Gathering most of poet Susan Stewart's writing on contemporary art, 'The Open Studio' illuminates a broad range of work, from Ann Hamilton installations to the sculptures & watercolours of Thomas Schuẗte & the films of Tacita Dean.
Susan Stewart plumbs human history in an attempt to articulate the way language, memory, and art join in evoking consciousness. The Forest is about violence and memory: the violence we do to our surroundings and to ourselves; and the propensity of the human mind to exploit and rationalize in its longing for truth.
At the crossroads of science, mathematics, and art lives Quiver, a stunning new collection of poems that seeks to reconcile the empirical truths of science with the emotional truths of human experience. Through an ambitious set of poetic series and sequences, Somers-Willett re-invents the love poem, conjuring a voyeuristic affair between a radio astronomer and Dark Matter, radium's atomic aubade for Marie and Pierre Curie, and the shrill love song of Gregor Mendel's cross-pollinated pea plants. With intelligence and wonder, Quiver comes to understand the pursuits of science and beauty as one and the same, rendering an exquisite world where the graph of a mathematical equation can become the image of "love's witness / running with its arms open all the way home." In deft, musical lyrics that are by turns formal and experimental, studied and accessible, meditative and pragmatic, Somers-Willett portrays scientific phenomena in strikingly intimate ways. Every mystery connects in her universe, revealing a relationship between science and human sentiment that is as surprising as it is profound. --University of Georgia Press.
This monograph assesses the effectiveness of DoD's Readiness and Environmental Protection Initiative to help testing and training installations deal with encroachment from sprawl and other sources. The authors identify the main causes of encroachment; detail the benefits, both to the military and local communities, of buffering areas near installations with REPI projects; and provide recommendations for how to improve REPI's effectiveness.
Debrett's Peerage & Baronetage is the only up-to-date printed reference guide to the United Kingdom's titled families: the hereditary peers, life peers and peeresses, and baronets, and their descendants who form the fascinating tapestry of the peerage. This is the first ebook edition of Debrett's Peerage &Baronetage, and it also contains information relating to:The Royal FamilyCoats of ArmsPrincipal British Commonwealth OrdersCourtesy titlesForms of addressExtinct, dormant, abeyant and disclaimed titles.Special features for this anniversary edition include:The Roll of Honour, 1920: a list of the 3,150 people whose names appeared in the volume who were killed in action or died as a result of injuries sustained during the First World War.A number of specially commissioned articles, including an account of John Debrett's life and the early history of Debrett's Peerage and Baronetage, a history of the royal dukedoms, and an in-depth feature exploring the implications of modern legislation and mores on the ancient traditions of succession.
In Decolonizing Cultures in the Pacific, Susan Y. Najita proposes that the traumatic history of contact and colonization has become a crucial means by which indigenous peoples of Oceania are reclaiming their cultures, languages, ways of knowing, and political independence. In particular, she examines how contemporary writers from Hawai‘i, Samoa, and Aotearoa/New Zealand remember, re-tell, and deploy this violent history in their work. As Pacific peoples negotiate their paths towards sovereignty and chart their postcolonial futures, these writers play an invaluable role in invoking and commenting upon the various uses of the histories of colonial resistance, allowing themselves and their readers to imagine new futures by exorcising the past. Decolonizing Cultures in the Pacific is a valuable addition to the fields of Pacific and Postcolonial Studies and also contributes to struggles for cultural decolonization in Oceania: contemporary writers’ critical engagement with colonialism and indigenous culture, Najita argues, provides a powerful tool for navigating a decolonized future.
The 1925 trial of John Scopes in tiny Dayton, Tennessee, remains a defining moment in American history. This "trial of the century"--a "media event" before the term was coined--addressed issues that still affect our society today, such as control of the school curriculum, the ongoing tensions between science and faith in public schools, and the ramifications of teaching evolution and human origins. This book is the first encyclopedic treatment of the Scopes Trial. The text draws on media reports, family interviews, and Scopes' personal correspondence, providing new information and perspectives. The book includes previously unseen photos and information about Scopes and his relatives, as well as insights about the trial's instigators, participants, and issues, all organized in a concise and easily accessible format.
