A British Lady Lady Emma Wells-Finch, the oh-so-proper headmistressof England's St. Gertrude's School for Girls, is a woman on a mission—she has two weeks to lose her reputation. Arriving in Texas with skirts flying, umbrella pointing, and beautiful mouth issuing orders, she knows only one thing will save her from losing everything she holds dear: complete and utter disgrace! A Texas Rascal World-famous playboy-athlete Kenny Traveler has kickedup his boot heels one too many times, and now he's suspended from the sport he loves. Only one thing will restore his career:complete and utter respectability! Unfortunately, he's been blackmailed into chauffeuring bossy, single-minded Lady Emma, and she's hell-bent on visiting honkytonks,chasing down tattoo parlors, and worse.. lots worse. Love, All-American Style When a gorgeous man who can't afford another scandal meets a hardheaded woman who's determined to cause one, anything can happen. But love? Oh, dear. That's impossible.That's outrageous. That's... Inevitable!
“Outrageous, heartwarming, wonderfully sensual…I loved it!” —Jayne Anne Krentz “For sheer fun, nobody beats Nobody’s Baby But Mine.” —Detroit Free Press The Minneapolis Star-Tribune writes, “Next to Tracy and Hepburn, no one does romantic comedy better than Susan Elizabeth Phillips.” For proof, you need to look no further than Nobody’s Baby But Mine. This classic comic love story from perennial New York Times bestseller Phillips unites a beautiful, brainy scientist desperate to be a mom with a brawny, smoking hot jock who, though handsome enough to father her child, is nowhere near as stupid as she wants her baby’s daddy to be. Emily Giffin, Jane Green, and Rachel Gibson fans take note: when it comes to delivering delightfully funny, supremely sexy contemporary women’s fiction, nobody but nobody is better than Susan Elizabeth Phillips.
R.S.V.P. to the most riotous wedding of the year! Lucy Jorik’s the daughter of a former U.S. president. Meg Koranda’s the offspring of legends. One of them is about to marry Mr. Irresistible—Ted Beaudine—the favorite son of Wynette, Texas. The other is determined to save her friend from a mess of heartache. Meg knows breaking up her best friend’s wedding is the right thing to do, but no one else agrees. Faster than Lucy can say “I don’t,” Meg’s the most hated woman in town—and stuck there with a dead car, an empty wallet, and a very angry bridegroom. Broke, stranded, without her famous parents watching her back, Meg believes she can survive by her own wits. After all, what’s the worst that can happen? She’ll lose her heart to Mr. Irresistible? Not likely. Not likely at all.
If you can read Susan Elizabeth Phillips without laughing out loud, check for a pulse!' Elizabeth Lowell Genius physics professor Dr Jane Darlington desperately wants a baby. But finding a father won't be easy. Jane's super-intelligence made her feel like a freak growing up, and she's determined to spare her child that suffering. Which means she must find someone very special to father her child. Someone a bit . . . well . . . stupid. Cal Bonner, legendary sports star, seems like the perfect choice. But his good looks are deceiving. Dr Jane learns too late that Cal is a lot smarter than he lets on- and he's not about to be used and abandoned by a brainy baby-mad schemer . . . 'First Star I See Tonight is Susan Elizabeth Phillips at her best - funny, charming and un-put-downable' Susan Mallery 'Fall into the addictive voice of Susan Elizabeth Phillips - compulsively readable and deeply satisfying!' Robyn Carr 'I always laugh my head off when I read Susan Elizabeth Phillips' novels. She never fails to leave a smile on my face' Catherine Coulter 'I love Susan Elizabeth Phillips' books. Her writing is infused with intense emotion, sharp characterization, subtle wit and a rare energy that is absolutely irresistible. When I open one of her books I know I'm in for an exhilarating ride. This is women's fiction at its best' Jayne Ann Krentz
The Book is a story spanning over forty years. A book of unconditional love that never died. It is a story of choices. How choices made for the wrong reason can affect our lives forever. It is about the division between ego and spirit or human and soul, for it is our ego that makes us human and our spirit that makes our soul. Only when our ego dies can unconditional love be fulfilled as our spirit takes its place. It is the story of two ego-based humans who broke down their egos and found their souls with divine intervention. A love that exists here and there. How the signs are there waiting for you to see them. How when you do begin noticing them, you will get more and more assurance that we never end and the only thing that dies is the ego.
