Gaines' melding of sensual landscapes with ruminations on political history and environmental devastation will be a treat for conservationists, and her critique of globalization and portrayal of sibling rivalry are particularly well rendered. Barbara Kingsolver fans will want to take a look." —PUBLISHERS WEEKLY "Gorgeous, smart, and surprising, Gaines' family saga takes us into the large world of nations and politics, but also the microscopic world of mud and microbes." —KAREN JOY FOWLER When Gabriel's immigrant mother returns to her native Uruguay, he takes a break from his uninspiring job to accompany her. Immersed in his squabbling family, birdwatching in the wetlands on their abandoned ranch, and falling in love with a local biologist, he makes discoveries that force him to contend with the environmental cataclysm of his turn–of–millennium present—even as he confronts the Cold War–era ideologies and political violence that have shaped his family's past. SUSAN M. GAINES is the author of the novel Carbon Dreams and of the science narrative, Echoes of Life: What Fossil Molecules Reveal About Earth History. Her short stories have appeared in numerous literary journals and been selected for the Best of the West anthology and nominated for the Pushcart Prize. Gaines's fiction is informed by a youth spent hiking and birding California's mountains and coastline, and by her education in chemistry and oceanography. She is the recipient of an Art in Science Fellowship at the Hanse Institute for Advanced Study, as well as the 2018 Suffrage Science Award. Currently at work on another novel, Gaines divides her time between her native California, Uruguay, and Germany, where she co–directs the Fiction Meets Science research and fellowship program.
Gaines' melding of sensual landscapes with ruminations on political history and environmental devastation will be a treat for conservationists, and her critique of globalization and portrayal of sibling rivalry are particularly well rendered. Barbara Kingsolver fans will want to take a look." —PUBLISHERS WEEKLY "Gorgeous, smart, and surprising, Gaines' family saga takes us into the large world of nations and politics, but also the microscopic world of mud and microbes." —KAREN JOY FOWLER When Gabriel's immigrant mother returns to her native Uruguay, he takes a break from his uninspiring job to accompany her. Immersed in his squabbling family, birdwatching in the wetlands on their abandoned ranch, and falling in love with a local biologist, he makes discoveries that force him to contend with the environmental cataclysm of his turn–of–millennium present—even as he confronts the Cold War–era ideologies and political violence that have shaped his family's past. SUSAN M. GAINES is the author of the novel Carbon Dreams and of the science narrative, Echoes of Life: What Fossil Molecules Reveal About Earth History. Her short stories have appeared in numerous literary journals and been selected for the Best of the West anthology and nominated for the Pushcart Prize. Gaines's fiction is informed by a youth spent hiking and birding California's mountains and coastline, and by her education in chemistry and oceanography. She is the recipient of an Art in Science Fellowship at the Hanse Institute for Advanced Study, as well as the 2018 Suffrage Science Award. Currently at work on another novel, Gaines divides her time between her native California, Uruguay, and Germany, where she co–directs the Fiction Meets Science research and fellowship program.
In 1936 a German chemist identified certain organic molecules that he had extracted from ancient rocks and oils as the fossil remains of chlorophyll--presumably from plants that had lived and died millions of years in the past. It was another twenty-five years before this insight was developed and the term "biomarker" coined to describe fossil molecules whose molecular structures could reveal the presence of otherwise elusive organisms and processes.Echoes of Life is the story of these molecules and how they are illuminating the history of the earth and its life. It is also the story of how a few maverick organic chemists and geologists defied the dictates of their disciplines and--at a time when the natural sciences were fragmenting into ever-more-specialized sub-disciplines--reunited chemistry, biology and geology in a common endeavor. The rare combination of rigorous science and literary style--woven into a historic narrative that moves naturally from the simple to the complex--make Echoes of Life a book to be read for pleasure and contemplation, as well as education.
It is not uncommon for white suburban youths to perform rap music, for New York fashion designers to ransack the world's closets for inspiration, or for Euro-American authors to adopt the voice of a geisha or shaman. But who really owns these art forms? Is it the community in which they were originally generated, or the culture that has absorbed them? While claims of authenticity or quality may prompt some consumers to seek cultural products at their source, the communities of origin are generally unable to exclude copyists through legal action. Like other works of unincorporated group authorship, cultural products lack protection under our system of intellectual property law. But is this legal vacuum an injustice, the lifeblood of American culture, a historical oversight, a result of administrative incapacity, or all of the above? Who Owns Culture? offers the first comprehensive analysis of cultural authorship and appropriation within American law. From indigenous art to Linux, Susan Scafidi takes the reader on a tour of the no-man's-land between law and culture, pausing to ask: What prompts us to offer legal protection to works of literature, but not folklore? What does it mean for a creation to belong to a community, especially a diffuse or fractured one? And is our national culture the product of Yankee ingenuity or cultural kleptomania? Providing new insights to communal authorship, cultural appropriation, intellectual property law, and the formation of American culture, this innovative and accessible guide greatly enriches future legal understanding of cultural production.
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