With traditions, records, and team lore, this lively, detailed book explores the personalities, events, and facts every Athletics fan should know. This guide to all things A's covers the team's amazing history including the Connie Mack and Charlie O. Finley dynasties, the "Earthquake Series," and all of their World Series titles. Author Susan Slusser has collected every essential piece of A's knowledge and trivia, including Billy Beane and Moneyball, Catfish Hunter, Stomper, and the "Bash Brothers," as well as must-do activities, and ranks them from 1 to 100, providing an entertaining and easy-to-follow checklist for fans of all ages.
In this book, Susan Stone-Blackburn studies how the tastes and concerns of one of Canada's leading writers have been given dramatic expression, beginning with The King Who Could Not Dream and Benoni and ending with Question Time and Pontiac and the Green Man. She also examines how Davies' playwriting has been influenced by the dominant tastes of his time and by the conditions under which his plays have been performed. Dealing with the plays chronologically, Stone-Blackburn reveals Davies' fondness for theatricality as opposed to realism, for mythic flavour and archetypal character, his romanticism, and his irrepressible humour.
The e-book format allows readers to bookmark, highlight, and take notes throughout the text. When purchased through the HK site, access to the e-book is immediately granted when your order is received.
Domesticity gets a bad rap. We associate it with stasis, bourgeois accumulation, banality, and conservative family values. Yet in Extreme Domesticity, Susan Fraiman reminds us that keeping house is just as likely to involve dislocation, economic insecurity, creative improvisation, and queered notions of family. Her book links terms often seen as antithetical: domestic knowledge coinciding with female masculinity, feminism, and divorce; domestic routines elaborated in the context of Victorian poverty, twentieth-century immigration, and new millennial homelessness. Far from being exclusively middle-class, domestic concerns are shown to be all the more urgent and ongoing when shelter is precarious. Fraiman's reformulation frees domesticity from associations with conformity and sentimentality. Ranging across periods and genres, and diversifying the archive of domestic depictions, Fraiman's readings include novels by Elizabeth Gaskell, Sandra Cisneros, Jamaica Kincaid, Leslie Feinberg, and Lois-Ann Yamanaka; Edith Wharton's classic decorating guide; popular women's magazines; and ethnographic studies of homeless subcultures. Recognizing the labor and know-how needed to produce the space we call "home," Extreme Domesticity vindicates domestic practices and appreciates their centrality to everyday life. At the same time, it remains well aware of domesticity's dark side. Neither a romance of artisanal housewifery nor an apology for conservative notions of home, Extreme Domesticity stresses the heterogeneity of households and probes the multiplicity of domestic meanings.
In the years since the Second World War, Australia has seen a period of literary creativity which outshines any earlier period in the nation's literary history. This creativity has its beginnings in the arguments and alignments which emerged at the end of the War, and the changes in perceptions of art and society which occurred during the fifties and early sixties. A Question of Commitment examines the attitudes of writers as diverse as James McAuley, Frank Hardy, Judith Wright, Patrick White and A. D. Hope, as they responded to a changing Australian society during the postwar years. Through their work and that of many others, it considers the debates about literary nationalism, the artistic politics of the Cold War, the threat of technology to art in the Atomic Age, and the nature of the writer's role in the new society. It documents the way in which the political commitments of some writers and the resistance to commitment of others were challenged by political and social changes of the late fifties. Susan McKernan's lively exploration of Australia's writers in a time of innovation provides the reader with the context needed to understand the creative choices they made and, in so doing, introduces wider intellectual and cultural issues which remain relevant to this day.
