A complete roadmap to success on the Board of Certification Athletic Trainer Certification Examination. This popular study guide delivers everything students need to sit for the exam with confidence.
Former CNN/HLN anchor and veteran broadcast journalist Susan Hendricks takes an investigative deep-dive into the still-unsolved double homicide of two teens in Delphi, Indiana—and its lasting impact on the community On February 13, 2017, two teenage girls—13-year-old Abby Williams and 14-year-old Libby German—decided to enjoy a day off from school by exploring the popular hiking trails near the Monon High Bridge just a few minutes’ drive from Libby’s home in Delphi, Indiana. Libby’s sister, Kelsi, dropped the two girls off at the head of the trail and waved to them as they walked down the path, which was the last time they’d ever be seen alive. Less than 24 hours later, their bodies were found on the north bank of Deer Creek, about a mile from where they were last seen. There were few clues and little to go on in terms of physical evidence, except for the visual and audio remnants of a strange encounter the girls had with a stranger just hours before their disappearance, an encounter unsettling enough that Libby had thought to record it on her cellphone as it unfolded. In the years since the murders were first made public, Libby’s audio and video recordings have been released and two very different composite sketches of the suspect have been shown, but local law enforcement remained vague about developments for years—until finally, in October 2022, the long-awaited suspect was arrested and a trial date was set. Longtime anchor and journalist Susan Hendricks was one of the first reporters to cover the case. A broadcast veteran with decades’ worth of experience under her belt, she was no stranger when it came to sharing the tragedies of the day with viewers. But there was something about this case that rattled her to her core. A year after the murders, Susan went to Delphi to interview the victims’ families for an in-depth special report where Kelsi drove Susan down the same path that she drove her sister down on the last day of her life. Over the years, Susan has built close relationships with family members, and law enforcement officials and armchair detectives alike who are determined to get justice for Abby and Libby. In Down the Hill, Hendricks digs deeper in into the mystery that has captivated our nation for years, exploring the family's enduring resilience and advocacy, as well as the rippling impact the case has had on not just Delphi, but the very heart of the American heartland. As a result, this book is more than just a book about a double homicide; it’s about a small town in middle America that’s been haunted by an unfathomable act of violence; it’s about the ways families and communities cope with grief and move forward after tragedy; it’s about the limitations of local law enforcement and the rise of technology in helping to solve cases in new ways. But it’s also about compassion, connection, empathy, and resilience—on a very real, very human level.
The Dance and Opera Stage Manager’s Toolkit details unique perspectives and approaches to support stage managers beginning to navigate the fields of dance and opera stage management in live performance. This book demystifies the genre-specific protocols and vocabularies for stage managers who might be unfamiliar with these fields and discusses common practices. Filled with valuable industry-tested tools, templates, and practical information, The Dance and Opera Stage Manager’s Toolkit is designed to assist stage managers interested in pursuing these performance genres. The book also includes interviews and contributions from a range of professional stage managers working in dance and opera. From the student stage manager studying in Theatrical Design and Production university programs to the experienced stage manager wanting to broaden their skill set, this book provides resources and advice for a successful transition into these worlds. The Dance and Opera Stage Manager’s Toolkit includes access to an online repository of resources and paperwork examples to help jumpstart the reader’s journey into dance and opera stage management. To access these resources, visit www.routledge.com/9780367566579.
This book is intended as an inspiration and as an introduction to what Susan Hart has called neuroaffective developmental psychology. As an underlying theme throughout the book, she seeks to emphasize the importance of attachment for the formation of personality in all its diversity. This book presents a merger of systems that are not normally brought together in a structured psychodynamic context. Thus it operates on three levels: a neurobiological level, an intrapsychological level, and an interpersonal level. It also focuses on the brain structures that are essential for the formation of relationships, personality development, and emotions. It attempts to provide an understanding of the way that the uniquely human nervous system develops capacities for empathy, mentalization, and reflection that enable us to address such aspects as: past and present, interpersonal relations, ethics, art, and aesthetics. Susan Hart has endeavoured to make the text meaningful and comprehensible in order to make the topic interesting and inspiring to the reader, and to spark an interest in further studies.
Television drama has been the dominant form of popular storytelling for more than sixty years, shaping the imaginations of millions of people. This book surveys the careers of the central creators of those stories for Australian television—the writers who learnt how to work in a new medium, adapting to its constraints and exploring its creative possibilities. Informed by interviews with many writers, it describes the establishment of Australian television drama production, observing the way writers grasped the creative and business opportunities that television presented. It examines the development of Australian versions of the major television genres—the sitcom, the police drama, the historical series, docudrama, and social drama— presenting a ‘canon’ of significant Australian television drama productions that deserve to be remembered. It offers an account of the emergence of work by Indigenous writers for television and it argues for the consideration of television drama alongside histories of Australian film and stage drama. ‘For years, Susan Lever has been talking to Australia’s best television writers about their work, their craft and their industry. Now it’s all here in this book; a toast to a vital part of Australian culture.’ – Geoffrey Atherden ‘This is a wonderful book. Meticulously researched and engagingly written, it tells in fascinating detail, from the writers’ points of view, the story of Australian scripted television from its beginnings in the 1950’s, to the present. Better yet, Susan Lever has allowed the writers themselves to speak about the work, about their visions and processes, their joys and frustrations. I am delighted to see television drama, docudrama and comedy acknowledged so generously for their role in Australian culture.’ – Sue Smith ‘Brilliantly researched, lucid, comprehensive … the big picture on writers for the small screen in Australia.’ – Ian David
How does religion relate to our global environment? Religion and the Environment provides a comprehensive and accessible introduction to this controversial question by covering the following important themes: the religion-environment interface pre- and post-industrial religious practices related to resource extraction and the rise of the Anthropocene an analysis of religious response to the impacts of contemporary industrialization, globalization, and urbanization religious thought, leadership, policy formation, and grassroots activism relative to the environment. Religion and the Environment will offer students and general readers a sophisticated yet accessible exploration of the relationship between religion and the environment, through case studies ranging from climate change to the impacts of warfare. This engaging book will be an excellent addition to introductory courses and those approaching the topic for the first time.
