A woman fights to keep the land she inherited from her mother from being taken over for a local casino development while the architect brought in by the developers tries to fight his feelings for her.
Debrett's Peerage & Baronetage is the only up-to-date printed reference guide to the United Kingdom's titled families: the hereditary peers, life peers and peeresses, and baronets, and their descendants who form the fascinating tapestry of the peerage. This is the first ebook edition of Debrett's Peerage &Baronetage, and it also contains information relating to:The Royal FamilyCoats of ArmsPrincipal British Commonwealth OrdersCourtesy titlesForms of addressExtinct, dormant, abeyant and disclaimed titles.Special features for this anniversary edition include:The Roll of Honour, 1920: a list of the 3,150 people whose names appeared in the volume who were killed in action or died as a result of injuries sustained during the First World War.A number of specially commissioned articles, including an account of John Debrett's life and the early history of Debrett's Peerage and Baronetage, a history of the royal dukedoms, and an in-depth feature exploring the implications of modern legislation and mores on the ancient traditions of succession.
From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.
This book examines over 125 American, English, Irish and Anglo-Indian plays by 70 dramatists which were published in 14 American general interest periodicals aimed at the middle-class reader and consumer.
This is a book that takes on the “hard questions” about the role of poets in society together with the challenges of reading “difficult” poetry. Using the relaxed format of the personal interview, Butling and Rudy open doors to some of the most challenging and important poetry of the 1990s. Robert Kroetsch talks about his dread of systems and his subversive use of sub-literary forms. Erin Mouré and Daphne Marlatt discuss the feminist trajectories in their work—how to jump circuits and activate alternative networks. Dionne Brand links her poetics to Marxist politics and Pan-African liberation movements. Annharte explains her use of humour to de-program Native people. Jeff Derksen wants to disarticulate and rearticulate linguistic and social systems, while Fred Wah emphasizes the role of poetry in changing how we see the world.
As the last of the dragon eggs, laid long ago, begin to hatch, Lyf becomes a reluctant friend who tries to save both the dragon mothers and their newly born children from their enemies.
America’s Teilhard: Christ and Hope in the 1960s is a study of the reception of Teilhard in the United States during this period and contributes to an awareness of the thought of this important figure and the impact of his work. Additionally, it further develops an understanding of U.S. Catholicism in all its dimensions during these years, and provides clues as to how it has unfolded over the past several decades. Susan Sack argues that the manner and intensity of the reception of Teilhard’s thought happened as it did at this point in history because of the confluence of the then developing social milieu, the disintegration of the immigrant Catholic subculture, and the opening of the church to the world through Vatican II. Additionally, as these social and historical events unfolded within U.S. culture during these years, the way Teilhard was read, and the contributions which his thought provided changed. This book considers his work as a carrier at times for an almost Americanist emphasis upon progress, energy and hope; in other years his teleological understanding of the value of suffering moves to center. Additionally, the stories of numerous persons – scientists, theologians, politicians, and scholars – who became involved in the American Teilhardian effort are detailed.
The grass is always greener on your sister’s side of the fence… Divorce left Harper Szymanski with a name no one can spell, a house she can't afford and a teenage daughter who's pulling away. With her fledgling virtual-assistant business, she's scrambling to maintain her overbearing mother’s ridiculous Susie Homemaker standards and still pay the bills, thanks to clients like Lucas, the annoying playboy cop who claims he hangs around for Harper's fresh-baked cookies. Spending half her life in school hasn't prepared Dr. Stacey Bloom for her most daunting challenge—motherhood. She didn't inherit the nurturing gene like Harper and is in deep denial that a baby is coming. Worse, her mother will be horrified to learn that Stacey's husband plans to be a stay-at-home dad…assuming Stacey can first find the courage to tell Mom she's already six months pregnant. Separately they may be a mess, but together Harper and Stacey can survive anything—their indomitable mother, overwhelming maternity stores and ex’s weddings. Sisters Like Us is a delightful look at sisters, mothers and daughters in today’s fast-paced world, told with Susan Mallery’s trademark warmth and humor. Don't miss The Summer Getaway by Susan Mallery where one woman discovers the beauty in chaos in a poignant and heartwarming story about the threads that hold family together.