According to Scottish legend, the kelpie, a magical sea creature, grants good fortune to the Isle of Caransay upon finding a bride on the sea rock. When Meg MacNeill spends one night on that rugged rock as local tradition demands, a handsome man emerges from the sea--and passion takes its course. Legend fulfilled, the mysterious man disappears. Seven years later, Dougal Stewart, engineer and deep sea diver, returns to the Caransay to build a lighthouse on the very rock where he washed ashore--but Baroness Strathlin is determined to stop construction. Little does Dougal realize that the barefoot island beauty he often meets is not only the mysterious baroness herself, but the girl he once loved that memorable night--and the fair-haired boy with her is his own son. REVIEWS: "An exquisite and magical Highland romance." ~Booklist, *starred review "Magic, myth and history blend to perfection.... King is a master storyteller." ~Romantic Times Book Club THE SCOTTISH LAIRDS, in series order Taming the Heiress Waking the Princess Kissing the Countess THE CELTIC NIGHTS, in series order The Stone Maiden The Swan Maiden The Sword Maiden Laird of the Wind THE BORDER ROGUES, in series order The Raven's Wish The Raven's Moon The Heather Moon OTHER TITLES by Susan King The Black Thorne's Rose
The development of digital textile printing at the end of the twentieth century has had a profound effect on the design, creation, use and understanding of textiles. This new technology - combined with advances in fabric and dye chemistry - has made it possible to produce complex images on fabric comprising millions of colours, quickly, inexpensively and in flexible quantities; a revolution that has led to a rapid increase in demand, which is predicted to rise still further. This book is the first to describe the historical and cultural context from which digital textile printing emerged, and to engage critically with the many issues that it raises: the changing role of the designer in the creation of printed textiles; the ways in which the design process is being transformed by new technology; the relationships between producers, clients and the textile industry; and the impact of digital printing on the wider creative industries. At the core of this study are two key questions: what constitutes authenticity in an age when printed textiles are created through the combined agency of the artist/designer and the computer? And how can this new technology be put to work in a sustainable way during a period of spiralling demand?
Why do we need new art? How free is the artist in making? And why is the artist, and particularly the poet, a figure of freedom in Western culture? The MacArthur Award–winning poet and critic Susan Stewart ponders these questions in The Poet’s Freedom. Through a series of evocative essays, she not only argues that freedom is necessary to making and is itself something made, but also shows how artists give rules to their practices and model a self-determination that might serve in other spheres of work. Stewart traces the ideas of freedom and making through insightful readings of an array of Western philosophers and poets—Plato, Homer, Marx, Heidegger, Arendt, Dante, and Coleridge are among her key sources. She begins by considering the theme of making in the Hebrew Scriptures, examining their accountof a god who creates the world and leaves humans free to rearrange and reform the materials of nature. She goes on to follow the force of moods, sounds, rhythms, images, metrical rules, rhetorical traditions, the traps of the passions, and the nature of language in the cycle of making and remaking. Throughout the book she weaves the insight that the freedom to reverse any act of artistic making is as essential as the freedom to create. A book about the pleasures of making and thinking as means of life, The Poet’s Freedom explores and celebrates the freedom of artists who, working under finite conditions, make considered choices and shape surprising consequences. This engaging and beautifully written notebook on making will attract anyone interested in the creation of art and literature.
This intriguing scholarly biography examines the important contributions of Canada’s foremost international nurse, Lyle Creelman. Creelman parlayed her experience as a community health nurse in British Columbia into significant international appointments with two organizations undertaking massive responsibility for health tasks in the post-war period – first, as chief nurse of the British Zone of Occupied Germany with the United Nations Relief and Rehabilitation Administration (UNRRA), and, from 1954 to 1968, the Chief Nursing Officer of the World Health Organization (WHO). In telling Creelman’s fascinating story, Susan Armstrong-Reid helps readers learn about the transformation of the nursing profession and global health governance in the twentieth century. This story challenges the prevailing portrait of expatriate nurses during this period as agents of Western cultural imperialism. Lyle Creelman: The Frontiers of Global Nursing not only recasts the broader historical narrative of nursing’s legacy to global health, but contextualizes its continuing importance for approaching health care in the twenty-first-century.
First loves never last . . . except when they do.When Amy Welsh returns to Goose Bay as a substitute teacher, she has no intention of seeing Quentin Macmillan, the man who once left her waiting in the rain clutching her suitcase and dreaming of becoming his wife. Seventeen years later, his teenage daughter shows up in Amy's class with plans to reunite her widowed father with the woman he has always loved. When the assignment is forgiveness and healing, will this young teacher pass the test?
