Behind Mud Walls is an excellent introduction to the changes that have taken place in India from the mid-1920s to today, seen from the village level. It is an engaging read, filled with first hand observations of great clarity and explanatory power. It introduces the changing world of the village, where still 50 percent of the world's population, and 75 percent of India's population, live."—Howard Spadek, author of The World's History
Susan Wadley first visited Karimpur—the village "behind mud walls" made famous by William and Charlotte Wiser—as a graduate student in 1967. She returned often, adding her observations and experiences to the Wisers' field notes from the 1920s and 1930s. In this long-awaited book, Wadley gives us a work of unprecedented scope: a portrait of an Indian village as it has changed over a sixty-year period. She hears of changes in agriculture, labor relations, education, and the family. But Karimpur's residents do not speak with one voice in describing the ways their lives have changed—viewpoints vary considerably depending on the speaker's gender, economic status, and caste. Using cultural documents such as songs and stories, as well as data on household budgets and farming practices, Wadley examines what it means to be poor or rich, female or male. She demonstrates that the forms of subordination prescribed for women are paralleled by those prescribed for lower castes. Villagers also speak of political struggles in India, and of the importance of religion when confronting change. Their stories, songs, and life histories reveal the rich fabric of Karimpur and show how much can be learned from listening to its people.
This first book in the new Foundations in Global Studies series offers a fresh, comprehensive, multidisciplinary introduction to South Asia. The variations in social, cultural, economic, and political life in this diverse and complex region are explored within the context of the globalising forces affecting all regions of the world. In a simple strategy that all books in the series employ, the volume begins with foundational material (including chapters on history, language, and, in the case of South Asia, religion), moves to a discussion of globalisation, and then focuses the investigation more specifically through the use of case studies. The cases expose the student to various disciplinary lenses that are important in understanding the region and are meant to bring the region to life through subjects of high interest and significance to today's readers. Resource boxes, an important feature of the book, are included to maintain currency and add utility. They offer links that point readers to a rich archive of additional material, connections to timely data, reports on recent events, official sites, local and country-based media, visual material, and so forth. A website developed by Syracuse University's South Asia Center will feature additional graphic, narrative, and case study material to complement the book.
... [T]ells a wonderful story, one much loved in northern India.... fills an important lacuna in the work on oral epic." -- Lindsey Harlan Dhola is an oral epic performed primarily by lower-caste, usually illiterate, men in the Braj region of northern India. The story of Raja Nal, "a king who does not know he is a king," this vast epic portrays a world of complex social relationships involving changing and mistaken identities, goddesses, powerful women, magicians, and humans of many different castes. In this comprehensive study and first extended English translation based on multiple oral versions, Susan Snow Wadley argues that the story explores the nature of humanity while also challenging commonplace assumptions about Hinduism, gender, and caste. She examines the relationship between oral and written texts and the influence of individual performance styles alongside a lyrical translation of the work.
Susan Wadley first visited Karimpur--the village "behind mud walls" made famous by William and Charlotte Wiser--as a graduate student in 1967. She returned often, adding hears of changes in agriculture, labor relations, education, and the family. But Karimpur's residents do not speak with one voice in describing the ways their lives have changed--viewpoints vary considerably depending on the speaker's gender, economic status, and caste. Using cultural documents such as songs and stories, as well as data on household budgets and farming practices, Wadley examines what it means to be poor or rich, female or male. She demonstrates that the forms of subordination prescribed for women are paralleled by those prescribed for lower castes.
Susan Wadley first visited Karimpur—the village "behind mud walls" made famous by William and Charlotte Wiser—as a graduate student in 1967. She returned often, adding her observations and experiences to the Wisers' field notes from the 1920s and 1930s. In this long-awaited book, Wadley gives us a work of unprecedented scope: a portrait of an Indian village as it has changed over a sixty-year period. She hears of changes in agriculture, labor relations, education, and the family. But Karimpur's residents do not speak with one voice in describing the ways their lives have changed—viewpoints vary considerably depending on the speaker's gender, economic status, and caste. Using cultural documents such as songs and stories, as well as data on household budgets and farming practices, Wadley examines what it means to be poor or rich, female or male. She demonstrates that the forms of subordination prescribed for women are paralleled by those prescribed for lower castes. Villagers also speak of political struggles in India, and of the importance of religion when confronting change. Their stories, songs, and life histories reveal the rich fabric of Karimpur and show how much can be learned from listening to its people.
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