She’s had a perfect life, now it's time for Sandy Patterson to have a real one. The widowed southern beauty needs time away from her well-meaning but overly protective family. A carefree summer in Greece pursuing her passion for painting sounds good to her - once she gets a quick visit with her husband’s old college roommate out of the way. Expat businessman Alex Stoner turns out to be more than she’d bargained for. Irresistible Alex sets the summer temps to sizzling. He invites her to stay at his Greek isle villa where he manages to keep a respectful distance from upper class Sandy...most of the time. She soon wants him closer all of the time. Sexual tension crackles in the exotic, sensual world they inhabit. But why won’t he take her to his bed? What is behind the pain she sometimes sees in his soulful eyes?
Architect Steve Stratton knows what he wants for Christmas...a long-legged elf with an attitude! Even though Steve has enough charm to make an angel tumble, Gwen Mansfield is determined to keep her distance. Besides, she's busy enough this holiday season. Maintaining Scarborough Hall, her beloved mansion-turned-apartment house, has her moonlighting as a jewelry store "elf" at the mall to help pay the bills. With four broken engagements(she has the rings to prove it) there's no way she's going to subject herself to further humiliation by jumping into another relationship. She's intent on rebuilding her reputation by not losing Scarborough Hall to the mortgage company; besides, her tenants are counting on her. Steve's not dissuaded by her white-lies; he manages to rent her last vacant apartment, then makes himself indispensable. While their undeniable attraction heats up, Gwen's heart soon begins to melt. From helping a tenant's child realize a Xmas wish to dazzling Gwen with a surprise right out of a fairy-tale, he is relentless in his pursuit to win her. Her life begins to look as rosy as Santa's cheeks until an unexpected visitor knocks Steve's plans into the nearest slushy gutter. But don't worry. It's Christmas, and Santa's elves are working overtime to make this the merriest holiday season ever.
When a beautiful, buttoned-down blonde turns up in a Central American rain forest looking for her brother in law (Tony), Reilly Anderson must stop her. He wants Tony to complete secret research for his pharmaceutical company. If Allison tells Tony he's about to be a daddy Reilly fears his researcher might bolt before the research is complete. Forget that Reilly and Allison are like nitro and glycerin, Reilly will do anything to keep her from her goal - including playing to her childhood (and, soon, adult) Tarzan fantasies! With the aid of a breast obsessed monkey, a recalcitrant ten year old boy and a jungle tree house Reilly soon captures Allison's heart. Body and soul, she is his as she lets down her hair - and her guard. But what about Reilly, the pharmaceutical executive who is just trying to save a bit of the rain forest and maybe the world? Hey, it's a jungle out there where anything can happen - and it does.
The M Word is the story the author would have loved to have read when she was diagnosed with breast cancer. It is her personal story of her encounter with breast cancer, covering one year of her life from an unexpected cancer diagnosis, her treatment and
Hard working photographer Joanna McCall is in need of a major life makeover since her unreliable, high society boyfriend publicly dumped her. When an international children's charity asks her to photograph underprivileged Central American kids, she eagerly signs on. While expecting a walk on the wild side, she gets her nose bloodied and her camera stolen within hours of her arrival. The surprising event makes her more determined than ever to see the project through. She can do this - but her rescuer, undercover agent Jack Stratford is not so sure. He secretly knows a revolution's about to explode onto the streets of San Rafael and he wants the gutsy redhead safely out of the country ASAP. He has work to do and she's a distraction he can't afford. Joanna insists she can handle herself, but when an earthquake, a loony Elvis impersonator and a stint in jail become part of her adventures in paradise, Jack manages to help every time. She's falling hard and fast for this hero-to-the-rescue. And when did Joanna stop being a problem and start being the woman of Jack's dreams? As Jack and Joanna grow closer so does the revolution. (This is a stand-alone follow up book to TROUBLE IN PARADISE)
Pastor Dan Wink has suffered his greatest loss. His best friend, Sharon, died a year ago. He’s ready to walk away from ministry...and life. But the men he’s ministered to over the years won’t let him. Sometimes accountability stinks! And the redhead next door, with her precocious, adorable children, brings up desires he thought had died with his wife.Skye O’Connell has given up much to rescue herself and her kids from her ex-husband’s drug abuse. With a new career, she’s come to the Milwaukee suburbs to start over...but something about the enigmatic pastor who lives across the hall has her asking uncomfortable questions.A man stuck in grief is challenged by a woman who is lost...can both find their way to life a
Marian Deacon has always been overshadowed by her cousin Madeleine, a glamorous, selfish model who will stop at nothing to reach the top. But their ordinary lives suddenly change with the arrival of Paul O'Connell, a handsome, charismatic writer who draws them into the mysterious disappearance of Olivia Hastings and the glamour and danger of her life in Italy and New York. Stolen Beginnings is a compelling story of what happens when girls become women, and when love - and fate - get in their way.