Though science fiction has existed as a literary genre for well over a century, a working definition of the term has yet to be determined. Ursula K. Le Guin, who emerged as a popular science fiction and fantasy writer in the 1960s, has not only witnessed, but also experienced first-hand the shifts and transformations of this increasingly popular genre. Delve into her fantastical worlds and investigate several of her famous works in this study ideal for high school and undergraduate students. Learn about the author's life and decade-spanning career, as well as her numerous literary achievements. This comprehensive analysis of Le Guin's work will leave readers anxious for her future endeavors.
Historically, men have been more likely to be appointed to governing cabinets, but gendered patterns of appointment vary cross-nationally, and women's inclusion in cabinets has grown significantly over time. This book breaks new theoretical ground by conceiving of cabinet formation as a gendered, iterative process governed by rules that empower and constrain presidents and prime ministers in the criteria they use to make appointments. Political actors use their agency to interpret and exploit ambiguity in rules to deviate from past practices of appointing mostly men. When they do so, they create different opportunities for men and women to be selected, explaining why some democracies have appointed more women to cabinet than others. Importantly, this dynamic produces new rules about women's inclusion and, as this book explains, the emergence of a concrete floor, defined as a minimum number of women who must be appointed to a cabinet to ensure its legitimacy. Drawing on in-depth analyses of seven countries (Australia, Canada, Chile, Germany, Spain, the United Kingdom, and the United States) and elite interviews, media data, and autobiographies of cabinet members, Cabinets, Ministers, and Gender offers a cross-time, cross-national study of the gendered process of cabinet formation.
A background synthesis freshly discussing the work of Chopin, McCullers, O'Connor, Mitchell, and Welty leads to extended treatment of the novels of Shirley Ann Grau, whose protagonists, "keepers of the house," remain their fathers' daughters; of Anne Tyler, whose characters are "fatherless" and "homeless at home"; and Gail Godwin, whose daughter-heroines learn the necessity of autonomy.
An alluring love triangle and a daring caper unfold in this imaginative retelling of Cinderella, featuring an indomitable damsel who’s not so easily swept off her glass slippers. At the tender age of seventeen, Ella Upton lost her innocence to a traveling minstrel, a youth with flaxen hair and a golden voice whose deep blue eyes concealed his true intentions—until it was too late. Seven years later, Ella’s stepsisters chatter about winning the affections of the dreamy Prince Florian at the royal ball, but Ella has no such illusions. Instead, her dashing best friend, Malcolm Hawkridge, persuades her with his reckless charm and wicked smile to use the occasion to steal back a magic orb from the corrupt king. But before the clock strikes midnight, Ella finds herself pursued by more than one prince—not to mention Commander Horatio Crushington, who captures her with his piercing gaze from across the crowded ballroom. Dancing through the sudden swirl of suitors, Ella feels her cheeks burning—and not solely because of the orb hidden in her gown. Has the strapping Horatio awakened long-dormant desires or is Ella finally coming to grips with her feelings for Malcolm? Only the girl who thought she’d given up on love can decide. Note: Disenchanted ends on a cliffhanger. Ella’s story continues in Charmless! Praise for Disenchanted “One of the best fairy-tale retellings of Cinderella I’ve read . . . vivid and rich, lush and three-dimensional . . . I was in love from the first page, and I can’t wait to read more!”—The Romance Reviews (top pick) “Once the author wrapped me into the characters, I was a goner. You couldn’t pay me to put the book down.”—The Jeep Diva Includes an excerpt from another Loveswept title.
