Susan Shillinglaw takes the reader on a journey into Steinbeck's life, offering insight into how California influenced his creative process and how, in turn, his legacy has influenced modern California. Literary pilgrims will learn about the land's prominent role in Steinbeck's work; tourists can visit the same buildings that he lived in and wrote about; and history buffs will appreciate the engrossing perspective on daily life in early 20th-century California. Offering an entirely new perspective on Steinbeck and the people and places that he brought to life in his writing, this depiction of the symbiotic relationship between an author and his favorite places will delight readers.
This part art book, part biography, and part travel guide offers insight into how landscapes and townscapes influenced John Steinbeck's creative process and how, in turn, his legacy has influenced modern California. Various types of readers will appreciate the information in this guide—literary pilgrims will learn more about the state featured so prominently in Steinbeck's work, tourists can visit the same buildings that he lived in and wrote about, and historians will appreciate the engrossing perspective on daily life in early and mid 20th-century California. Offering an entirely new perspective on Steinbeck and the people and places that he brought to life in his writing, this edition includes a wonderful variety of photographs, sketches, and paintings, including some from private, rarely seen collections. With a new preface from the author, updated details on featured websites, a new discussion on Steinbeck’s ecological interests and activities, and an extended exploration of his many travels to Mexico, readers will find delight in this depiction of the symbiotic relationship between an author and his favorite places.
In this compelling biography of a book, Susan Shillinglaw delves into John Steinbeck's classic to explore the cultural, social, political, scientific, and creative impact of The Grapes of Wrath upon first publication, as well as its enduring legacy. First published in April 1939, Steinbeck's National Book Award-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and the story of one Oklahoma farm family, the Joads, driven from their homestead and forced to travel west to the promised land of California. The story of their struggle remains eerily relevant in today's America and stands as a portrait of the conflict between the powerful and the powerless, "in the souls of the people.
Susan Shillinglaw takes the reader on a journey into Steinbeck's life, offering insight into how California influenced his creative process and how, in turn, his legacy has influenced modern California. Literary pilgrims will learn about the land's prominent role in Steinbeck's work; tourists can visit the same buildings that he lived in and wrote about; and history buffs will appreciate the engrossing perspective on daily life in early 20th-century California. Offering an entirely new perspective on Steinbeck and the people and places that he brought to life in his writing, this depiction of the symbiotic relationship between an author and his favorite places will delight readers.
This part art book, part biography, and part travel guide offers insight into how landscapes and townscapes influenced John Steinbeck's creative process and how, in turn, his legacy has influenced modern California. Various types of readers will appreciate the information in this guide—literary pilgrims will learn more about the state featured so prominently in Steinbeck's work, tourists can visit the same buildings that he lived in and wrote about, and historians will appreciate the engrossing perspective on daily life in early and mid 20th-century California. Offering an entirely new perspective on Steinbeck and the people and places that he brought to life in his writing, this edition includes a wonderful variety of photographs, sketches, and paintings, including some from private, rarely seen collections. With a new preface from the author, updated details on featured websites, a new discussion on Steinbeck’s ecological interests and activities, and an extended exploration of his many travels to Mexico, readers will find delight in this depiction of the symbiotic relationship between an author and his favorite places.
In this compelling biography of a book, Susan Shillinglaw delves into John Steinbeck's classic to explore the cultural, social, political, scientific, and creative impact of The Grapes of Wrath upon first publication, as well as its enduring legacy. First published in April 1939, Steinbeck's National Book Award-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and the story of one Oklahoma farm family, the Joads, driven from their homestead and forced to travel west to the promised land of California. The story of their struggle remains eerily relevant in today's America and stands as a portrait of the conflict between the powerful and the powerless, "in the souls of the people.
Carol Henning Steinbeck, writer John Steinbeck’s first wife, was his creative anchor, the inspiration for his great work of the 1930s, culminating in The Grapes of Wrath. Meeting at Lake Tahoe in 1928, their attachment was immediate, their personalities meshing in creative synergy. Carol was unconventional, artistic, and compelling. In the formative years of Steinbeck’s career, living in San Francisco, Pacific Grove, Los Gatos, and Monterey, their Modernist circle included Ed Ricketts, Joseph Campbell, and Lincoln Steffens. In many ways Carol’s story is all too familiar: a creative and intelligent woman subsumes her own life and work into that of her husband. Together, they brought forth one of the enduring novels of the 20th century.
