In this debut story collection, the first by a woman who served in Vietnam, Susan O'Neill offers a remarkable, unprecedented glimpse into the war from a female perspective.
Life Song: An Irish Odyssey opens in Wessex in 979 A.D. In 10th-century Britain, a band of Viking soldiers from the Dublin area is assigned to raid at random along the Wessex coast. Their purpose is to disturb the efforts of the English monarch, King Aethelred, who is attempting to unite the nobility more fully under their feudal government, and hinder the Danish incursion into Britain. Owyn is the nine-year-old son of a blacksmith living with his family outside the local nobleman’s castle. The band of Viking raiders encounters only a small band of peasants in an isolated enclave. They kill most of the villagers and take the females as slaves. But they did not count on one survivor. Young Owyn is discovered and rescued by a band of Benedictine monks who take him to their abbey. There they heal and raise him. Owyn’s mother and his sisters were taken prisoner in the raid. The boy dreams that his father charges him with a mission to reunite his family. How this tragedy affects Owyn’s resolve, proves that even an ordinary person can do extraordinary things, as he undertakes the journey to find his lost loved ones. This epic story of warring cultures, politics, and human relationships transcends the generations.
Koprince (English, U. of North Dakota at Grand Forks) seeks to grant the prolific and popular playwright a measure of the serious literary attention that has passed his work by. She analyzes 16 of Simon's comedies beginning with his first Broadway effort, Blow your horn (1961) and ending with Laughter on the 23rd floor (1993). Koprince emphasizes Simon's versatility, craftsmanship, and willingness to experiment with the comedic form as well as the fundamentally serious nature of his plays. Small format: 5.25x7.25". Annotation copyrighted by Book News, Inc., Portland, OR
From the pioneering and groundbreaking Provincetown Players comes this collection of innovative and revolutionary plays. Included in the collection is Pendleton King's thought provoking drama concerning drug addition, Eugene O'Neill's one character masterpiece, experimental plays by John Reed and Louise Bryant, and Susan Glaspell and George Cram Cook's trailblazing drama.
Technology first rocked our world when a lightning bolt zapped a bush at the entrance to a cave, and First Man crawled out and stuck his hand into the mystical blaze. Centuries later, we still find technology fascinating, mysterious, distracting, vital and Wow! Shiny!--and it still fries our grasping, hapless human hands, not to mention our grasping, hapless human brains. These short essays are all about that tender point where the finger meets the flame, where the ecstasy and the pain live--and where the sweet, dark humor so often lurks. Most of them simply examine the craziness of everyday life. Some spring from weird travel experiences. Some pick at politics, niggle at religion, worry at war. They're set in Starbucks, in my kitchen, in Viet Nam, in India, on a Russian train and a Greyhound bus; in Massachusetts, Indiana, Brooklyn and Times Square; in WalMart and Golden Corral, and at the second inauguration of Barack Obama. All have been published somewhere before. In all the pieces, there is a tie to technology, be it as strong as an anchor cable, or as tenuous as a spiderweb. This gives me a lot of leeway--because what, in this modern world, *isn't* tied to technology? A final disclaimer: you certainly don't have to be tech savvy to enjoy this book. You just have to be a human being with bandaids on your fingers. Which pretty much describes us all.
On August 7, 1998, bombs exploded at two United States embassies in East Africa. American anthropologist Susan Hirsch and her husband Jamal, a Kenyan, were among the thousands of victims, and Jamal died. From there, Hirsch went on to face devastating grief with the help of friends and families on two continents, observing the mourning rituals of her husband's community to honor him. When the alleged bombers were captured and sent to New York to stand trial, she witnessed firsthand the attempts of America's criminal justice system to handle terrorism through the law. In the Moment of Greatest Calamity is her story--a tale told on many levels: personal, anthropological, legal, and, finally, political. The book's central chapters describe Hirsch's experience of the bombing trials in a Manhattan federal court in 2001, including a behind-the-scenes look at the investigation leading up to the trial, encounters with some of the FBI's leading terrorism investigators, and many moments of drama from the proceedings themselves. Hirsch reveals the inner conflict that results from her opposition to the death penalty and concludes that the trial was both flawed and indispensable. Hirsch's story of this tragedy and its legal aftermath comes to life through--and is enhanced by--her skills as a social scientist. Her unique viewpoint makes it unlike any other story about terrorism.