When Rick arrives home after being gone two weeks and finds his favorite bar being renovated into a trendy new restaurant, he's outraged. But Bryn, the woman behind the changes, quickly turns his anger to desire. Maybe this feisty red-head is just what he needs to heal the wounds of the past.
A surprising look at the role of menopause in human history—and why we should change the ways we think about it Are the ways we look at menopause all wrong? Susan Mattern says yes and, in The Slow Moon Climbs, reveals just how wrong we have been. From the rainforests of Paraguay to the streets of Tokyo, Mattern draws on historical, scientific, and cultural research to show how perceptions of menopause developed from prehistory to today. Introducing new ways of understanding life beyond fertility, Mattern examines the fascinating “Grandmother Hypothesis,” looks at agricultural communities where households relied on postreproductive women for the family’s survival, and explores the emergence of menopause as a medical condition in the Western world. The Slow Moon Climbs casts menopause in the positive light it deserves—as an essential juncture and a key factor in human flourishing.
Family violence is a major mental health, social service, health care, and criminal justice problem that society cannot continue to ignore. Violence and Sexual Abuse at Home gives you the facts of spouse/partner and child maltreatment, an analysis of the intervention and prevention techniques commonly used, and alternative approaches and theories for understanding and reducing instances of family abuse. It also shows clinicians, researchers, advocates, and other professionals the importance of broadening their perspectives of all types of family maltreatment. Don't risk low success rates with your patients. Use Violence and Sexual Abuse at Home to help you decide which treatment models will be most effective in particular situations.
Organ transplantation is one of the most dramatic interventions in modern medicine. Since the 1950s thousands of people have lived with 'new' hearts, kidneys, lungs, corneas, and other organs and tissues transplanted into their bodies. From the beginning, though, there was simply a problem: surgeons often encountered shortages of people willing and able to give their organs and tissues. To overcome this problem, they often brokered financial arrangements. Yet an ethic of gift exchange coexisted with the 'commodification of the body'. The same duality characterized the field of blood transfusion, which was essential to the development of modern surgery. This book will be the first to bring together the histories of blood transfusion and organ transplantation. It will show how these two fields redrew the lines between self and non-self, the living and the dead, and humans and animals. Drawing on newspapers, magazines, legal cases, films and the papers and correspondence of physicians and surgeons, Lederer will challenge the assumptions of some bioethicists and policymakers that popular fears about organ transplantation necessarily reflect timeless human concerns and preoccupations with the body. She will show how notions of the body- intact, in parts, living and dead- are shaped by the particular culture in which they are embedded.
The story of westering Americans in the late nineteenth and early twentieth centuries has been told most notably through photographs of American Indians. Unlike this vast archive, produced primarily by male photographers, which depicted American Indians as either vanishing or domesticated, the lesser-known images by the women featured in Trading Gazes provide new ways of seeing the intersecting histories of colonial expansion and indigenous resistance. Four unconventional women-Jane Gay, who documented land allotment to the Nez Perces; Kate Cory, an artist who lived for years in a Hopi community; Grace Nicholson, who purchased cultural items from the Karuk and other northern California tribes; and Mary Schaffer, who traveled among the Stoney and Métis of Alberta, Canada-used cameras to document their cross-cultural encounters. Trading Gazes reconstructs the rich biographical and historical contexts explaining these women's presence in different Native communities of the North American West. Their photographs not only record the unprecedented opportunities available for Euro-American women eager to shed gender restrictions, but also reveal how women's newfound mobility depended on the increasing restrictions placed on Native Americans in this era. By tracing the complex, often unexpected relationships forged between these women, their cameras, and the Native subjects of their photographs, Trading Gazes offers a new focus for recovering women's histories in the West while bringing attention to the complicated legacies of these images for Native and non-Native viewers.
This book is among the first works to engage with postcolonialism through the lens of the domestic in its totality, encompassing multifarious aspects such as domestic space, objects, family and servitude among others. The study foregrounds the inadequacy of Western theories on the domestic in explaining the postcolonial situation, and proposes alternate methods of analysing the ‘inner’ realm of colonial experience. Structured within the framework of comparative literary studies, the work serves to contribute to the tri-continental model of comparative literature, establishing mutually illuminating connections between the continents. The study provides scope for a widening of the epistemological base of critical inquiry, especially in the domains of postcolonialism, area studies and comparative literature. It explores new avenues in cross-cultural studies, contributing to the transnational diffusion of cultures and literatures, by focusing on what has been termed ‘minor’—the domestic and its rhythms in postcolonial cultures.
Race, Gender, Sexuality, and Social Class: Dimensions of Inequality, edited by renowned researcher and scholar Susan Ferguson, presents a contemporary and compelling overview of race, ethnicity, gender, and social class issues in the United States today. Taking an intersectional approach, the book is organized topically, rather than focusing on specific race/ethnic subgroups. The content is framed around the themes of identity, experiences of race, class, gender or sexuality, difference, inequality, and social change or personal empowerment, with historical context threaded throughout to deepen the reader's understanding. With engaging readings and cutting-edge scholarship the collection is not only refreshingly contemporary but also relevant to students’ lives.
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