Homesickness today is dismissed as a sign of immaturity, what children feel at summer camp, but in the nineteenth century it was recognized as a powerful emotion. When gold miners in California heard the tune "Home, Sweet Home," they sobbed. When Civil War soldiers became homesick, army doctors sent them home, lest they die. Such images don't fit with our national mythology, which celebrates the restless individualism of colonists, explorers, pioneers, soldiers, and immigrants who supposedly left home and never looked back. Using letters, diaries, memoirs, medical records, and psychological studies, this wide-ranging book uncovers the profound pain felt by Americans on the move from the country's founding until the present day. Susan Matt shows how colonists in Jamestown longed for and often returned to England, African Americans during the Great Migration yearned for their Southern homes, and immigrants nursed memories of Sicily and Guadalajara and, even after years in America, frequently traveled home. These iconic symbols of the undaunted, forward-looking American spirit were often homesick, hesitant, and reluctant voyagers. National ideology and modern psychology obscure this truth, portraying movement as easy, but in fact Americans had to learn how to leave home, learn to be individualists. Even today, in a global society that prizes movement and that condemns homesickness as a childish emotion, colleges counsel young adults and their families on how to manage the transition away from home, suburbanites pine for their old neighborhoods, and companies take seriously the emotional toll borne by relocated executives and road warriors. In the age of helicopter parents and boomerang kids, and the new social networks that sustain connections across the miles, Americans continue to assert the significance of home ties. By highlighting how Americans reacted to moving farther and farther from their roots, Homesickness: An American History revises long-held assumptions about home, mobility, and our national identity.
In the twenty-first century there is increasing global recognition of pain relief as a basic human right. However, as Susan Honeyman argues in this new take on child pain and invisible disability, such a belief has historically been driven by adult, ideological needs, whereas the needs of children in pain have traditionally been marginalised or overlooked in comparison. Examining migraines in children and the socially disabling effects that chronic pain can have, this book uses medical, political and cultural discourse to convey a sense of invisible disability in children with migraine and its subsequent oppression within educational and medical policy. The book is supported by authentic migraineurs’ experiences and first-hand interviews as well as testimonials from a range of historical, literary, and medical sources never combined in a child-centred context before. Representations of child pain and lifespan migraine within literature, art and popular culture are also pulled together in order to provide an interdisciplinary guide to those wanting to understand migraine in children and the identity politics of disability more fully. Child Pain, Migraine, and Invisible Disability will appeal to scholars in childhood studies, children’s rights, literary and visual culture, disability studies and medical humanities. It will also be of interest to anyone who has suffered from migraines or has cared for children affected by chronic pain.
Intuitive Imagery puts the discoveries of modern science to work through a simple, proven technology to meet the challenges of our fast-paced changing world. This book shows you how to harness the wisdom of your inner images to achieve peak performance in both business and personal life. Results include greater creativity, better decision making, enhanced productivity, the unlocking of blocked potential, accelerated learning, increased success, and a sense of greater well-being. Learning to use intuitive imaging is like finding a new set of lenses through which to view the world. It helps us change our beliefs about how we know what we know so we can begin to restructure how we do what we do. John B. Pehrson is president of Creative Change Technologies, a training and consulting firm to individuals and organizations focusing in the areas of creativity, deep team building, and executive coaching. John is a former executive with DuPont and has over 20 years of broad international business experience that includes business and technology management, strategic planning, product development, manufacturing, sales and marketing. He lives in Signal Mountain, TN. Susan E. Mehrtons is president of The Potlatch Group, a research organization specializing in analysis of business trends related to global evolution and social change. Her clients range from Fortune 500 companies like AT&T, DuPont, General Motors, and Sears to smaller businesses, schools, and private foundations such as The Institute of Noetic Sciences and the World Business Academy. Sue is the co-author of Earthkeeping, an ecology text, and The Fourth Wave, a vision of business in the 21st century. She lives in Mineola, NY.
Carol Henning Steinbeck, writer John Steinbeck’s first wife, was his creative anchor, the inspiration for his great work of the 1930s, culminating in The Grapes of Wrath. Meeting at Lake Tahoe in 1928, their attachment was immediate, their personalities meshing in creative synergy. Carol was unconventional, artistic, and compelling. In the formative years of Steinbeck’s career, living in San Francisco, Pacific Grove, Los Gatos, and Monterey, their Modernist circle included Ed Ricketts, Joseph Campbell, and Lincoln Steffens. In many ways Carol’s story is all too familiar: a creative and intelligent woman subsumes her own life and work into that of her husband. Together, they brought forth one of the enduring novels of the 20th century.
Amid the sardine canneries, vacant lots, flophouses and honky-tonks of Monterey, Steinbeck assembles a colourful gallery of characters, including Lee Chong the grocer, Doc the marine biologist who surprisingly finds love, and Dora Flood, the flamboyent bordello proprietess.
This compelling, moving and dignified novel was inspired by, and based upon, the Nazi invasion of neutral Norway. Set in an imaginary European country, is shows what happens when a ruthless totalitarian power is up against an occupied democracy with an overwhelming desire to be free.
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