The anguish endured by agunot (chained) Orthodox Jewish women trapped in unhappy or defunct marriages by husbands who refuse to give them a gett (divorce) reveals the power of religious law even when it conflicts with modern societies' moral and legal norms. These women may be civilly divorced but must petition rabbinic courts in their quest to obtain a gett. In these courts women are subject to financial demands, pressured to drop charges of domestic violence and pedophilia against their husbands and to concede custody and visitation rights to unfit fathers. This book takes the reader inside the rabbinic courts, into civil divorce courts and legislatures that contend with this problem and into the lives of victimized women and children. Well-versed in Jewish divorce law, the authors have counseled thousands of agunot and challenged the Orthodox rabbinate's inaction in response to the injustices faced by these women.
Daughters of the King explores women's involvement in and around the synagogue from its antecedents in the bibical period to contemporary times. The contributors to the book, including Susan Grossman, Rivka Haut, Tikva Frymer-Kensky, Judith Hauptman, Paula Hyman, and others, represent an interdisciplinary approach to the subject, drawing from history, anthropology, sociology, women's studies, Jewish law, the Bible, and rabbinic thought.
For two-and-a-half millennia these two psalms have been commented on, translated, painted, set to music, employed in worship, and adapted in literature, often being used disputatiously by Jews and Christians alike. Psalm 1 is about the Law; at the heart of Psalm 2 is the Anointed One ('Messiah'), and together they serve as a Prologue to the rest of the Psalter. They have frequently been read as one composite poem, with the Temple as one of the motifs uniting them. So three themes—Jewish and Christian disputes, the interrelationship of these psalms, and the Temple—are interwoven throughout this reception history analysis. The journey starts in ancient Judaism, moves on to early Christianity, then to rabbinic and medieval Judaism, and so to Christian commentators from the early Middle Ages to the Reformation. The journey pauses to look at four important modes of reception—liturgical use, visual exegesis, musical interpretation, and imitation in English literature. Thirty-eight colour plates and numerous musical and poetic examples bring the work to life. The journey continues by looking at the debates about these psalms which have occupied scholars since the Enlightenment, and ends with a chapter which surveys their reception history in the light of the three key themes.
Profilesofover 30 musicians with a Wisconsin connection such as Liberace, Hildegarde, Jeff Pilson, Ben Sidran, Richard Davis and Steve Miller. Foreword by electric guitar inventor and guitarist Les Paul.
The anguish endured by agunot (chained) Orthodox Jewish women trapped in unhappy or defunct marriages by husbands who refuse to give them a gett (divorce) reveals the power of religious law even when it conflicts with modern societies' moral and legal norms. These women may be civilly divorced but must petition rabbinic courts in their quest to obtain a gett. In these courts women are subject to financial demands, pressured to drop charges of domestic violence and pedophilia against their husbands and to concede custody and visitation rights to unfit fathers. This book takes the reader inside the rabbinic courts, into civil divorce courts and legislatures that contend with this problem and into the lives of victimized women and children. Well-versed in Jewish divorce law, the authors have counseled thousands of agunot and challenged the Orthodox rabbinate's inaction in response to the injustices faced by these women.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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