American playwrights have made enormous contributions to world drama during the last century, and their works are widely read and performed. This reference conveniently introduces 10 of the most important modern American plays read by students. An introductory essay concisely overviews modern American drama, and each of the chapters that follow examines a particular play. Among the plays discussed are Thornton Wilder's Our Town, Arthur Miller's Death of a Salesman, Lorraine Hansberry's A Raisin in the Sun, and August Wilson's The Piano Lesson. Each chapter includes a biography, a plot summary, an analysis of the play's themes, characters, and dramatic art, and a review of its historical background and reception. Chapters list works for further reading, and the volume closes with a selected, general bibliography.
Although scholars often assume that Luke and Justin similarly claim the sacred texts of Jews for the non-Jewish church, this book offers a fresh analysis that uncovers significant differences between their respective depictions of the relationship between Christ-believers and the Jewish scriptures.
Acclaimed biographer Susan Ronald delivers a stunning account of Elizabeth I that focuses on her role in the Wars on Religion—the battle between Protestantism and Catholicisim that tore apart Europe in the 16th Century Elizabeth's 1558 coronation procession was met with an extravagant outpouring of love. Only twenty-five years old, the young queen saw herself as their Protestant savior, aiming to provide the nation with new hope, prosperity, and independence from the foreign influence that had plagued her sister Mary's reign. Given the scars of the Reformation, Elizabeth would need all of the powers of diplomacy and tact she could summon. Extravagant, witty, and hot-tempered, Elizabeth was the ultimate tyrant. Yet at the outset, in religious matters, she was unfathomably tolerant for her day. "There is only one Christ, Jesus, one faith," Elizabeth once proclaimed. "All else is a dispute over trifles." Heretic Queen is the highly personal, untold story of how Queen Elizabeth I secured the future of England as a world power. Susan Ronald paints the queen as a complex character whose apparent indecision was really a political tool that she wielded with great aplomb.
This comprehensive biography explores the tumultuous and passionate life of activist, singer, and actor Paul Robeson. When faced with the decision to remain silent or be ostracized, Paul Robeson chose to sing, shout, and speak out. Sing and Shout: The Mighty Voice of Paul Robeson explores how Robeson's love of African American spirituals and deep empathy towards the suffering of others drove his long, fervent mission as a civil rights activist and his career as an artist. Although he was also an actor, singing was Robeson's defining talent and where he could best express himself. After exploring socialism, Robeson was targeted by the U.S. government for speaking out about discrimination against African Americans and for his political views. He was labeled a communist during the height of the Cold War and found himself stripped of his U.S. passport. But Robeson never gave in and continued to perform and speak out. The book is based on author Susan Goldman Rubin's extensive research, including fieldwork in Harlem, NY, in Princeton and Somerville, NJ, and at Rutgers University in New Brunswick, NJ. Includes an author's note, resources, source notes, index, and a preface by author Harry Belafonte.
This monograph opens with an examination of the aid industry and the claims of leading practitioners that the industry is experiencing a crisis of confidence due to an absence of clear moral guidelines. The book then undertakes a critical review of the leading philosophical accounts of the duty to aid, including the narrow, instructive accounts in the writings of John Rawls and Peter Singer, and broad, disruptive accounts in the writings of Onora O’Neill and Amartya Sen. Through an elaboration of the elements of interconnection, responsible action, inclusive engagement, and accumulative duties, the comparative approach developed in the book has the potential to overcome the philosophical tensions between the accounts and provide guidance to aid practitioners, donors and recipients in the complex contemporary circumstances of assistance. Informed by real world examples, this book grapples with complex and multi-dimensional questions concerning practices and the ethics of aid. The author judiciously guides us through the debate between deontological and consequentialist moral theories to arrive at a sophisticated consequentialist account that does justice to the complexity of the problems and facilitates our deliberation in discharging our duty to aid, without yielding, as it should not, a determinate answer for each specific situation. Researchers, students, and practitioners of international aid will all find this book rewarding. Win-chiat Lee, Professor and Chair, Department of Philosophy, Wake Forest University Susan Murphy’s book offers us a sophisticated exploration of the philosophical basis for aid. It is grounded in a full understanding of the complexities and pitfalls of the aid industry, but its particular strength lies, mainly through an extensive discussion of Singer, Rawls, O’Neill and Sen, in a comparison of consequentialist and duty-based approaches, eventually endorsing a broad non-idealised, situated consequentialist account in what she calls an interconnected ethical approach to the practice of assistance. For anyone wanting to think carefully about why we should give aid, this book has much to offer. Dr Nigel Dower Honorary Senior Lecturer, University of Aberdeen Author of World Ethics – the New Agenda (2007)
On February 15, 1982, the oil rig Ocean Ranger sank off the coast of Newfoundland taking the entire crew of eighty-four men — including the author’s brother — down with it. It was the worst sea disaster in Canada since the Second World War, but the memory of this event gradually faded into a sad story about a bad storm — relegated to the “Extreme Weather” section of the CBC archives. Susan Dodd resurrects this disaster from the realm of “history” and maps the socio-political processes of its aftermath, when power, money and collective hopes for the future revised the story of corporate indifference and betrayal of public trust into a “lesson learned” by an heroic industry advancing technology in the face of a brutal environment. This book is a navigational resource for other disaster aftermaths, including that of the Deepwater Horizon in the Gulf of Mexico, and a call for vigilant government regulation of industry in all its forms.