Between the Civil War and World War I the United States underwent the most rapid economic expansion in history. At the same time, the country experienced unparalleled rates of immigration. In The Rise of Multicultural America, Susan Mizruchi examines the convergence of these two extraordinary developments. No issue was more salient in postbellum American capitalist society, she argues, than the country's bewilderingly diverse population. This era marked the emergence of Americans' self-consciousness about what we today call multiculturalism. Mizruchi approaches this complex development from the perspective of print culture, demonstrating how both popular and elite writers played pivotal roles in articulating the stakes of this national metamorphosis. In a period of widespread literacy, writers assumed a remarkable cultural authority as best-selling works of literature and periodicals reached vast readerships and immigrants could find newspapers and magazines in their native languages. Mizruchi also looks at the work of journalists, photographers, social reformers, intellectuals, and advertisers. Identifying the years between 1865 and 1915 as the founding era of American multiculturalism, Mizruchi provides a historical context that has been overlooked in contemporary debates about race, ethnicity, immigration, and the dynamics of modern capitalist society. Her analysis recuperates a legacy with the potential to both invigorate current battle lines and highlight points of reconciliation.
In this “big-hearted triumph of a novel” (Carolyn Parkhurst, New York Times bestselling author) for fans of Jennifer Weiner, seven women enrolled in an extreme weight loss documentary discover self-love and sisterhood as they enact a daring revenge against the exploitative filmmakers. Alice and Daphne, both successful and accomplished working mothers, harbor the same secret: obsession with their weight overshadows concerns about their children, husbands, work—and everything else of importance in their lives. Daphne, plump in a family of model-thin women, discovered early that only slimness earns admiration. Alice, break-up skinny when she met her husband, risks losing her marriage if she keeps gaining weight. The two women meet at Waisted. Located in a remote Vermont mansion, the program promises fast, dramatic weight loss, and Alice, Daphne, and five other women are desperate enough to leave behind their families for this once-in-a-lifetime opportunity. The catch? They must agree to always be on camera; afterward, the world will see Waisted: The Documentary. But the women soon discover that the filmmakers have trapped them in a cruel experiment. With each pound lost, they edge deeper into obsession and instability...until they decide to take matters into their own hands. Randy Susan Meyers “spins a compelling tale” (Kirkus Reviews) and “delivers a timely examination of body image, family, friendship, and what it means to be a woman in modern society...Culturally inclusive and societally on point, this is a must-read” (Library Journal).
Briefs of Leading Cases in Corrections, Sixth Edition, offers extensive updates on the leading Supreme Court cases impacting corrections in the United States—prisons and jails, probation, parole, the death penalty, juvenile justice, and sexual assault offender laws. Each chapter contains an introduction to the topic area, making the book more user-friendly and a better source of succinct legal information than before. All cases are briefed in a common format to allow for comparisons among cases and include facts, relevant issues, and the Court’s decision and reasoning. The significance of each case is also explained, making clear its impact on prisoners and corrections in general. The book provides students and practitioners with historical and social context for their role in criminal justice and the legal guidelines that should be followed in day-to-day correctional activities. Twenty-one cases have been added, including those in a new section on the Antiterrorism and Effective Death Penalty Act.
Best known for her long-running comic strip Ernie Pook's Comeek, illustrated fiction (Cruddy, The Good Times Are Killing Me), and graphic novels (One! Hundred! Demons!), the art of Lynda Barry (b. 1956) has branched out to incorporate plays, paintings, radio commentary, and lectures. With a combination of simple, raw drawings and mature, eloquent text, Barry's oeuvre blurs the boundaries between fiction and memoir, comics and literary fiction, and fantasy and reality. Her recent volumes What It Is (2008) and Picture This (2010) fuse autobiography, teaching guide, sketchbook, and cartooning into coherent visions. In Lynda Barry: Girlhood through the Looking Glass, author Susan E. Kirtley examines the artist's career and contributions to the field of comic art and beyond. The study specifically concentrates on Barry's recurring focus on figures of young girls, in a variety of mediums and genres. Barry follows the image of the girl through several lenses—from text-based novels to the hybrid blending of text and image in comic art, to art shows and coloring books. In tracing Barry's aesthetic and intellectual development, Kirtley reveals Barry's work to be groundbreaking in its understanding of femininity and feminism.
