I want to gold pan; I want to strike rich. I've been searching for a stream of gold. It's these fortunes I never win that keep me searching for a stream of gold. And I'm getting old. I keep searching for my stream of gold; and I'm getting close." If those words sound like a common refrain, don't despair. With this newly compiled and expanded edition of Jim's previous three bestselling gold-panning guides to BC in your library, you'll know where to find streams of gold all over BC. Jim Lewis has been gold panning all across this province, and now he's sharing his fortune and spilling the motherlode about which creaks pan out. Each creek is well described and accompanied by clear directions and maps. In addition to disclosing his most treasured tips and tricks, Jim teaches you how to read the river and summarizes the mining history of each region. From what time of year to head out, what to bring with you and what to watch out for, Gold Panning in British Columbia covers the basics and beyond. You won't need a rainbow to help you find a pot of gold.
Andi Carter has gold fever! Someone near town has struck it rich. Now Andi can't stop wondering if there might be some of the glittery metal in the creeks on the Circle C ranch. Her brothers agree that she might find something that sparkles. But they laugh whenever they talk about it. Andi is determined--when she finds gold, she'll be the one laughing! Her friend Cory is excited to track down treasure too, and together they set off on an adventure. Panning for gold is cold, wet, tiring work. But Andi and Cory won't give up. Success! Just when they discover what they're looking for, real trouble shows up: a spring storm, a missing horse, and a frightening bear. And those are just the beginning.
The author relates an experience that belongs to everyone -- the experience of soul. Susan Tiberghien shares a year of dreams, analysis, daily life. A writer, mother, woman in love, she enters her inner world, experiencing vertigo and breathlessness until she lets the light and darkness fuse within her. Each of the chapters marks a turn, with a dream and an epiphany. They build upon one another, as the reader enters cyclical time, discovering that dreams, too, have their seasons.
Winner of the Bancroft Prize The world of the California Gold Rush that comes down to us through fiction and film is one of half-truths. In this brilliant work of social history, Susan Lee Johnson enters the well-worked diggings of Gold Rush history and strikes a rich lode. Johnson explores the dynamic social world created by the Gold Rush in the Sierra Nevada foothills east of Stockton, charting the surprising ways in which the conventions of identity—ethnic, national, and sexual—were reshaped. With a keen eye for character and story, she shows us how this peculiar world evolved over time, and how our cultural memory of the Gold Rush took root.
Forced to return to her family in Fool's Gold, Calif., after an injury, dancer Evie Stryker agrees to stage the town's winter festival, the rehearsal space for which is above bad-boy lawyer Dante Jefferson's office.
Highly prized for its brilliance, colour and value, the special qualities of gold make it suitable for many purposes: not only does it resist corrosion and reflect light, but gold can be beaten into a leaf so thin is is translucent, and a single gram can be drawn to make a fine wire kilometers long. Filled with beautiful illustrations of golden objects from the rich collection of the British Museum, this book will appeal to all those who have ever worn, admired or coveted gold." --Book Jacket.
More than 4 million copies sold! This series is the only one that offers evaluations based on reader surveys and critiques, compiled by a team of unbiased inspectors. • Hotels, attractions, and restaurants in all price categories • Extensive information on shopping, nightlife, and sports • Easy-to-use, two-color design • Detailed, 2-color maps
IN 1945, FORTUNE MAGAZINE named Betty Crocker the second most popular American woman, right behind Eleanor Roosevelt, and dubbed Betty America's First Lady of Food. Not bad for a gal who never actually existed. "Born" in 1921 in Minneapolis, Minnesota, to proud corporate parents, Betty Crocker has grown, over eight decades, into one of the most successful branding campaigns the world has ever known. Now, at long last, she has her own biography. Finding Betty Crocker draws on six years of research plus an unprecedented look into the General Mills archives to reveal how a fictitious spokesperson was enthusiastically welcomed into kitchens and shopping carts across the nation. The Washburn Crosby Company (one of the forerunners to General Mills) chose the cheery all-American "Betty" as a first name and paired it with Crocker, after William Crocker, a well-loved company director. Betty was to be the newest member of the Home Service Department, where she would be a "friend" to consumers in search of advice on baking -- and, in an unexpected twist, their personal lives. Soon Betty Crocker had her own national radio show, which, during the Great Depression and World War II, broadcast money-saving recipes, rationing tips, and messages of hope. Over 700,000 women joined Betty's wartime Home Legion program, while more than one million women -- and men -- registered for the Betty Crocker Cooking School of the Air during its twenty-seven-year run. At the height of Betty Crocker's popularity in the 1940s, she received as many as four to five thousand letters daily, care of General Mills. When her first full-scale cookbook, Betty Crocker's Picture Cook Book, or "Big Red," as it is affectionately known, was released in 1950, first-year sales rivaled those of the Bible. Today, over two hundred products bear her name, along with thousands of recipe booklets and cookbooks, an interactive website, and a newspaper column. What is it about Betty? In answering the question of why everyone was buying what she was selling, author Susan Marks offers an entertaining, charming, and utterly unique look -- through words and images -- at an American icon situated between profound symbolism and classic kitchen kitsch.
