It features a major political conflict at each stage of market expansion - the Mormon troubles, the Civil War, and the Grange protest - to highlight the transformations that took place."--Jacket.
FEATURING PHOTOS AND EPHEMERA from the '50s, '60s, and '70s, Rugh takes us through the whole family-vacation process, from planning and packing to selecting the fast-food stops and motels to enjoying the destination. Family Vacation triggers fond memories of fights in the backseat, treasured souvenirs, and all-American tourist spots like Yellowstone, Disneyland, or Washington, D.C. Whether the summer vacation was to Grandma's farm or a tour of the United States coast to coast, this book is sure to get people reminiscing, I remember when . . . Camping is the number one outdoor vacation activity. One third of U.S. adults say they have gone on a camping vacation in the past five years. (Source: Adventure Travel Report) International travel to the United States is one of our leading exports. In 2001, 45.5 million international travelers visited.
When TV celebrity Dinah Shore sang "See the USA in your Chevrolet," 1950s America took her to heart. Every summer, parents piled the kids in the back seat, threw the luggage in the trunk, and took to the open highway. Chronicling this innately American ritual, Susan Rugh presents a cultural history of the American middle-class family vacation from 1945 to 1973, tracing its evolution from the establishment of this summer tradition to its decline. The first in-depth look at post-World War II family travel, Rugh's study recounts how postwar prosperity and mass consumption-abetted by paid vacation leave, car ownership, and the new interstate highway system-forged the ritual of the family road trip and how that ritual became entwined with what it meant to be an American. With each car a safe haven from the Cold War, vacations became a means of strengthening family bonds and educating children in parental values, national heritage, and citizenship. Rugh's history looks closely at specific types of trips, from adventures in the Wild West to camping vacations in national parks to summers at Catskill resorts. It also highlights changing patterns of family life, such as the relationship between work and play, the increase in the number of working women, and the generation gap of the sixties. Distinctively, Rugh also plumbs NAACP archives and travel guides marketed specifically to blacks to examine the racial boundaries of road trips in light of segregated public accommodations that forced many black families to sleep in cars-a humiliation that helped spark the civil rights struggle. In addition, she explains how the experience of family camping predisposed baby boomers toward a strong environmental consciousness. Until the 1970s recession ended three decades of prosperity and the traditional nuclear family began to splinter, these family vacations were securely woven into the fabric of American life. Rugh's book allows readers to relive those wondrous wanderings across the American landscape and to better understand how they helped define an essential aspect of American culture. Notwithstanding the rueful memories of discomforts and squabbles in a crowded car, those were magical times for many of the nation's families.
Split Screen Nation traces an oppositional dynamic between the screen West and the screen South that was unstable and dramatically shifting in the decades after WWII, and has marked popular ways of imagining the U.S. ever since. If this dynamic became vivid in Quentin Tarantino's Django Unchained (2012), itself arguably a belated response to Easy Rider (1969), this book helps us understand those films, and much more, through an eclectic history of U.S. screen media from the postwar era. It deftly analyzes not only Hollywood films and television, but also educational and corporate films, amateur films (aka "home movies"), and military and civil defense films featuring "tests" of the atomic bomb in the desert. Attentive to sometimes profoundly different contexts of production and consumption shaping its varied examples, Split Screen Nation argues that in the face of the Cold War and the civil rights struggle an implicit, sometimes explicit, opposition between the screen West and the screen South nonetheless mediated the nation's most paradoxical narratives--namely, "land of the free"/land of slavery, conquest, and segregation. Whereas confronting such contradictions head-on could capsize cohesive conceptions of the U.S., by now familiar screen forms of the West and the South split them apart to offer convenient, discrete, and consequential imaginary places upon which to collectively project avowed aspirations and dump troubling forms of national waste. Pinpointing some of the most severe yet understudied postwar trends fueling this dynamic--including non-theatrical film road trips, feature films adapted from Tennessee Williams, and atomic test films--and mining their potential for more complex ways of thinking and feeling the nation, Split Screen Nation considers how the vernacular screen forms at issue have helped shape how we imagine not only America's past, but also the limits and possibilities of its present and future.
FEATURING PHOTOS AND EPHEMERA from the '50s, '60s, and '70s, Rugh takes us through the whole family-vacation process, from planning and packing to selecting the fast-food stops and motels to enjoying the destination. Family Vacation triggers fond memories of fights in the backseat, treasured souvenirs, and all-American tourist spots like Yellowstone, Disneyland, or Washington, D.C. Whether the summer vacation was to Grandma's farm or a tour of the United States coast to coast, this book is sure to get people reminiscing, I remember when . . . Camping is the number one outdoor vacation activity. One third of U.S. adults say they have gone on a camping vacation in the past five years. (Source: Adventure Travel Report) International travel to the United States is one of our leading exports. In 2001, 45.5 million international travelers visited.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major writers and their works to receive in-depth coverage in this volume include: * William Inge: Picnic (1953), Bus Stop (1955) and The Dark at the Top of the Stairs (1957); * Stephen Sondheim, Arthur Laurents and Jerome Robbins: West Side Story (1957) and Gypsy (1959); * Alice Childress: Just a Little Simple (1950), Gold Through the Trees (1952) and Trouble in Mind (1955); * Jerome Lawrence and Robert Lee: Inherit the Wind (1955), Auntie Mame (1956) and The Gang's All Here (1959).
FEATURING PHOTOS AND EPHEMERA from the '50s, '60s, and '70s, Rugh takes us through the whole family-vacation process, from planning and packing to selecting the fast-food stops and motels to enjoying the destination. Family Vacation triggers fond memories of fights in the backseat, treasured souvenirs, and all-American tourist spots like Yellowstone, Disneyland, or Washington, D.C. Whether the summer vacation was to Grandma's farm or a tour of the United States coast to coast, this book is sure to get people reminiscing, "I remember when . . ." Camping is the number one outdoor vacation activity. One third of U.S. adults say they have gone on a camping vacation in the past five years. (Source: Adventure Travel Report) International travel to the United States is one of our leading exports. In 2001, 45.5 million international travelers visited. Travel bookings are on the rise for camping and RVing. Total campground and RV bookings are up 23 percent from January to May 2008 versus the same period last year, according to online bookings at GoCampingAmerica.com. (Friend Communications Inc.) Online marketing and promotions. Print and web advertising campaign. National broadcast and print publicity. Co-op available. Susan Sessions Rugh, PhD, is Associate Professor of History at Brigham Young University in Provo, Utah. She is an expert in the history of twentieth-century tourism and the author of Are We There Yet? The Golden Age of American Family Vacations.
It features a major political conflict at each stage of market expansion - the Mormon troubles, the Civil War, and the Grange protest - to highlight the transformations that took place."--Jacket.
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