A Gulf War vet battling PTSD is tricked into chauffeuring millionaire country music legend Billy Bud Wilcox from Newark to Colorado. Everything goes wrong. Tepper expertly skewers a vast collection of characters on a wildly entertaining road trip from hell. Kafka meets Lost in America in Susan Tepper's quirky, irreverent, and incisive novel What Drives Men. Part nightmare, part slapstick comedy, with a generous dose of social critique, here everything slithers out of the flummoxed protagonist's control. Beate Sigriddaughter, author of Xanthippe and Her Friends Susan Tepper's What Drives Men is a picaresque masterpiece. Tepper's cast of characters: a Gulf War vet, an octogenarian C&W singer, and three twenty-three-year-olds, are as diverse a group of nutcases you?ll come across this side of The Master and Margarita. Tepper spins a marvelous tale, sure to tickle the funny bone. ? James Claffey, author of Blood A Cold Blue
In her debut story collection DEER, Susan Tepper takes us into the forest of her imagination, shining a light on a pack of off-kilter characters caught in unusual and compelling circumstances. Tepper is one of the most original voices in fiction I've heard in quite a while. While reading her loopy-beautiful dark narratives, I was reminded of the first time I read Denis Johnson. Yes, she 's that good. This is a writer to watch! - Jamie Cat Callan, The Writer's Toolbox & French Women Don't Sleep Alone
For some twenty years now, I have been truly blessed to call poet Simon Perchik my close friend. We met by chance, or perhaps not. Simon brought me and Gloria Mindock together. Another blessing. Si's great sense of humor, his brilliance as a poet, and his deep compassion for the world help fuel me as person and writer."-- Susan Tepper, January 25, 2020
What May Have Been is a novel in letters exchanged between the artist Jackson Pollock and his fictional lover, a young woman called Dori G. Susan Tepper and Gary Percesepe have created a sexy and luminous love story that takes place sometime during the late 1940's, in that sandy wonderland at the eastern tip of Long Island known as The Hamptons. Advance Praise for What May Have Been "In this extraordinary novel, Pollock tells his lover that things like paint and wives are very small in the scheme of things. Gary Percesepe and Susan Tepper show how the great scheme of things is, in fact, in literary art, captured in paint and wives and a Montauk surf and a silky scarf and narrow hips and a cold water flat and a used Ford. Brilliantly conceived, brilliantly executed, this is a stunning book about art and about life." -Robert Olen Butler, Pulitzer Prize-winning author of A Good Scent from a Strange Mountain "The fictional letters between Pollock and an imaginary Dori G come out in a hailstorm of paint flecks, lockets, long looks, kisses, blowing sand. Dori sees Jackson in his distance and his nearing, and his return to her like the visit of one of the Greek gods to his mortal lover, as piercing and as fatal." -Mary Grimm, author of Left to Themselves and Stealing Time "How to convey the irresistible pleasures of this novel in letters? The language mimics the slashing, dramatic immediate heroic gestures of abstract expressionism, is an extraordinary act of poetic invention, and tells a sexy and doomed love story." -James Robison, author of The Illustrator and Rumors "These two fervent voices exude the splendor and gloom of adulterous love." -Mark Wisniewski, author of Confessions of a Polish Used Car Salesman
A Gulf War vet battling PTSD is tricked into chauffeuring millionaire country music legend Billy Bud Wilcox from Newark to Colorado. Everything goes wrong. Tepper expertly skewers a vast collection of characters on a wildly entertaining road trip from hell. Kafka meets Lost in America in Susan Tepper's quirky, irreverent, and incisive novel What Drives Men. Part nightmare, part slapstick comedy, with a generous dose of social critique, here everything slithers out of the flummoxed protagonist's control. Beate Sigriddaughter, author of Xanthippe and Her Friends Susan Tepper's What Drives Men is a picaresque masterpiece. Tepper's cast of characters: a Gulf War vet, an octogenarian C&W singer, and three twenty-three-year-olds, are as diverse a group of nutcases you?ll come across this side of The Master and Margarita. Tepper spins a marvelous tale, sure to tickle the funny bone. ? James Claffey, author of Blood A Cold Blue
This report takes an in-depth look at CPS teachers' responses to the high-stakes-testing initiatives and the impact on students' school experiences. It examines teachers and principals' assessments of the policy, tracks changes in instructional practice over time, and examines trends in critical student indices.
In her debut story collection DEER, Susan Tepper takes us into the forest of her imagination, shining a light on a pack of off-kilter characters caught in unusual and compelling circumstances. Tepper is one of the most original voices in fiction I've heard in quite a while. While reading her loopy-beautiful dark narratives, I was reminded of the first time I read Denis Johnson. Yes, she 's that good. This is a writer to watch! - Jamie Cat Callan, The Writer's Toolbox & French Women Don't Sleep Alone
Woman as gorgon, woman as temptress: the classical and biblical mythology which has dominated Western thinking defines women in a variety of patriarchally encoded roles. This study addresses the surprising persistence of mythical influence in contemporary fiction. Opening with the question 'what is myth?', the first section provides a wide-ranging review of mythography. It traces how myths have been perceived and interpreted by such commentators as Sigmund Freud, Carl Jung, Bruno Bettelheim, Roland Barthes, Jack Zipes and Marina Warner. This leads to an examination of the role that mythic narrative plays in social and self formation, drawing on the literary, feminist and psychoanalytic theories of Julia Kristeva, Luce Irigaray, Helene Cixous and Judith Butler to delineate the ways in which women's mythos can transcend the limitations of logos and give rise to potent new models for individual and cultural regeneration. In this light, Susan Sellers offers challenging new readings of a wide range of contemporary women's fiction, including works by A. S. Byatt, Angela Carter, Anne Rice, Michele Roberts, Emma Tennant and Fay Weldon. Topics explored include fairy tale as erotic fiction, new religious writing, vampires and gender-bending, mythic mothers, genre fiction, the still-persuasive paradigm of feminine beauty, and the radical potential of comedy.
Following the data' is a now-familiar phrase in Covid-19 policy communications. Well-being data are pivotal in decisions that affect our life chances, livelihoods and quality of life. They are increasingly valuable to companies with their eyes on profit, organisations looking to make a social impact, and governments focussed on societal problems. This book follows well-being data back centuries, showing they have long been used to track the health and wealth of society. It questions assumptions that have underpinned over 200 years of social science, statistical and policy work. Understanding Well-being Data is a readable, introductory book with real-life examples. Understanding the contexts of data and decision-making are critical for policy, practice and research that aims to do good, or at least avoid harm. Through its comprehensive survey and critical lens, this book provides tools to promote better understanding of the power and potential of well-being data for society, and the limits of their application.
The e-book format allows readers to bookmark, highlight, and take notes throughout the text. When purchased through the HK site, access to the e-book is immediately granted when your order is received.
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