Revised and update to keep pace with changing issues that affect all women, the new Ninth Edition of the best-selling New Dimensions in Women's Health continues to provide a modern look at the health of women of all cultures, races, ethnicities, socioeconomic backgrounds, and sexual orientations. Written for undergraduate students within health education, nursing, and women's studies programs, the text provides readers with the critical information needed to optimize their well-being, avoid illness and injury, and support their overall health. The authors took great care to provide in-depth coverage of important aspects of women's health and to examine the contributing epidemiological, historical, psychosocial, cultural, ethical, legal, political, and economic influences. The Ninth Edition includes: - The impact of the COVID-19 pandemic on many aspects of women's health, from the workplace to violence, substance abuse and more. - Updates related to the Affordable Care Act and post-Medicaid expansion. - New information on diet and nutrition trends - The Dobbs decision and its impact on women's health - Updated information on mental illness disorder classification and mental illness resources. - New content on substance abuse trends along with cannabis and other legalization efforts. - Updated violence data to reflect intimate partner violence in domestic partnerships and LGBTQ relationships, among others.
Revised and update to keep pace with changes in the field, the best-selling New Dimensions in Women's Health, Eighth Edition provides a modern look at the health of women of all cultures, races, ethnicities, socioeconomic backgrounds, and sexual orientations. Written for undergraduate students within health education, nursing, and women's studies programs, the text provides readers with the critical information needed optimize their well-being, avoid illness and injury, and support their overall health. The authors took great care to provide in-depth coverage of important aspects of women's health and to examine the contributing epidemiological, historical, psychosocial, cultural, ethical, legal, political, and economic influences.
It was a bold and brutal crime--robbery and murder in broad daylight on the streets of South Braintree, Massachusetts, in 1920. Tried for the crime and convicted, two Italian-born laborers, anarchists Nicola Sacco and Bartolomeo Vanzetti, went to the electric chair in 1927, professing their innocence. Journalist Susan Tejada has spent years investigating the case, sifting through diaries and police reports and interviewing descendants of major figures. She discovers little-known facts about Sacco, Vanzetti, and their supporters, and develops a tantalizing theory about how a doomed insider may have been coerced into helping professional criminals plan the heist. Tejada's close-up view of the case allows readers to see those involved as individual personalities. She also paints a fascinating portrait of a bygone era: Providence gangsters and Boston Brahmins; nighttime raids and midnight bombings; and immigration, unionism, draft dodging, and violent anarchism in the turbulent early years of the twentieth century. In many ways this is as much a cultural history as a true-crime mystery or courtroom drama. Because the case played out against a background of domestic terrorism, in a time that echoes our own, we have a new appreciation of the potential connection between fear and the erosion of civil liberties and miscarriages of justice.
Susan, a beautiful girl, was brought up in a wealthy neighborhood. She went to all the finest schools, sported only brand-name clothes, and hung with the elite in college. After graduation, she opens a great psychiatric office and continues her storybook life. Time passes, and she doesnt quite feel satisfied with the prince of her dreams. Feeling bored, lonely, and used to getting what she desires, she decides to look into child rearing. Adoption isnt enough for Susan as she is concerned that the child might not have her similar traits, so she chooses to be artificially inseminated. She paints a beautiful picture for her and her little girl, Lindsey, until one day, she wakes up and her daughter, now her only reason for living, has been snatched away by a merciless, foreboding stranger. Susan pleads for help from the Feds, the cops, even her boyfriend and her neighbors. But with absolutely no leads and only dead ends at every turn, her aid dwindles. Susan finds herself alone, losing faith in the system, and thoroughly disheartened. Weeks pass and insomnia hovers. Susans beautiful fairy-tale life spins out of control and desperation sets in. Just when she thinks she cant take any more, she gets a phone call from an anonymous stranger claiming to know where Lindsey is. Feeling unloved and ignored, she takes matters into her own hands, but being wound up and suppressed for so long turns Susan into a whirling dervish. Blustering through her small town and discovering several lost children, none of whom are Lindsey, supplies Susan with new enthusiasm and a rekindled spirit. Headstrong and on a mission, Susan uses her profession as a tool, selfishly putting her needs before those of her patients and using them as guinea pigs. Susan hires a private investigator who disappears, only to be found attached to a bridge, sporting a bomb. The detectives brother, who happens to be a cop, declares hell help Susan when he realizes her stories of mind-reading, telekinesis, psycho-suggestion, kidnapping, and murder could be less than exaggerated. Susan frantically turns to hypnosis and manipulation as a means to an end. Trying not to hurt her patients or anyone else around her, she delves deeper and deeper into their psyches. Exploiting her patients and meddling with her ruthless kidnappers life inevitably guides the veiled pieces into place. What Susan hasnt counted on was that her most feared and hated enemy has invaded her every thought, and now she fears the walls she tried so hard to build for herself are tumbling down bit by bit. Exasperated, she stumbles upon information that literally have her questioning her own sanity. She realizes shes gone too far to stop now, so while she rampages through Florida, a maniacal stranger is bowling down friends, patients, and acquaintances. Her house is burned down; her boyfriend is in the hospital; her patients are in jeopardy, jailed, or wounded; and her best friend is now also missing. Susan comes to the conclusion that the key to unconditional solace lies within her daughter and the malevolent psycho holding her hostage. Not even sure of her own mind, Susan takes a death-defying leap toward connecting with the cold-blooded monster who holds her daughter. As the monster trickles mercilessly through Susans subconscious, the dizzying migraines inevitably lead her to sances, mind-melding, and precarious liaisons that prove crucial in exacting her revenge.
