Word Guild Award for Best Young Adult fiction 2016 Grace Irwin Award 2016 Literary Classics silver medal for Y/A fiction 2016 Shortlisted for the Frank Hegyi Award-Ottawa Independent Writers Literary Classics silver medal for High school fiction 2017 Set in 1936 Montreal, A Secret Music is the story of Lawrence Nolan, a sensitive fifteen-year-old piano prodigy who grows up in the shadow of his mother’s mental illness. Forced to keep this shameful secret, he attempts to raise himself and his ten year old brother. He counteracts the deep ache and creeping mistrust caused by his mother’s emotional absence by escaping into the intense realm of Chopin and Schubert, the only language he understands. When his brother becomes ill, he is left with enormous responsibilities. At a piano competition in Montreal, Lawrence makes a climactic decision that puts his future on hold in order to salvage his family life. In A Secret Music, Susan Doherty Hannaford re-creates the Depression-Era world of Montreal and demonstrates how music can redeem a life.
Word Guild Award for Best Young Adult fiction 2016 Grace Irwin Award 2016 Literary Classics silver medal for Y/A fiction 2016 Shortlisted for the Frank Hegyi Award-Ottawa Independent Writers Literary Classics silver medal for High school fiction 2017 Set in 1936 Montreal, A Secret Music is the story of Lawrence Nolan, a sensitive fifteen-year-old piano prodigy who grows up in the shadow of his mother’s mental illness. Forced to keep this shameful secret, he attempts to raise himself and his ten year old brother. He counteracts the deep ache and creeping mistrust caused by his mother’s emotional absence by escaping into the intense realm of Chopin and Schubert, the only language he understands. When his brother becomes ill, he is left with enormous responsibilities. At a piano competition in Montreal, Lawrence makes a climactic decision that puts his future on hold in order to salvage his family life. In A Secret Music, Susan Doherty Hannaford re-creates the Depression-Era world of Montreal and demonstrates how music can redeem a life.
A compelling act of connection, leavened with humour, clear-eyed yet packed with hope." —Ann-Marie MacDonald A rare work of narrative non-fiction that illuminates a world most of us try not to see: the daily lives of the severely mentally ill, who are medicated, marginalized, locked away and shunned. Susan Doherty's groundbreaking book brings us a population of lost souls, ill-served by society, feared, shunted from locked wards to rooming houses to the streets to jail and back again. For the past 10 years, many who have cycled in and out of the locked wards of the Douglas Institute in Montreal found a friend in Susan, who volunteers on the wards and then accompanies her friends out into the world. With their full cooperation, she brings us intimate stories that challenge our views of people with mental illness. Through "Caroline Evans," a woman in her early sixties whom Susan has known since she was a bright, sunny school girl, we experience living with schizophrenia, such as when Caroline was convinced she could save her roommate from the devil by pouring boiling water into her ear... She has been through it all, including having to navigate an indifferent justice system that is incapable of serving the severely ill. Susan interleaves Caroline's story with vignettes about her other friends—stories that reveal their hopes, circumstances, personalities, humanity. Susan found that if she can hang in through the first 10-15 minutes of every coffee date with someone in the grip of psychosis, true communication results. Their "madness" is not otherworldly: instead it tells us something about how they're surviving their lives and what they've been through. The Ghost Garden carries a cargo of compassion and empathy that motivates us to re-examine our understanding of justice, society and humanity.
By the author of the award-winning The Ghost Garden, a bravely imagined, deeply empathetic novel of two adolescent boys, bound by friendship and a terrible secret. With love and sex so deeply entwined with betrayal and abuse, how does a boy grow up? Monday Rent Boy begins in Somerset, England, in the mid-1980s, with the winning and heart-warming story of two 13-year-old friends and fellow altar boys, Arthur Barnes and Ernie Castlefrank. Endearing outcasts, they try not to speak of the secret tie that binds them: both boys are routinely preyed on by The Zipper, their nickname for Father Ziperto, the local Catholic priest. Still, they find adventure and release in the mischief they get up to together, as each also tries to survive in other ways. Arthur, a great reader and denier of reality, finds an ally in town bookseller Marina Phillips. Ernie, a gifted mathematician and animal lover, is not so lucky. As he and Arthur age out of the abuse, Ernie notices younger and equally vulnerable boys being recruited. When he tries to blow the whistle, nobody believes him. At 16, he disappears, a loss that almost destroys his best friend but also confirms for Arthur that he was smart to stay silent. Arthur eventually also turns his back on the mystery of Ernie's disappearance, but his bookselling mentor and friend Marina Phillips finds a way to follow Ernie where rage and betrayal has led him—into the darkest corners of the dark web—a search that ultimately helps Arthur reckon with what happened to them both. In the novel’s stunning, deeply affecting conclusion, Doherty draws a line directly from the covered-up abuse of children by Catholic priests to the current proliferation of child pornography and predators online—miraculously revealing the true heart of darkness while managing to affirm the light.
A compelling act of connection, leavened with humour, clear-eyed yet packed with hope." —Ann-Marie MacDonald A rare work of narrative non-fiction that illuminates a world most of us try not to see: the daily lives of the severely mentally ill, who are medicated, marginalized, locked away and shunned. Susan Doherty's groundbreaking book brings us a population of lost souls, ill-served by society, feared, shunted from locked wards to rooming houses to the streets to jail and back again. For the past 10 years, many who have cycled in and out of the locked wards of the Douglas Institute in Montreal found a friend in Susan, who volunteers on the wards and then accompanies her friends out into the world. With their full cooperation, she brings us intimate stories that challenge our views of people with mental illness. Through "Caroline Evans," a woman in her early sixties whom Susan has known since she was a bright, sunny school girl, we experience living with schizophrenia, such as when Caroline was convinced she could save her roommate from the devil by pouring boiling water into her ear... She has been through it all, including having to navigate an indifferent justice system that is incapable of serving the severely ill. Susan interleaves Caroline's story with vignettes about her other friends—stories that reveal their hopes, circumstances, personalities, humanity. Susan found that if she can hang in through the first 10-15 minutes of every coffee date with someone in the grip of psychosis, true communication results. Their "madness" is not otherworldly: instead it tells us something about how they're surviving their lives and what they've been through. The Ghost Garden carries a cargo of compassion and empathy that motivates us to re-examine our understanding of justice, society and humanity.
Trainee and beginning teachers often find it hard to plan for and teach good art lessons as there is little guidance on subject knowledge and outstanding practice. This key text will provide primary trainee teachers with subject knowledge, expert advice and guidance along with practical solutions that are necessary to offer children the best possible experiences in art, craft and design, to ensure that they have access to a broad and balanced curriculum. Through guidance and support it will enable them to develop an understanding of the principles and values that underpin high standards and high expectations, and show good progress in the subject.
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