In a new and critical analysis, this book explores the impact of an influential idea - sustainable development - on the institutions and practices governing use of land. It examines the paradox that in spite of increasing attention to sustainability, land use conflict is as ubiquitous and intense as ever.
A tour guide to the Grand Canyon. Includes the usual vacation guide information and discusses the flora and fauna, as well as cultural and historical information. Annotation c. Book News, Inc., Portland, OR (booknews.com).
No period in British history today retains more resonance and mystery than the sixteenth century. The leading figures of the time have become almost mythical, and the terrors and grandeurs of Tudor Britain have resonance with even the least historically minded readers. Above all Brigden sees the key to the Tudor world as religion - the new world of Protestantism and its battle with the the old world of uniform Catholicism. This great religious rent in the fabric of English society underlies the savage violence and turbulence of the period - from Henry VIII's break with Rome to the overwhelming threat of the Spanish Armada. 'NEW WORLDS, LOST WORLDS' is a startlingly atmospheric tour de force.
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major writers and their works to receive in-depth coverage in this volume include: * William Inge: Picnic (1953), Bus Stop (1955) and The Dark at the Top of the Stairs (1957); * Stephen Sondheim, Arthur Laurents and Jerome Robbins: West Side Story (1957) and Gypsy (1959); * Alice Childress: Just a Little Simple (1950), Gold Through the Trees (1952) and Trouble in Mind (1955); * Jerome Lawrence and Robert Lee: Inherit the Wind (1955), Auntie Mame (1956) and The Gang's All Here (1959).
No period in British history has more resonance and mystery today than the sixteenth century. New Worlds, Lost Worlds brings the atmosphere and events of this great epoch to life. Exploring the underlying religious motivations for the savage violence and turbulence of the period-from Henry VIII's break with Rome to the overwhelming threat of the Spanish Armada-Susan Brigden investigates the actions and influences of such near-mythical figures as Elizabeth I, Thomas More, Bloody Mary, and Sir Walter Raleigh. Authoritative and accessible, New Worlds, Lost Worlds, the latest in the Penguin History of Britain series, provides a superb introduction to one of the most important, compelling, and intriguing periods in the history of the Western world.
Introduces the major cultural and intellectual trends of the decade by introducing and assessing the development of the primary cultural forms: namely, Fiction, Poetry and Drama, Music and Performance, Film and Radio, and Visual Art and Design. A fifth chapter focuses on the unprecedented rise in the 1920s of Leisure and Consumption.
The first edition of this seminal book was written at a time of rapidly growing interest in the potential for land use planning to deliver sustainable development, and explored the connections between the two and implications for public policy. In the decade since the book was first conceived, environmental imperatives have risen still further up the policial agenda and land use conflicts have intensified, lending even greater importance to the authors' research. In a rigorous discussion of concepts, policy instruments and contemporary planning dilemmas, the authors challenge prevailing assumptions about planning for sustainability. After charting the remarkable growth in expectations of planning, they show how attempts to interpret sustainability must lead to fundamental moral and political choices.