Boys and Girls in No Man's Land examines how the First World War entered the lives and imaginations of Canadian children. Drawing on educational materials, textbooks, adventure tales, plays, and Sunday-school papers, this study explores the role of children in the nation's war effort. Susan R. Fisher also considers how the representation of the war has changed in Canadian children's literature. During the war, the conflict was invariably presented as noble and thrilling, but recent Canadian children's books paint a very different picture. What once was regarded a morally uplifting struggle, rich in lessons of service and sacrifice, is now presented as pointless slaughter. This shift in tone and content reveals profound changes in Canadian attitudes not only towards the First World War but also towards patriotism, duty, and the shaping of the moral citizen.
Provides biographical profiles of five African American inventors including Lonnie Johnson, Frederick McKinley Jones, Marjorie Stewart Joyner, Elijah McCoy, and Garrett Augustus Morgan.
An engaging study of the dilemmas faced by American nursing, which examines the ideology, practice, and efforts at reform of both trained and untrained nurses in the years between 1850 and 1945. Ordered to Care provides an overall history of nursing's development and places that growth within the context of topical questions raised by women's history and the social history of health care. Building upon extensive use of primary and quantitative data, the author creates a collective portrait of nursing, from the work of the individual nurse to the political efforts of its organizations. Dr Reverby contends that nursing's contemporary difficulties are caused by its historical obligation to care in a society that refuses to value caring. She examines the historical consequences of this critical dilemma and concludes with a discussion of why nursing will have to move beyond its obligation to care, and what the implications of this change would be for all of us.
This is the inside story of Elizabeth I's inner circle and the crucial human relationships which lay at the heart of her personal and political life. Using a wide range of original sources — including private letters, portraits, verse, drama, and state papers — Susan Doran provides a vivid and often dramatic account of political life in Elizabethan England and the queen at its centre, offering a deeper insight into Elizabeth's emotional and political conduct — and challenging many of the popular myths that have grown up around her. It is a story replete with fascinating questions. What was the true nature of Elizabeth's relationship with her father, Henry VIII, especially after his execution of her mother? What was the influence of her step-mothers on Elizabeth's education and religious beliefs? How close was she really to her half-brother Edward VI — and were relations with her half-sister Mary really as poisonous as is popularly assumed? And what of her relationship with her Stewart cousins, most famously with Mary Queen of Scots, executed on Elizabeth's orders in 1587, but also with Mary's son James VI of Scotland, later to succeed Elizabeth as her chosen successor? Elizabeth's relations with her family were crucial, but almost as crucial were her relations with her courtiers and her councillors (her 'men of business'). Here again, the story unravels a host of fascinating questions. Was the queen really sexually jealous of her maids of honour? What does her long and intimate relationship with the Earl of Leicester reveal about her character, personality, and attitude to marriage? What can the fall of Essex tell us about Elizabeth's political management in the final years of her reign? And what was the true nature of her personal and political relationship with influential and long-serving councillors such as the Cecils and Sir Francis Walsingham?
