Photographer and yoga instructor Susan Currie has long produced work celebrated for its sacred threads. In this new collection, a seamless blend of visual and verse, she uses rich imagery as prompts for the written word. With grace and simplicity Once Divided shines a soft light on all of the glorious meanwhiles happening amidst the chatter, inviting readers from all walks to pause, gather, and reconnect with their translation of “home." Within its pages Ms. Currie and publisher Shanti Arts have woven together a timeless quilt of words, images, and journal space designed to invoke stillness and a clearing for self-expression. Perfect for yoga instructors or those engaged in inner work, Once Divided is a soul stirring awakening handbook, the ideal companion for a cup of tea, yoga, or a quiet afternoon on the back porch.
Opened on February 17, 1929, the Mississippi State Preventorium operated continuously until 1976. The Mississippi Preventorium, like similar hospitals throughout the country, was an institution for sickly, anemic, and underweight children. It was established on the grounds of the Mississippi State Tuberculosis Sanitorium in the early years of the twentieth century when tuberculosis was a dreaded disease worldwide. The TB Sanitorium hospital housed those with tuberculosis, offering refuge for patients of all ages afflicted with the pernicious and contagious disease. Although located on the same medical campus, the preventorium was a separate medical institution for children; no children with TB were admitted in the sixty-year run of the hospital. The name preventorium meant a place of preventing disease as there was a fear of sickly children contracting TB. The Mississippi Preventorium was one of the last, if not the very last, of these special hospitals for children. Now closed, the preventorium housed over three thousand children, including author Susan Annah Currie. In this intimate memoir, Currie details her fifteen-month stay at the preventorium. From her arrival in May 1959 at six years old, Currie vividly explores the unique and isolating world that she and children across the country experienced. Her exacting routine, dictated by the nurses and doctors who now acted as her parents, erased the distinction between patients and created both a sense of community among the children and a deep sense of loneliness. From walking silently single file through the cold, narrow halls of the hospital to nurses recording every detail of their bathroom habits to extremely limited visitation from family, Currie’s time at the preventorium changed her and those around her, leaving an indelible mark even after their return home. While many of the records from the preventorium have been lost, Currie’s memoir opens to readers a lost history largely forgotten. Told in evocative prose, The Preventorium explores Currie’s personal trials, both in the hospital and in the echoes of her experiences into adulthood.
Everyone is born with the gift of creativity. The SUPERFLOW approach, consisting of ten refreshingly compact limbs, is a gateway to unclenching your creative muscles, igniting the fires of self-expression, and seeing what beautiful looks like for you.
Crafted in the author's signature lyrical flow, her words and images mirror back to one another, creating for the reader a field of quiet contemplation.
This book is the story of the Mercer family, early pioneers of central Kentucky starting in 1790 and following their migration west until about 1900. Many affiliated families are included as well from intermarriage.
Sam is fascinated by the new girl in his class. The daughter of a famous conductor, Helen seems angry and aloof - interested only in her book. When he tries to strike up a conversation with her after class, he only learns that her book is about Beethoven and she doesn't want to make friends. She doesn't seem to need anyone. But Pete and Troy love to tease. They had Sam to pick on last year, but the two boys recognize that Helen makes an even odder target. After they steal her book and toss it on the school roof, a frustrated Helen finds refuge in the auditorium, where she plays her heart out on the piano. Sam is bowled over. For the first time he experiences a powerful new language: one that speaks to him as words never have. He must find the key to this secret language so he can express his inner self. He must learn to play the piano too. There is no question of taking lessons. His mother can barely afford school supplies. And a piano? There isn't a hope. But Sam is determined. So he goes to Helen with a proposal. He'll keep Pete and Troy away from her if she gives him piano lessons. And he's thrilled when she reluctantly agrees. The only trouble is ... how is he going to get the better of Pete and Troy.
Project Success is a blended-learning digital and print course with a strong focus on workplace skills, career readiness, and 21st century challenges. This unique video-based series engages learners with high-interest video vignettes that represent a "day in the life" of characters in diverse workplace settings that may simulate their own. Integrated skills lessons encourage critical thinking and problem solving woven into the students' English language learning journey.
Project Success is a blended-learning digital and print course with a strong focus on workplace skills, career readiness, and 21st century challenges. This unique video-based series engages learners with high-interest video vignettes that represent a "day in the life" of characters in diverse workplace settings that may simulate their own. Integrated skills lessons encourage critical thinking and problem solving woven into the students' English language learning journey.
Wilmot is a little town in Ashley County, in southeast Arkansas. Its main streetU.S. Highway 165runs north-south on the east side of a railroad track, raised on a bed several feet above the highway itself. Once a town reliant on agriculture and cotton production, the growth of mechanized farming in the 1950s and 1960s and the arrival of mass retail in the 1970s made people leave Wilmot just as in other rural areas of the U.S. Susan Paulsen based her series on Wilmot on texts written and transferred to her by her cousin Mary Currie and sees it as a metaphor for the American agricultural south in general. Yet, at the same time it represents a visual archive of the liveliness of the towns former times, depicting many buildings that do not exist anymore today or are derelict. As her relative George T.M. Shackleford puts it: Paulsen has created photographs that have resonance for anyone who looks at them. That resonance comes not from some abstract language of forms seen in nature and captured in her lens, or from a series of facts gathered and arranged in a dispassionate order. That resonance comes not in spite of her involvement with the subject but because of it. Susan Paulsen was born in 1957 in Milwaukee, Wisconsin, and now lives and works in New York. She received a BA in photography and painting from Ohio Wesleyan University. In 2004 she had a solo exhibition at the Maison Européenne de la Photographie in Paris. Other books with Steidl: Tomatoes on the Back Porch (2005) and Sarah Rhymes with Clara (2011).
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