When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women. Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.
New Mexico is a single volume presentation of the fascinating succession of events and characters that make up our state's past. This revision of the 1988 edition takes the reader to the opening years of the twenty-first century. What they said about the earlier edition: "New Mexico covers a lot of ground. . . . It's chock-full of little known facts and fascinating anecdotes that give fresh perspective to the past."--New Mexico Magazine "We can recommend that every library place this book on the reading shelf and if possible place a copy on the reference shelf."--Rota-Gene
During the nineteenth century in Rome, three generations of the Castellani family created what they called “Italian archaeological jewelry,” which was inspired by the precious Etruscan, Roman, Greek, and Byzantine antiquities being excavated at the time. The Castellani jewelry consisted of finely wrought gold that was often combined with delicate and colorful mosaics, carved gemstones, or enamel. This magnificent book is the first to display and discuss the jewelry and the family behind it. International scholars discuss the life and work of the Castellani, revealing the wide-ranging aspects of the family’s artistic and cultural activities. They describe the making and marketing of the jewelry, the survey collection of all periods of Italian jewelry on display in the Castellani’s palatial store, and the Castellani’s activities in the trade of antiquities, as they sponsored excavations, and restored, dealt, and exhibited antiques. They also recount the family’s involvement in the cultural and political life of their city and country.
Can swallowing a poinsettia leaf kill you? Why do you have to cook taro before you eat it? Is cooking with oleander wood really dangerous? Poisonous Plants of Paradise, a well-researched and generously illustrated guide to potentially harmful plants in Hawai'i, answers these questions and many more in everyday language and in a user-friendly format. Of value to both medical professionals and the general public, this handbook describes each plant in words and color photos, then identifies the plant's toxins, mechanism of injury, incidence, signs and symptoms, and traditional and modern uses. The authors offer first aid recommendations and discuss advanced medical treatment based on the latest published literature. Health-care workers, naturalists, hikers, parents, and child-care providers will find Poisonous Plants of Paradise a highly useful and informative reference.
Get ready for the Winter Olympics with a viewer's guide to NBC and cable TV coverage. Learn who and what to look for with this insider's tour that includes a complete explanation of all the events including figure skating, bobsledding, ski jumping, and more. Photographs.
The figure of an old man poling a skiff toward shore against the evening light engaged Susan Brait to learn about Chesapeake Bay, and it is that image which opens this her book on the oystermen of the Bay and the sapping of their traditional life, and even the bounty of the Bay itself, by the demands of American society. With directness and poetic economy Brait takes the reader into the life of the Bay and into the complex relationships that affect oysters and those who make their living from them. Her account weaves easily from the daily work of oystermen to the natural forces that have shaped.
Describes the natural and geological processes that have changed the Southern Appalachian landscape over millions of years. Chapters: Paleo-Indian Period; Archaic Period; Woodland and Mississippian Periods; early history; European settlement; early 19th cent.; Civil War and its aftermath; late 19th cent.; early 20th cent. conservation in the Southern Appalachians; Great Depression and New Deal; WWII and the 1950s; and recent decades. Appendix of plant and animal names. Parks and wilderness areas have provided refuge for native plants and animals, whereas in national forests managers have sought to regulate resource extraction.
Women have shared breast milk for eons, but in White Gold, Susan Falls shows how the meanings of capitalism, technology, motherhood, and risk can be understood against the backdrop of an emerging practice in which donors and recipients of breast milk are connected through social media in the southern United States. Drawing on her own experience as a participant, Falls describes the sharing community. She also presents narratives from donors, doulas, medical professionals, and recipients to provide a holistic ethnographic account. Situating her subject within cross-cultural comparisons of historically shifting attitudes about breast milk, Falls shows how sharing "white gold"--seen as a scarce, valuable, even mysterious substance--is a mode of enacting parenthood, gender, and political values. Though breast milk is increasingly being commodified, Falls argues that sharing is a powerful and empowering practice. Far from uniform, participants may be like-minded about parenting but not other issues, so their acquaintanceships add new textures to the body politic. In this interdisciplinary account, White Gold shows how sharing simultaneously reproduces the capitalist values that it disrupts while encouraging community-making between strangers.
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