Recent years have witnessed a dramatic growth in the number of black elected officials. Although blacks still constitute barely 1 percent of elected officeholders in the nation, their increasing political power cannot be denied. In Black Representation and Urban Policy, Albert K. Karnig and Susan Welch focus on the election of blacks to mayoral and city council seats, using the most current data available on more than 250 cities. They address two major questions: What conditions promote blacks' chances of winning election to public office? Does the election of blacks to municipal office have an effect on urban policy? In exploring the factors that underlie the election of blacks to public office, the authors found that the resources of the black community itself—the size as well as the education and income of the black population—are the best predictors of blacks' winning political office. The authors' assessment of the impact of black elected officials on urban policy constitutes perhaps their most profoundly important finding. Cities with black mayors have had greater increases in social welfare expenditures than have similar communities without black mayors. The authors point out that election of blacks to mayoral posts, then, can have more than symbolic consequences for public policy.
What progress have African Americans made in corporate America? This book examines the evidence by drawing on studies of almost 200 black corporate managers and their families. A past president of the New York State Council on Family Relations, author Susan D. Toliver, shows that black families have progressed in corporate America, but the inroads are uneven. Toliver takes a penetrating look at how the cultural identity of black families has been influenced by their participation in corporate America. She also suggests that corporations deepen their commitment to cultural diversity, not in name onlyùbut work to emphasize the talents and develop the strengths of the African American community. Black Families in Corporate America explores the following areas: + Shifting gender dynamics within the families of black managers + Changes in approaches to parenting + Issues of racial identity within corporations and the professional black community Black Families in Corporate America will appeal to scholars in ethnic studies, multicultural counseling, family theory, sociology, social work, personnel management, organizational development, and cross-cultural psychology.
Everything is going just the way super achiever Jayne Thompkins planned. She’s at the top of her class and captain of the girls’ varsity tennis team. Her ultimate goal? Harvard. She wouldn’t be killing herself with all these extracurriculars otherwise. But her life changes when she crashes into another car—and a little girl dies as a result. Will she ever be able to live with the guilt she feels over this accidental death? A gripping and fast paced story about guilt, anger, forgiveness, and second chances by first time author Susan Colebank.
Every aspect of a species' life in the wild -- courtship, nesting, brooding, communication, foraging, flying, fighting -- is covered in text by a leading ornithologist, and photographs by top nature photographers.
In the 1940s, folks at bars and restaurants would gather around a Panoram movie machine to watch three-minute films called Soundies, precursors to today's music videos. This history was all but forgotten until the digital era brought Soundies to phones and computer screens—including a YouTube clip starring a 102-year-old Harlem dancer watching her younger self perform in Soundies. In Soundies and the Changing Image of Black Americans on Screen: One Dime at a Time, Susan Delson takes a deeper look at these fascinating films by focusing on the role of Black performers in this little-known genre. She highlights the women performers, like Dorothy Dandridge, who helped shape Soundies, while offering an intimate look at icons of the age, such as Duke Ellington and Nat King Cole. Using previously unknown archival materials—including letters, corporate memos, and courtroom testimony—to trace the precarious path of Soundies, Delson presents an incisive pop-culture snapshot of race relations during and just after World War II. Perfect for readers interested in film, American history, the World War II era, and Black entertainment history, Soundies and the Changing Image of Black Americans on Screen and its companion video website (susandelson.com) bring the important contributions of these Black artists into the spotlight once again.
Arthur Kipps, an up-and-coming young solicitor who has come north to attend the funeral and settle the estate of Mrs. Alice Drablow of Eel Marsh House, tumbles into a series of events and secrets more sinister and terrifying than any nightmare.
Suzie is a dark-eyed twelve-year-old who desperately needs to feel safe and worthy of love. Seeking only to be "good enough," she remains motionless and silent for hours on end, feeling the walls of her psychological prison pressing against her. Ultimately, Suzie finds herself in a mental hospital where she begins a long and fear-filled journey. To make sense of her world, Suzie must piece together a puzzle that involves seemingly unrelated clues--a broken bicycle, a torn picture, peacock feathers, and more--which together reveal a secret that is likely to change Suzie's life forever, and give her an opportunity to regain her voice and reclaim here spirit.
As one of the creators of ragtime, Joplin moved between black and white society, and his experience offers a window into the complex forces of class, race, and culture that shaped modern America.
If the twenty-first century seems an unlikely stage for the return of a 14th-century killer, the authors of Return of the Black Death argue that the plague, which vanquished half of Europe, has only lain dormant, waiting to emerge again—perhaps, in another form. At the heart of their chilling scenario is their contention that the plague was spread by direct human contact (not from rat fleas) and was, in fact, a virus perhaps similar to AIDS and Ebola. Noting the periodic occurrence of plagues throughout history, the authors predict its inevitable re-emergence sometime in the future, transformed by mass mobility and bioterrorism into an even more devastating killer.
