This book examines alleged “superhuman” powers predominantly associated with smith/artisans in five African societies. It discusses their ritual and social roles, mythico-histories, symbols surrounding their art, and changing relationships between these specialists and their patrons. Needed but also feared, these smith/artisans work in traditionally hereditary occupations and in stratified but negotiable relationships with their rural patron families. Many of them now also work for new customers in an expanding market economy, which is still characterized by personal, face-to-face interactions. Rasmussen maintains that a framework integrating anthropological theories of witchcraft, alterity, symbolism, and power is fundamental to understanding local accusations and tensions in these relationships. She also argues that it is critical to deconstruct and disentangle guilt, blame, and envy—concepts that are often conflated in anthropology at the expense of falsely accused “witch” figures. The first portion of this book is an ethnographic analysis of smith/artisans in Tuareg society, and draws on primary source data from this author’s long-term social/cultural anthropological field research in Tuareg (Kel Tamajaq) communities of northern Niger and Mali. The latter portion of the book is a cross-cultural comparison, and it re-analyzes the Tuareg case, drawing on secondary data on ritual powers and smith/artisans in four other African societies: the Amhara of Ethiopia, the Bidan (Moors) of Mauritania, the Kapsiki of Cameroon, and the Mande of southern Mali. In the concluding analysis, there is discussion of similarities and differences between these cases, the social consequences of ritual knowledge and power in each community, and their wider implications for anthropology of religion, human rights, and African studies.
Persons of Courage and Renown is a theoretically engaged ethnography by a social/cultural anthropologist that explores issues of culture, memory, creativity, and power by analyzing beloved, yet vulnerable, actors, acting, and play performances in Tamajaq-speaking, predominantly Muslim, traditionally stratified, and semi-nomadic Tuareg communities in northern Mali. The town and region of Kidal are the primary sites of field research. This book traces how Tuareg actors powerfully negotiate cultural memory and encounters in communities caught, between political violence and peacekeeping efforts in northern Mali. Urban, state, and nongovernmental bureaucracies there seek to reshape Tuareg verbal art performances to comply with official agendas aimed at transforming local culture. This book shows how acting and plays are crucial in continuing, but also debating and redefining, the meanings of older verbal art performances of Tuareg tales, songs, and epics, as well as wider cultural knowledge and social practice. Their arts offer important possibilities for peacemaking in a turbulent and unpredictable world.
Among the Tuareg people in the Air Mountain region of Niger, women are sometimes possessed by spirits called 'the people of solitude'. The evening curing rituals of the possessed, featuring drumming and song, take place before an audience of young men and women, who joke and flirt as the ritual unfolds. In her analysis of this tolerated but unofficial cult, Susan Rasmussen analyses symbolism and aesthetic values, provides case studies of possessed women, and reviews what local people think about the meaning of possession.
The Quotable is the quarterly publication of quotable writers. Each issue focuses on a theme and a quote. The theme for our October 2014 issue is "Danger." The issue features excellent short fiction, creative non-fiction, and poetry by emerging writers.
From the New York Times bestselling author of Primal Heat. In the first book of the series, readers are introduced to the Enforcers, an elite group of vampires who must serve and protect their secret community-and uphold the Laws of the Blood.
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