It is 960 in Cordoba, the jewel of Andalusia, where Muslims, Catholics and Jews live in peace and mutual respect. Here, where learning is flourishing, Sulayman, passionate and idealistic, becomes a judge and embarks on a lifelong journey in search of truth. His search will not be easy. Unable to marry the woman he loves and devastated by a judgement that sends a friend to his death, Sulayman embraces Sufism and a path that will take him through many trials and ordeals, through an Andalusia where peace is crumbling and to Morocco and Cairo. In this richly imagined novel, Susan Gabori has created a vivid portrait of a world that is entirely unlike our own yet echoes with contemporary themes. In doing so, she raises timeless questions about the elusive nature of truth, love and redemption.
Susan Gabori has woven the narrative of each character in the Pace family from interviews she conducted with Italian immigrants and their families to present an illuminating picture of people who, faced with a seemingly insensitive environment, must find a way to survive without sacrificing their dignity and pride. Each person finds a different way to hold on to some of the old while adapting to the new. With In Search of Paradise Gabori promotes a deeper understanding of and respect for the immigrant experience. The characters given a voice are Vincenzo, the father, Teresa, his wife, and their children, Franco, Roberto, Angelina, and Michele. Separated by Vincenzo's search for work in Libya and later by World War II, when the children are sent to a fascist school in Northern Italy and Vincenzo is sent to fight the British in Africa, they attempt to retain the bonds of family and culture. Reunited after the war, the economic climate in Italy forces Vincenzo and Franco to leave for Canada in 1950 in search of a better future. They are eventually joined by the rest of the family in Toronto.
Susan Gabori continues her series of compelling life stories with Blind Sacrifice?portraits of eight convicted murderers who have come face to face with themselves. In their own words, they reflect on their backgrounds, their personalities, and the motives for their actions. Gabori skillfully focuses on the seemingly unstoppable momentum of events leading to murder and the subsequent radical denouements. Blind Sacrifice contributes to our understanding of one of the oldest, most elemental acts of man.
This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.
This Australian text is about children’s voices – their minds, feelings, souls. It’s about how children’s voices are liberated through the arts, and how children make and communicate meaning through still and moving images, sounds, textures, gestures and the use of many other signs. It is also about how teachers, parents, peers and the community influence children’s early development, and how quality arts education in early childhood is an essential component of lifelong learning. The authors are teachers and researchers who are respected for their contributions to early childhood arts education. All of them have addressed their topics via practical examples, which are embedded in current philosophies and theories, often stemming from original research and firsthand interactions with children.
Philosophers, psychologists, and mystics perceive crisis as an opportunity for growth, with the most dramatic crisis being the experience of death. In A Good Enough Life, documentary film writer and director Susan Gabori has turned to this ultimate human experience, revealing the profound paradox of confronting life when faced with the inevitability of death. In monologues shaped from interviews with twelve terminally ill people, Gabori explores how people try to cope with death. Reflecting on the lives they have led and what still lies before them, each person interviewed for the book deals eloquently, in their own words, with a topic many people cannot bring themselves to discuss freely. The twelve speakers in A Good Enough Life are dying of AIDS, cancer, or ALS (;Lou Gehrig's disease); and range in age from thirty-three to seventy-eight. To protect their identities and those of their families, Gabori has given them names other than their own. Yet, in their own voices, they speak uninterrupted about life in the face of impending death. Gabori approached each of them, looking for answers she was sure they had, even though they might be unaware of it. They each answered questions they had never before been asked and many revealed things they had never before told anyone for fear of not being understood. All but one of the twelve people featured in the book have died. Although they led radically different lives, certain realizations and understandings echo from one portrait to another. Each story is filled with honesty and the joy of discovery in the midst of extraordinary struggles and hardships. Together, they offer a priceless gift: the opportunity to find out more about life at the end of the human journey.
Susan Gabori continues her series of compelling life stories with Blind Sacrifice?portraits of eight convicted murderers who have come face to face with themselves. In their own words, they reflect on their backgrounds, their personalities, and the motives for their actions. Gabori skillfully focuses on the seemingly unstoppable momentum of events leading to murder and the subsequent radical denouements. Blind Sacrifice contributes to our understanding of one of the oldest, most elemental acts of man.
Susan Gabori has woven the narrative of each character in the Pace family from interviews she conducted with Italian immigrants and their families to present an illuminating picture of people who, faced with a seemingly insensitive environment, must find a way to survive without sacrificing their dignity and pride. Each person finds a different way to hold on to some of the old while adapting to the new. With In Search of Paradise Gabori promotes a deeper understanding of and respect for the immigrant experience. The characters given a voice are Vincenzo, the father, Teresa, his wife, and their children, Franco, Roberto, Angelina, and Michele. Separated by Vincenzo's search for work in Libya and later by World War II, when the children are sent to a fascist school in Northern Italy and Vincenzo is sent to fight the British in Africa, they attempt to retain the bonds of family and culture. Reunited after the war, the economic climate in Italy forces Vincenzo and Franco to leave for Canada in 1950 in search of a better future. They are eventually joined by the rest of the family in Toronto.
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