Design practice in offshore geotechnical engineering has grown out of onshore practice, but the two application areas have tended to diverge over the last thirty years, driven partly by the scale of the foundation and anchoring elements used offshore, and partly by fundamental differences in construction and installation techniques. As a consequence offshore geotechnical engineering has grown as a speciality. The structure of Offshore Geotechnical Engineering follows a pattern that mimics the flow of a typical offshore project. In the early chapters it provides a brief overview of the marine environment, offshore site investigation techniques and interpretation of soil behaviour. It proceeds to cover geotechnical design of piled foundations, shallow foundations and anchoring systems. Three topics are then covered which require a more multi-disciplinary approach: the design of mobile drilling rigs, pipelines and geohazards. This book serves as a framework for undergraduate and postgraduate courses, and will appeal to professional engineers specialising in the offshore industry.
Bad Girls examines representational practices of film and television stories beginning with post-Vietnam cinema and ending with postfeminisms and contemporary public disputes over women in the military. The book explores a diverse range of popular media texts, from the Alien saga to Ally McBeal and Sex and the City, from The Net and VR5 to Sportsnight and G.I. Jane. The research is framed as a study of intergenerational tensions in portrayals of women and public institutions - in careers, governmental service, and interactions with technology. Using iconic texts and their contexts as a primary focus, this book offers a rhetorical and cultural history of the tensions between remembering and forgetting in representations of the American feminist movement between 1979 and 2005. Looking forward, the book sets an agenda for discussion of gender issues over the next twenty-five years and articulates with authority the manner in which «transgression» itself has become a site of struggle.
Debrett's Peerage & Baronetage is the only up-to-date printed reference guide to the United Kingdom's titled families: the hereditary peers, life peers and peeresses, and baronets, and their descendants who form the fascinating tapestry of the peerage. This is the first ebook edition of Debrett's Peerage &Baronetage, and it also contains information relating to:The Royal FamilyCoats of ArmsPrincipal British Commonwealth OrdersCourtesy titlesForms of addressExtinct, dormant, abeyant and disclaimed titles.Special features for this anniversary edition include:The Roll of Honour, 1920: a list of the 3,150 people whose names appeared in the volume who were killed in action or died as a result of injuries sustained during the First World War.A number of specially commissioned articles, including an account of John Debrett's life and the early history of Debrett's Peerage and Baronetage, a history of the royal dukedoms, and an in-depth feature exploring the implications of modern legislation and mores on the ancient traditions of succession.
BEST BOOK OF THE YEAR: The New York Times • The Washington Post • Fortune • Bloomberg From two of America's most revered political journalists comes the definitive biography of legendary White House chief of staff and secretary of state James A. Baker III: the man who ran Washington when Washington ran the world. For a quarter century, from the end of Watergate to the aftermath of the Cold War, no Republican won the presidency or ran the White House without the advice of James Addison Baker III. A scion of Texas aristocracy who became George H. W. Bush’s tennis partner, Baker had never worked in Washington until a devastating family tragedy struck when he was thirty-nine. Within a few years, he was leading Gerald Ford’s campaign and would go on to manage a total of five presidential races and win a sixth for George W. Bush in a Florida recount. He ran Ronald Reagan’s White House and became the most consequential secretary of state since Henry Kissinger. Ruthlessly partisan during campaign season, Baker became an indispensable dealmaker after the election. He negotiated with Democrats at home and Soviets abroad, rewrote the tax code, assembled the coalition that won the Gulf War, brokered the reunification of Germany, and helped bring a decades-long nuclear superpower standoff to an end. Brilliantly crafted by Peter Baker of The New York Times and Susan Glasser of The New Yorker, The Man Who Ran Washington is a page-turning study in the acquisition, exercise, and preservation of power in late twentieth-century America and the story of Washington when Washington ran the world. Their masterly biography is necessary reading and destined to become a classic.
It is the hope of Deborah Brooks Langford and myself that this new venture, WILDFIRE PUBLICATIONS MONTHLY MAGAZINE, be another forum to showcase Authors, their books and put them in the limelight. We also want to showcase non-writers with their articles, poems, artwork. We have many features to offer like: Travel, Animals Section, Spiritual Corner, Fashion News, Cooking Corner with Recipes, Health/Mental Health and Substance Abuse Addiction Section and a new section for young teens. We are a fresh, innovative Variety magazine based off its sister company, WILDFIRE PUBLICATIONS. We like to offer a venue for EVERYONE to express themselves and also for readers of all genre to enjoy articles, stories of interests, beautiful graphics, information that is informative, entertaining and stimulating. Your One-Stop Shop Virtual Magazine to meet all literary needs plus other fun things of attraction.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.