Great Escapes: An Avon Summer eBook Sampler Celebrate summer love and sunny skies! Avon Books is delighted to present this free e-book sampler, which includes excerpts from classic Avon tales as well as eight new or upcoming Avon and Avon Impulse novels, and a special introduction from bestselling author Susan Elizabeth Phillips. You'll find: An Introduction from Susan Elizabeth Phillips Excerpts from New Summer Releases When I Find You by Dixie Lee Brown Any Duchess Will Do by Tessa Dare My Notorious Gentleman by Gaelen Foley And Then She Fell by Stephanie Laurens It Happened One Midnight by Julie Anne Long An English Bride in Scotland by Lynsay Sands Anything But Sweet by Candis Terry Love at First Sight by Lori Wilde Avon Classics The Black Lyon by Jude Deveraux Love Me Forever by Johanna Lindsey Nobody's Baby But Mine by Susan Elizabeth Phillips Shanna by Kathleen E. Woodiwiss
I love Susan Elizabeth Phillips' books. This is women's fiction at its best' Jayne Ann Krentz Molly Somerville has grown up in the shadow of her beautiful and glamorous big sister. Phoebe is beautiful, blissfully married, and the owner of the most successful professional football team in America. Molly is a struggling children's writer who earned her reputation for trouble even before she gave away her fifteen million dollar inheritance. And Molly's long term crush on her sister's star player, Kevin Tucker doesn't help matters- especially as the gorgeous, model-chasing hunk can't even remember her name. But one fateful weekend sees Molly and Kevin marooned together at a remote cabin. The experience is life-changing but the results are disastrous. Before the dust settles, Kevin's in trouble with his boss. And Molly's in even deeper trouble with her heart . . . 'First Star I See Tonight is Susan Elizabeth Phillips at her best - funny, charming and un-put-downable' Susan Mallery 'Fall into the addictive voice of Susan Elizabeth Phillips - compulsively readable and deeply satisfying!' Robyn Carr 'I always laugh my head off when I read Susan Elizabeth Phillips' novels. She never fails to leave a smile on my face' Catherine Coulter 'I love Susan Elizabeth Phillips' books. Her writing is infused with intense emotion, sharp characterization, subtle wit and a rare energy that is absolutely irresistible. When I open one of her books I know I'm in for an exhilarating ride. This is women's fiction at its best' Jayne Ann Krentz
Funny, charming and un-put-downable' Susan Mallery Rachel Stone's bad luck has taken a turn for the worse. With an empty wallet, a car's that's spilling smoke and a five-year-old son to support, she's come home to a town that hates her. But this determined young widow with a scandalous past has learned how to be a fighter. And she'll do anything to keep her child safe . . . Gabe Bonner has just about survived the loss of his wife and child. Now all he wants is to be left alone, especially by the beautiful outcast who's invaded his property. Rachel has a ton of attitude, a talent for trouble and a child who brings back painful memories. Yet this woman with nothing left to lose might just be the one person strong enough to teach a tough, stubborn man how to love again. Praise for Susan Elizabeth Phillips: 'Fall into the addictive voice of Susan Elizabeth Phillips - compulsively readable and deeply satisfying!' Robyn Carr 'I always laugh my head off when I read Susan Elizabeth Phillips' novels. She never fails to leave a smile on my face' Catherine Coulter 'I love Susan Elizabeth Phillips' books. Her writing is infused with intense emotion, sharp characterization, subtle wit and a rare energy that is absolutely irresistible. When I open one of her books I know I'm in for an exhilarating ride. This is women's fiction at its best' Jayne Ann Krentz
Former sports star Bobby Denton has agreed to lend his fame and his name to a movie. But when he doesn't show up the film company sends straight-laced Gracie Snow to bring him to the set with surprising results. Despite his dazzling good looks and killer charm, Bobby has reservations about being a movie star - and no plans to cooperate with anyone from the studio, let alone shy little Gracie. But though she comes across as a wallflower, Bobby soon discovers Gracie is really a steel magnolia and the more time he spends in her company the more he finds himself drawn to this plain Jane with a heart of gold. Praise for Susan Elizabeth Phillips: 'First Star I See Tonight is Susan Elizabeth Phillips at her best - funny, charming and un-put-downable' Susan Mallery 'Fall into the addictive voice of Susan Elizabeth Phillips - compulsively readable and deeply satisfying!' Robyn Carr 'I always laugh my head off when I read Susan Elizabeth Phillips' novels. She never fails to leave a smile on my face' Catherine Coulter 'I love Susan Elizabeth Phillips' books. Her writing is infused with intense emotion, sharp characterization, subtle wit and a rare energy that is absolutely irresistible. When I open one of her books I know I'm in for an exhilarating ride. This is women's fiction at its best' Jayne Ann Krentz
They Met In Paris is an anthology of ten stories on passion by ten passionate women writers who met in Paris. This book is about more than the ten stories between its covers, after reading the stories you will not only be entertained and informed but you will also feel you know these ten writers.
Explores the life of the present British queen, discussing her royal upbringing, the job she inherited, her popularity, commitment to the Commonwealth, and highly publicized family.
This book is produced by women's suffrage leaders: the Great Elizabeth Cady Stanton, Susan B. Anthony, Matilda Joslyn Gage & Ida Husted Harper. It presents the complete history of the women's suffrage movement, primarily in the United States. This edition presents the major source for primary documentation about the women's suffrage movement from its beginnings through the ratification of the Nineteenth Amendment to the U.S. Constitution, which enfranchised women in the U.S. in 1920. In addition to the remarkable history of suffrage movements this collection is enriched with the biographies of the most influential figures of American movement for women's suffrage: Elizabeth Cady Stanton, Susan B. Anthony, Anna Howard Shaw, Jane Addams, Lucy Stone, Carrie Chapman Catt and Alice Paul.