Possibly the most influential figure in the history of American letters, William Dean Howells (1837-1920) was, among other things, a leading novelist in the realist tradition, a formative influence on many of America's finest writers, and an outspoken opponent of social injustice. This biography, the first comprehensive work on Howells in fifty years, enters the consciousness of the man and his times, revealing a complicated and painfully honest figure who came of age in an era of political corruption, industrial greed, and American imperialism. Written with verve and originality in a highly absorbing style, it brings alive for a new generation a literary and cultural pioneer who played a key role in creating the American artistic ethos. William Dean Howells traces the writer's life from his boyhood in Ohio before the Civil War, to his consularship in Italy under President Lincoln, to his rise as editor of Atlantic Monthly. It looks at his writing, which included novels, poems, plays, children's books, and criticism. Howells had many powerful friendships among the literati of his day; and here we find an especially rich examination of the relationship between Howells and Mark Twain. Howells was, as Twain called him, "the boss" of literary critics—his support almost single-handedly made the careers of many writers, including African Americans like Paul Dunbar and women like Sarah Orne Jewett. Showcasing many noteworthy personalities—Henry James, Edmund Gosse, H. G. Wells, Stephen Crane, Emily Dickinson, and many others—William Dean Howells portrays a man who stood at the center of American literature through the late nineteenth and early twentieth centuries.
E.J. has a surprise twentieth wedding anniversary present for Willis – a weekend away in the Texas hills. She’s found the perfect Bed and Breakfast – the Bishop’s Inn in the quaint town of Peaceful. Unfortunately, they’ve barely arrived before the inn’s troubled elderly owner, Carrie Marie Hutchins, confides in them about a harrowing event from her childhood involving her dead father . . . and his spirit, which won’t go away . . . E.J. has little time to digest Carrie’s tales of strange goings-on: screaming, the guests’ suitcases slashed, underwear hanging from a light fixture, before a further bizarre twist occurs: Humphrey Hammerschultz and Diamond Lovesy, self-proclaimed ‘psychic detectives’, suddenly turn up at Carrie’s door. And when E.J. discovers a body, she determines to find out what’s really going on in this not-so-peaceful town.
Coultrap-McQuin investigates the reasons for women's unprecedented literary professionalism in the nineteenth century, highlighting the experiences of E.D.E.N. Southworth, Harriet Beecher Stowe, Gail Hamilton, Helen Hunt Jackson, and Elizabeth Stuart Phelps Ward. She examines the cultural milieu of women writers, the ideals and practices of the literary marketplace, and the characteristics of women's literary activities that brought them success. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Senior Detective Tim O’Neil and his partner are soon embroiled in a serial killer case. The killer has a twisted and tormented mind, and seems to enjoy the torturous hell he puts his victims through. He is the complete embodiment of evil. As the bodies begin to stack up, The Sydney Morning Herald reports on the serial killer case, naming the killer, the Slaughter Man. The newspaper‘s powerful owners show how they manipulate the news to suit their own needs and fellow reporters show their own desires for career advancement. When the identity of the killer is discovered and the police descend on the killer’s home, O’Neil wants to take him alive. He feels apathy for the killer, knowing the hell his mother had put him through has shaped him into the skilled killer he has become.
Sylvia Plath is one of the best-known and most widely-studied writers of the twentieth century. Since her death in 1963, critics have presented different images of Plath: the 'suicidal' poet, the frustrated wife and mother, the feminist precursor. In this lively and approachable introduction to the author's poetry, Susan Bassnett offers a balanced view of Plath as one of the finest contemporary poets, and shows the diversity of her work. Bassnett's refreshing perspective on the writer provides a welcome alternative to the many studies which attempt endlessly to psychoanalyse Plath posthumously. Bassnett argues that there can never be any definitive version of the Plath story, but, from close readings of her texts, readers can discover the excitement of her diverse work. Plath is not viewed as an author driven by a death wish, nor does the book focus on her suicide - instead, she is considered in the cultural context in which she wrote, and viewed as a complex writer. Now thoroughly revised and expanded in the light of recent research, the second edition of this essential text contains new chapters and more close reading of the poetry. It concludes with an analysis of Ted Hughes' Birthday Letters, a collection of poems which he wrote about his wife after her death.
In a work that recovers the broader meaning of "manners" for past generations, Susan Goodman demonstrates that American writers have consistently tied the subject of national identity to the norms and behaviors of everyday life - that, in fact, the novel of manners is a dominant form of American fiction.".