A marvelously illustrated A-to-Z compendium of bird names from around the globe The Bird Name Book is an alphabetical reference book on the origins and meanings of common group bird names, from “accentor” to “zeledonia.” A cornucopia of engaging facts and anecdotes, this superbly researched compendium presents a wealth of incisive entries alongside stunning photos by the author and beautiful historic prints and watercolors. Myers provides brief biographies of prominent figures in ornithology—such as John Gould, John Latham, Alfred Newton, and Robert Ridgway—and goes on to describe the etymological history of every common group bird name found in standardized English. She interweaves the stories behind the names with quotes from publications dating back to the 1400s, illuminating the shared evolution of language and our relationships with birds, and rooting the names in the history of ornithological discovery. Whether you are a well-traveled birder or have ever wondered how the birds in your backyard got their names, The Bird Name Book is an ideal companion.
Why does brain size vary so widely among vertebrate animal species? What role has natural selection played in shaping the structure and function of the vertebrate brain? This accessible book unravels the myriad adaptive explanations that have built up over decades, providing both a review and a critique of the work that has sought to explain which natural selection pressures have led to changes in brain size. Debate over the causes of variation in brain size, especially within extant humans and during the course of hominid evolution, has persisted for at least a couple of centuries. However, it was not until relatively recently that there has been sufficient data to allow a coherent (and taxonomically widespread) evolutionary perspective to emerge. The comparative approach employed by evolutionary biologists and behavioural ecologists has been particularly enlightening with regard to addressing variation in brain size. However, the extent to which correlational data - currently generated in some profusion - can provide a suitable explanation is not yet clear, and a constructively critical analysis of the relevant data is now timely. Five classes of selection pressure have formed the majority of explanations: ecology, technology, innovation, sex, and sociality. The book starts with a brief description of the difficulties of measuring both brain size and intelligence (cognition), before addressing the evidence for each of these five factors in turn. It argues that although ecology currently provides the most convincing explanation for variation in the size of brain regions, none of the factors yet offers a robust and compelling explanation for variation in whole brain size. The book concludes by looking forwards, suggesting the future steps necessary to reach such an explanation; steps that are challenging but now within reach. Adaptation and the Brain is suitable for graduate level students taking courses in animal behaviour and cognition, behavioural ecology, evolutionary ecology, psychology, and neuroscience as well as academics and professional researchers in these fields. The reader will not require a specific understanding of neuroscience, nor of the function of any particular brain region.
Ensure children with disabilities and special healthcare needs achieve their full potential. Noted authorities Susan Effgen, Allyssa LaForme Fiss and a team of scholars and clinical experts explore the role of the physical therapist in meeting the needs of children and their families in a culturally appropriate content using a family-centered, abilities-based model. From the major body systems to assistive technology and intervention support, you’ll develop the clinical knowledge you need to provide a child with the very best care from initial examination to graduation from your services.
From Ayurvedic texts to botanical medicines to genomics, ideas and expertise about veterinary healing have circulated between cultures through travel, trade, and conflict. In this broad-ranging and accessible study spanning 400 years of history, Susan D. Jones and Peter A. Koolmees present the first global history of veterinary medicine and animal healing. Drawing on inter-disciplinary and multi-disciplinary perspectives, this book addresses how attitudes toward animals, disease causation theories, wars, problems of food insecurity and the professionalization and spread of European veterinary education have shaped new domains for animal healing, such as preventive medicine in intensive animal agriculture and the need for veterinarians specializing in zoo animals, wildlife, and pets. It concludes by considering the politicization of animal protection, changes in the global veterinary workforce, and concerns about disease and climate change. As mediators between humans and animals, veterinarians and other animal healers have both shaped, and been shaped by, the social, cultural, and economic roles of animals over time.
A surprising, sweeping, and deeply researched history of empathy—from late-nineteenth-century German aesthetics to mirror neurons†‹ Empathy: A History tells the fascinating and largely unknown story of the first appearance of “empathy” in 1908 and tracks its shifting meanings over the following century. Despite empathy’s ubiquity today, few realize that it began as a translation of Einfühlung or “in-feeling” in German psychological aesthetics that described how spectators projected their own feelings and movements into objects of art and nature. Remarkably, this early conception of empathy transformed into its opposite over the ensuing decades. Social scientists and clinical psychologists refashioned empathy to require the deliberate putting aside of one’s feelings to more accurately understand another’s. By the end of World War II, interpersonal empathy entered the mainstream, appearing in advice columns, popular radio and TV, and later in public forums on civil rights. Even as neuroscientists continue to map the brain correlates of empathy, its many dimensions still elude strict scientific description. This meticulously researched book uncovers empathy’s historical layers, offering a rich portrait of the tension between the reach of one’s own imagination and the realities of others’ experiences.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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