Deborah Wingard, the daughter of an asylum physician, hates the upheaval of the Civil War and fears the impending destruction raging toward her doorstep. A trained nurse, she keeps her mind occupied by helping her father with the inmates of the South Carolina Lunatic Asylum. She is very much aware of the prison camp located right next to the asylum, especially since the handsome commander of the camp, Captain Stephen Angus McPherson, intrigues her. But when she becomes involved in the center of a spy ring to help free a Union officer, Deborah must tread carefully. Along with an unusual mix of people-a mulatto housekeeper, a Chinese gardener, a Cherokee Indian scout, a madam from the red-light district, and a female photographer-Deborah struggles to uncover her true loyalties and finds that war changes all the rules. The tempest of the nation's conflict leaves shattered lives, broken pride, mangled bodies, and the tattered remnants of a once-noble city in its wake. But in the swath of the storm, Deborah discovers the depth of her strength and the joy of enduring love. "Craft's delicate, articulate voice captures a unique time in our country's history. She gives us a heroine who shines as a woman of great bravery and substance struggling to do the impossible. Her story offers us romance, drama and heart-stopping suspense as she takes us back to the roots of our democracy." -Carla Damron, author of the Caleb Knowles Mysteries-enjoy Spider Blue, new from Bella Rosa Books "Susan Craft paints a memorable portrait of Southern life during the tragic days of America's civil war as she weaves her unforgettable tale about the brave and resourceful Deborah Wingard. Her story provides a fresh, new look at the brave women of the Confederacy who lived those awful, war-torn days and watched their world come apart." -Bert Goolsby, author of Harpers Joy.
This unsentimental but moving memoir of bridges two distinct periods in the history of the AIDS epidemic: the terrifying early years in which a diagnosis was a death sentence and ignorance too often eclipsed compassion, and the introduction of antiviral therapies that transformed AIDS into a chronic, though potentially manageable, disease.
When the U.S. liberated the Philippines from Spanish rule in 1898, the exploit was hailed at home as a great moral victory, an instance of Uncle Sam freeing an oppressed country from colonial tyranny. The next move, however, was hotly contested: should the U.S. annex the archipelago? The disputants did agree on one point: that the United States was divinely appointed to bring democracy--and with it, white Protestant culture--to the rest of the world. They were, in the words of U.S. Senator Albert Beveridge, "God's arbiters," a civilizing force with a righteous role to play on the world stage. Mining letters, speeches, textbooks, poems, political cartoons and other sources, Susan K. Harris examines the role of religious rhetoric and racial biases in the battle over annexation. She offers a provocative reading both of the debates' religious framework and of the evolution of Christian national identity within the U.S. The book brings to life the personalities who dominated the discussion, figures like the bellicose Beveridge and the segregationist Senator Benjamin Tillman. It also features voices from outside U.S. geopolitical boundaries that responded to the Americans' venture into global imperialism: among them England's "imperial" poet Rudyard Kipling, Nicaragua's poet/diplomat Rubén Darío, and the Philippines' revolutionary leaders Emilio Aguinaldo and Apolinario Mabini. At the center of this dramatis personae stands Mark Twain, an influential partisan who was, for many, the embodiment of America. Twain had supported the initial intervention but quickly changed his mind, arguing that the U.S. decision to annex the archipelago was a betrayal of the very principles the U.S. claimed to promote. Written with verve and animated by a wide range of archival research, God's Arbiters reveals the roots of current debates over textbook content, evangelical politics, and American exceptionalism-shining light on our own times as it recreates the culture surrounding America's global mission at the turn into the twentieth century.
The author provides methods for the study of American Indian ethnographic texts and disputes some previous assumptions about the sources of the stories in Son of Old Man Hat.
Winner of the 2003 National Book Critics Circle Award in the category of poetry. In her long-awaited fourth book of poetry, Susan Stewart gives us a series of splendid, numinous poems about truths learned with the mind but set free through the senses. Modeled on the seventeenth-century practice of century forms, or books of one hundred pages, Columbarium expresses the bond between the living and the dead in voices of parent to child, lover to beloved, and mortal to the gods. The book arrives as a meditative gift from one of our most respected poet-critics. Stewart frames her Columbarium with four poems paying homage to the elements-to their destructive and creative aspects and to their roles in the human and more than human worlds. Both nest and crypt, the book's center holds an alphabet of "shadow georgics," poems of instruction and doubt that link knowledge and the unconscious. Questions of mortality, of goodness and suffering, and of the fragility and power of memory animate these poems. In one poem an apple calls the narrator back from the dead to savor the echoes of its varieties in myth and literature. In another, the seeds of a pear tree reveal the essential unity that makes the diversity of existence possible. Stewart's Columbarium is both a memorial to the dead and a testament to life.
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