Stretching south from 47th Street to the Midway Plaisance and east from Washington Park to the lake’s shore, the historic neighborhood of Hyde Park—Kenwood covers nearly two square miles of Chicago’s south side. At one time a wealthy township outside of the city, this neighborhood has been home to Chicago’s elite for more than one hundred and fifty years, counting among its residents presidents and politicians, scholars, athletes, and fiery religious leaders. Known today for the grand mansions, stately row houses, and elegant apartments that these notables called home, Hyde Park—Kenwood is still one of Chicago’s most prominent locales. Physically shaped by the Columbian Exposition of 1893 and by the efforts of some of the greatest architects of the nineteenth and twentieth centuries—including Daniel Burnham, Frank Lloyd Wright, Mies Van Der Rohe—this area hosts some of the city’s most spectacular architecture amid lush green space. Tree-lined streets give way to the impressive neogothic buildings that mark the campus of the University of Chicago, and some of the Jazz Age’s swankiest high-rises offer spectacular views of the water and distant downtown skyline. In Chicago’s Historic Hyde Park, Susan O’Connor Davis offers readers a biography of this distinguished neighborhood, from house to home, and from architect to resident. Along the way, she weaves a fascinating tapestry, describing Hyde Park—Kenwood’s most celebrated structures from the time of Lincoln through the racial upheaval and destructive urban renewal of the 1940s, 50s, and 60s into the preservationist movement of the last thirty-five years. Coupled with hundreds of historical photographs, drawings, and current views, Davis recounts the life stories of these gorgeous buildings—and of the astounding talents that built them. This is architectural history at its best.
Romantic, chaotic and terrifying, Catherine Parr's life unfolds like a romance novel. Married at seventeen to the grandson of a confirmed lunatic and widowed at twenty, Catherine chose a Yorkshire lord twice her age as her second husband. Caught up in the turbulent terrors of the Pilgrimage of Grace in 1536, she was captured by northern rebels, held hostage and suffered violence at their hands. Fleeing to the south shortly afterward, Catherine took refuge in the household of Princess Mary and in the arms of the king's brother-in-law, Sir Thomas Seymour. Her employment in Mary's household brought her to the attention of Mary's father, the unpredictable, often-wed Henry VIII. Desperately in love with Seymour, Catherine was forced into marriage with a king whose passion for her could not be hidden and who was determined to make her his queen.
A cofounder of the Provincetown Players - the group that acted as midwife to the American theatre - Susan Glaspell (1876-1948) can also lay claim to be a major figure in her own right. Her early plays were in many respects as challenging and original as those with which O'Neill made his debut. Her concern with language as subject, with character as an expression of social role, with plot as a mechanism that may ensnare rather than locate the self, mode her very much a modern. In Trifles (1916) she developed a feminist critique of social role. In The Outside (1917) she staged a debate between the life force and a perverse celebration of death. In both plays silence becomes an eloquent expression of meaning. The Verge (1921) is an experimental work of considerable proportions, more daring in many ways than anything attempted by O'Neill. Though Inheritors (1921) is far more conventional it touched a contemporary nerve, questioning the nature and reality of American pieties. Long known only for a single play, Susan Glaspell now emerges as a significant figure in the history of American drama, a woman of genuine creative daring.
The briefs in this edition provide accurate and concise coverage of topics of vital importance to criminal justice personnel — prison law, probation, parole, the death penalty, juvenile justice, and sentencing. Each chapter contains an introduction to the topic area, making the book more user-friendly and a better source of succinct legal information than before.
First Published in 1988, this book offers a full, comprehensive guide into the workings and treatment of the Blood Vessels. Carefully compiled and filled with a vast repertoire of notes, diagrams, and references this book serves as a useful reference for Students of Medicine, and other practitioners in their respective fields.
This latest volume brings the project up to date, with entries on almost 500 women whose death dates fall between 1976 and 1999. You will find here stars of the golden ages of radio, film, dance, and television; scientists and scholars; civil rights activists and religious leaders; Native American craftspeople and world-renowned artists. For each subject, the volume offers a biographical essay by a distinguished authority that integrates the woman's personal life with her professional achievements set in the context of larger historical developments.
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