After reaching a crisis point at 40, Jenny Watson is offered her dream job running a Shakespeare festival at a Tudor pub. She can hardly believe her luck at this brilliant new start, and chance to escape her unhappy past. The job isn’t all it seems, however. The pub is remote and her mysterious boss is permanently absent; there’s a 400 year old skull residing in the cellar; and the local actors are less than enthusiastic over her boss’s choice of play. Then there’s the growing conviction that someone’s watching her. Strange messages, withheld calls and shadows on the windows spike temporary attacks of stress-related blindness as she clings to her last chance to live her dream. But as the dark play she’s directing starts to unravel the secrets she’d sworn never to tell, Jenny realises she’s not at the pub by chance . . . and soon she finds herself the leading lady in a nightmare replay of her past. A page-turning thriller with elements of cosy crime but with darker undertones… Highly recommended, an established debut with the feeling that the story is not yet over - more to come from this fabulous author. Review by Debz Hobbs-Wyatt, author, editor, publisher.
This book explores ways in which Shakespeare’s writing strategies shape our embodied perception of objects – both real and imaginary – in four of his plays. Taking the reader on a series of perceptual journeys, it engages in an exciting dialogue between the disciplines of phenomenology, cognitive studies, historicist research and modern acting techniques, in order to probe our sentient and intuitive responses to Shakespeare’s language. What happens when we encounter objects on page and stage; and how we can imagine that impact in performance? What influences might have shaped the language that created them; and what do they reveal about our response to what we see and hear? By placing objects under the phenomenological lens, and scrutinising them as vital conduits between lived experience and language, this book illuminates Shakespeare’s writing as a rich source for investigation into the way we think, feel and communicate as embodied beings.
This book explores ways in which Shakespeare’s writing strategies shape our embodied perception of objects – both real and imaginary – in four of his plays. Taking the reader on a series of perceptual journeys, it engages in an exciting dialogue between the disciplines of phenomenology, cognitive studies, historicist research and modern acting techniques, in order to probe our sentient and intuitive responses to Shakespeare’s language. What happens when we encounter objects on page and stage; and how we can imagine that impact in performance? What influences might have shaped the language that created them; and what do they reveal about our response to what we see and hear? By placing objects under the phenomenological lens, and scrutinising them as vital conduits between lived experience and language, this book illuminates Shakespeare’s writing as a rich source for investigation into the way we think, feel and communicate as embodied beings.
When Susan Conley, her husband, and their two young sons leave their house in Maine for a two-year stint in a high-rise apartment in Beijing, they are prepared to weather the inevitable onslaught of culture shock. But the challenges of living and mothering in an utterly foreign country become even more complicated when Susan learns she has cancer. After undergoing treatment in Boston, she returns to Beijing, again as a foreigner—but this time, it’s her own body in which she feels like a stranger. Set against the eternally fascinating backdrop of modern China and full of insight into the trickiest questions of motherhood, this poignant memoir is a celebration of family and a candid exploration of mortality and belonging.
An emotionally raw memoir about the crumbling of the American Dream and a daughter of refugees who searches for answers after her mother dies during plastic surgery. Susan Lieu has long been searching for answers. About her family’s past and about her own future. Refugees from the Vietnam War, Susan’s family escaped to California in the 1980s after five failed attempts. Upon arrival, Susan’s mother was their savvy, charismatic North Star, setting up two successful nail salons and orchestrating every success—until Susan was eleven. That year, her mother died from a botched tummy tuck. After the funeral, no one was ever allowed to talk about her or what had happened. For the next twenty years, Susan navigated a series of cascading questions alone—why did the most perfect person in her life want to change her body? Why would no one tell her about her mother’s life in Vietnam? And how did this surgeon, who preyed on Vietnamese immigrants, go on operating after her mother’s death? Sifting through depositions, tracking down the surgeon’s family, and enlisting the help of spirit channelers, Susan uncovers the painful truth of her mother, herself, and the impossible ideal of beauty. The Manicurist’s Daughter is much more than a memoir about grief, trauma, and body image. It is a story of fierce determination, strength in shared culture, and finding your place in the world.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.