I have attempted to integrate several of psychologist and professor Carol Gilligans ideas and psychological concepts to literally write through a black lens. My book, Through a Black Lens, is a nonfictional novel that psychologically describes the life experiences of black women through a black historical lens. Considering the psychological effects of the sociopolitical climate blacks wrote under, I describe why I believe black female authors left a literary legacy for their black daughters through their writing. It was the intention of outstanding black female authors to preserve their historical experiences in their written works and to create historical literature that can be remembered through the relational experiences of their daughters lives. This is what creates the commonality in the language, the content of their literature, and the lives of black women. And I believe it is this legacy that establishes the underpinnings of the black feminine criticism that will best frame the black womans standpoint epistemology.
Sick and Tired of Being Sick and Tired moves beyond the depiction of African Americans as mere recipients of aid or as victims of neglect and highlights the ways black health activists created public health programs and influenced public policy at every opportunity. Smith also sheds new light on the infamous Tuskegee syphilis experiment by situating it within the context of black public health activity, reminding us that public health work had oppressive as well as progressive consequences.
When the actor Ted Danson appeared in blackface at a 1993 Friars Club roast, he ignited a firestorm of protest that landed him on the front pages of the newspapers, rebuked by everyone from talk show host Montel Williams to New York City's then mayor, David Dinkins. Danson's use of blackface was shocking, but was the furious pitch of the response a triumphant indication of how far society has progressed since the days when blackface performers were the toast of vaudeville, or was it also an uncomfortable reminder of how deep the chasm still is separating black and white America? In Racechanges: White Skin, Black Face in American Culture, Susan Gubar, who fundamentally changed the way we think about women's literature as co-author of the acclaimed The Madwoman in the Attic, turns her attention to the incendiary issue of race. Through a far-reaching exploration of the long overlooked legacy of minstrelsy--cross-racial impersonations or "racechanges"--throughout modern American film, fiction, poetry, painting, photography, and journalism, she documents the indebtedness of "mainstream" artists to African-American culture, and explores the deeply conflicted psychology of white guilt. The fascinating "racechanges" Gubar discusses include whites posing as blacks and blacks "passing" for white; blackface on white actors in The Jazz Singer, Birth of a Nation, and other movies, as well as on the faces of black stage entertainers; African-American deployment of racechange imagery during the Harlem Renaissance, including the poetry of Anne Spencer, the black-and-white prints of Richard Bruce Nugent, and the early work of Zora Neale Hurston; white poets and novelists from Vachel Lindsay and Gertrude Stein to John Berryman and William Faulkner writing as if they were black; white artists and writers fascinated by hypersexualized stereotypes of black men; and nightmares and visions of the racechanged baby. Gubar shows that unlike African-Americans, who often are forced to adopt white masks to gain their rights, white people have chosen racial masquerades, which range from mockery and mimicry to an evolving emphasis on inter-racial mutuality and mutability. Drawing on a stunning array of illustrations, including paintings, film stills, computer graphics, and even magazine morphings, Racechanges sheds new light on the persistent pervasiveness of racism and exciting aesthetic possibilities for lessening the distance between blacks and whites.
Motherhood is a highly personal array of experiences with a uniquely public dimension, preoccupying policymakers, advice givers, health care providers, religious leaders, child care workers, educators, and total strangers who feel entitled to judge mothers they see with their children in the neighborhood or on the TV news. Chase (U. of Tulsa) and Rogers (U. of West Florida) approach motherhood and mothering as feminist sociologists, focusing on questions such as how ideas about motherhood are shaped by social and historical conditions, how ideas about motherhood change over time and across social contexts, who has the power to make their definitions of motherhood stick, and what diverse groups of mothers themselves think. Annotation copyrighted by Book News Inc., Portland, OR
In a society where race is a significant component of social identity and exerts an important influence on social relationships, the problems faced by couples who enter into 'mixed' marriages are especially difficult. The book is a study of the personal histories and everyday lives of a small number of interracial families living in and around Brixton, south London, in the early 1970s. Dr Benson sets the circumstances that confront these families within the context of wider British attitudes about race, colour and miscegenation as they developed over time. She argues that couples are obliged to make a continual series of choices between 'black' and 'white' in the course of their everyday lives. Through a discussion of these choices and of the factors which lead individuals to enter into a marriage which could be regarded with some disapproval, the book explores how people in London thought and felt about race, colour and social identity. It will be of interest to all teachers and students studying race relations, as well as to social and community workers, school teachers and administrators concerned with race relations and the inner city.
A study of civil rights in the USA, this text is designed to fulfil AS and A Level specifications. The AS section deals with narrative and explanation of the topic. There are extra notes, biography boxes and definitions in the margin, and summary boxes to help students assimilate the information.
This latest volume brings the project up to date, with entries on almost 500 women whose death dates fall between 1976 and 1999. You will find here stars of the golden ages of radio, film, dance, and television; scientists and scholars; civil rights activists and religious leaders; Native American craftspeople and world-renowned artists. For each subject, the volume offers a biographical essay by a distinguished authority that integrates the woman's personal life with her professional achievements set in the context of larger historical developments.
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