Talking to the Gods explores the linkages between the imaginative literature and the occult beliefs and practices of four writers who were members of the Hermetic Order of the Golden Dawn. William Butler Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune were all members of the occult organization for various periods from 1890 to 1930. Yeats, of course, is both a canonical and well-loved poet. Machen is revered as a master of the weird tale. Blackwood's work dealing with the supernatural was popular during the first half of the twentieth century and has been influential in the development of the fantasy genre. Fortune's books are acknowledged as harbingers of trends in second-wave feminist spirituality. Susan Johnston Graf examines practices, beliefs, and ideas engendered within the Hermetic Order of the Golden Dawn and demonstrates how these are manifest in each author's work, including Yeats's major theoretical work, A Vision.
W.B. Yeats Twentieth Century Magus is a comprehensive study of his magical practices and beliefs. Yeats moved through many different phases of spiritual development, believing that his life was an intellectual, spiritual, and artistic questa quest greatly influenced by Celtic lore, Theosophy, Golden Dawn ceremonial magic, Swedenborg's metaphysics, the works of Jacob Boehme, and NeoPlatonism. For Yeats, writing poetry was an act of divine possession, and he believed that a perfected soul was the source of his inspiration, visiting him during times of superconscious awareness. Susan Johnston Graf meticulously documents and provides evidence that Yeat's poetry is brilliant, lyric narrative of realtiy captured through the mind of a practicing magician working in the Western Tradition.
Talking to the Gods explores the linkages between the imaginative literature and the occult beliefs and practices of four writers who were members of the Hermetic Order of the Golden Dawn. William Butler Yeats, Arthur Machen, Algernon Blackwood, and Dion Fortune were all members of the occult organization for various periods from 1890 to 1930. Yeats, of course, is both a canonical and well-loved poet. Machen is revered as a master of the weird tale. Blackwood's work dealing with the supernatural was popular during the first half of the twentieth century and has been influential in the development of the fantasy genre. Fortune's books are acknowledged as harbingers of trends in second-wave feminist spirituality. Susan Johnston Graf examines practices, beliefs, and ideas engendered within the Hermetic Order of the Golden Dawn and demonstrates how these are manifest in each author's work, including Yeats's major theoretical work, A Vision.
W.B. Yeats -- Twentieth-Century Magus is a comprehensive study of his magical practices and beliefs. Yeats moved through many different phases of spiritual development, believing that his life was an intellectual, spiritual, and artistic quest -- a quest greatly influenced by Celtic lore, Theosophy, Golden Dawn ceremonial magic, Swedenborg's metaphysics, the works of Jacob Boehme, and Neo-Platonism. For Yeats, writing poetry was an act of divine possession, and he believed that a perfected soul was the source of his inspiration, visiting him during times of superconscious awareness. Susan Johnston Graf meticulously documents and provides evidence that Yeats's poetry is a brilliant, lyric narrative of reality captured through the mind of a practicing magician working in the Western Tradition.
This book explores the visual narratives of a group of decorated tombs from Ptolemaic and Roman Egypt (c.300 BCE-250 CE). The author contextualizes the tombs within their social, political, and religious context and considers how the multicultural population of Graeco-Roman Egypt chose to negotiate death and the afterlife.
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