bad boyfriends. Together, their missives-some sardonic, others absurd, others heartbreaking--weave a tapestry of a very modern family trying (and often failing) to show one another they care."--
From an up-and-coming screenwriter and New Yorker contributor, a hilarious novel in letters by members of an unconventional family, running the gamut from sardonic to heartfelt. From filmmaker and New Yorker contributor Susanna Fogel comes a comedic novel about a fractured family of New England Jews and their discontents, over the course of three decades. Told entirely in letters to a heroine we never meet, we get to know the Fellers through their check-ins with Julie: their thank-you notes, letters of condolence, family gossip, and good old-fashioned familial passive-aggression. The titular "Nuclear Family" includes, among many others: A narcissistic former-child-prodigy father who has taken up haiku-writing in his old age, and his new wife, a traditional Chinese woman whose attempts to help her stepdaughter find a man include FedExing her silk gowns from Filene's Basement. Their six-year-old son Stuart, whose favorite condiment is truffle oil and who wears suits to bed. Julie's mother, a psychologist who never remarried but may be in love with her arrogant Rabbi and overshares about everything, including the threesome she had with Dutch grad students in 1972. Julie's sister, who has disavowed the family's academic Northeast milieu and opted for a life working retail in Arizona and dating a parade of gun-toting bad boyfriends. Together, their missives-some sardonic, others absurd, others heartbreaking--weave a tapestry of a very modern family trying (and often failing) to show one another they care."--
By the late Meiji period Japanese were venturing abroad in great numbers, and some of those who traveled kept diaries and wrote formal travelogues. These travelogues reflected a changing view of the West and changing artistic sensibilities in the long-standing Japanese literary tradition of travel writing (kikoōbungaku). This book shows that overseas Meiji-period travel writers struck out to create a dynamic new type of travel literature, one that had a solid foundation in traditional Japanese kikōbungaku yet also displayed influence from the West. Musashino in Tuscany specifically examines the poetic imagery and allusion in these travelogues and reveals that when Japanese traveled to the West in the mid-nineteenth century, the images they wrote about tended to be associated not with places initially discovered by the Japanese traveler but with places that already existed in Western fame and lore. And unlike imagery from Japanese traveling in Japan, which was predominantly nature based, Japanese overseas travel imagery was often associated with the manmade world.
Class, race, and gender collide in this insightful examination of the life of Susanna (Susan) Preston Shelby Grigsby (1830–1891)—a white plantation mistress and slaveholder who struggled to participate in the economic modernization of antebellum Kentucky. Drawing on Grigsby's correspondence, author Susanna Delfino uses Grigsby's story to explore the complex cultural and social issues at play in the state's economy before, during, and after the Civil War. Delfino demonstrates that Grigsby engaged in certain kinds of antislavery activism, such as hiring white servants as a way of conveying her support for free labor and avoiding ever selling a slave. Despite her beliefs, however, Grigsby failed to hold to her moral compass when faced with her husband's patriarchal authority or when she experienced serious economic trouble. This compelling study not only illuminates how white women participated in the South's nineteenth-century economy, but also offers new perspectives on their complicity in slavery.
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A Plague on Both your Houses Meet physician Matthew Bartholomew, whose unorthodox but effective treatment of his patients frequently draws accusations of heresy from his more traditional colleagues. Besides his practice, Bartholomew is teacher of Medicine at Michaelhouse, part of the fledgling University of Cambridge. In 1348, the inhabitants of Cambridge live under the shadow of a terrible pestilence that has ravaged Europe and is travelling relentlessly eastward towards England. Bartholomew, however, is distracted by the sudden and inexplicable death of the Master of Michaelhouse - a death the University authorities do not want investigated. When three more scholars die in mysterious circumstances, Bartholomew defies the University and begins his own enquiry. And then the Black Death finally arrives... An Unholy Alliance Two years after the Black Death hit England, the people of Cambridge are still struggling to overcome its effects. Bands of outlaws roam the land and the high death rate among priests and monks has left the people vulnerable to sinister cults that have grown up in the wake of the plague. At Michaelhouse, Matthew Bartholomew is training new physicians to replace those who died of the pestilence when the body of a friar is found in the University's massive document chest. Then Bartholomew is shocked to discover the meeting place for a mysterious sect which holds its followers in terror, and which could be at the very heart of an astonishing web of blackmail and deceit aimed to overthrow the established religion.
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