This insightful book tracks the concept of culture across a range of scholarly disciplines and much of the twentieth and early twenty-first centuries—years that saw the emergence of new fields and subfields (cultural studies, the new cultural history, literary new historicism, as well as ethnic and minority studies) and came to be called "the cultural turn." Since the 1990s, however, the idea of culture has fallen out of scholarly favor. Susan Hegeman engages with a diversity of disciplines, including anthropology, literary studies, sociology, philosophy, psychology, and political science, to historicize the rise and fall of the cultural turn and to propose ways that culture may still be a vital concept in the global present.
Most studies of gender differences in language use have been undertaken from exclusively either a sociocultural or a biological perspective. By contrast, this innovative volume places the analysis of language and gender in the context of a biocultural framework, examining both cultural and biological sources of gender differences in language, as well as the interaction between them. The first two parts of the volume on cultural variation in gender-differentiated language use, comparing Western English-speaking societies with societies elsewhere in the world. The essays are distinguished by an emphasis on the syntax, rather than style or strategy, of gender-differentiated forms of discourse but also often carry out the same forms differently through different choices of language form. These gender differences are shown to be socially organized, although the essays in Part I also raise the possibility that some cross-cultural similarities in the ways males and females differentially use language may be related to sex-based differences in physical and emotional makeup. Part III examines the relationship between language and the brain and shows that although there are differences between the ways males and females process language in the brain, these do not yield any differences in linguistic competence or language use. Taken as a whole, the essays reveal a great diversity in the cultural construction of gender through language and explicity show that while there is some evidence of the influence of biologically based sex differences on the language of women and men, the influence of culture is far greater, and gender differences in language use are better accounted for in terms of culture than in terms of biology. The collection will appeal widely to anthropologists, psychologists, linguists, and other concerned with the understanding of gender roles.
This book will instruct you, step by step, on how to give your child an academically rigorous, comprehensive education from preschool through high school. Two veteran home educators outline the classical pattern of education'he trivium'hich organizes learning around the maturing capacity of the child's mind: the elementary school "grammar stage," the middle school "logic stage," and the high school "rhetoric stage." Using the trivium as your model, you'll be able to instruct your child in all levels of reading, writing, history, geography, mathematics, science, foreign languages, rhetoric, logic, art, and music, regardless of your own aptitude in those subjects. Newly revised and updated, The Well-Trained Mind includes detailed book lists with complete ordering information; up-to-date listings of resources, publications, and Internet links; and useful contacts.
Sweet and Clean? challenges the widely held beliefs on bathing and cleanliness in the past. For over thirty years, the work of the French historian, George Vigarello, has been hugely influential on early modern European social history, describing an aversion to water and bathing, and the use of linen underwear as the sole cleaning agent for the body. However, these concepts do not apply to early modern England. Sweet and Clean? analyses etiquette and medical literature, revealing repeated recommendations to wash or bathe in order to clean the skin. Clean linen was essential for propriety but advice from medical experts was contradictory. Many doctors were convinced that it prevented the spread of contagious diseases, but others recommended flannel for undergarments, and a few thought changing a fever patient's linens was dangerous. The methodology of material culture helps determine if and how this advice was practiced. Evidence from inventories, household accounts and manuals, and surviving linen garments tracks underwear through its life-cycle of production, making, wearing, laundering, and final recycling. Although the material culture of washing bodies is much sparser, other sources, such as the Old Bailey records, paint a more accurate picture of cleanliness in early modern England than has been previously described. The contrasting analyses of linen and bodies reveal what histories material culture best serves. Finally, what of the diseases-plague, smallpox, and typhus-that cleanliness of body and clothes were thought to prevent? Did following early modern medical advice protect people from these illnesses?
In addition to tracing the development of Cherokee art, Power reveals the wide range of geographical locales from which Cherokee art has originated. These places include the Cherokee's tribal homeland in the southeast, the tribe's areas of resettlement in the West, and abodes in the United States and beyond to which individuals subsequently moved. Intimately connected to the time and place of its creation, Cherokee art changed along with Cherokee social, political, and economic circumstances. The entry of European explorers into the Southeast, the Trail of Tears, the American Civil War, and the signing of treaties with the U.S. government are among the transforming events in Cherokee art history that Power discusses."--BOOK JACKET.
In this critical biography, Susan Lee Johnson braids together lives over time and space, telling tales of two white women who, in the 1960s, wrote books about the fabled frontiersman Christopher "Kit" Carson: Quantrille McClung, a Denver librarian who compiled the Carson-Bent-Boggs Genealogy, and Kansas-born but Washington, D.C.- and Chicago-based Bernice Blackwelder, a singer on stage and radio, a CIA employee, and the author of Great Westerner: The Story of Kit Carson. In the 1970s, as once-celebrated figures like Carson were falling headlong from grace, these two amateur historians kept weaving stories of western white men, including those who married American Indian and Spanish Mexican women, just as Carson had wed Singing Grass, Making Out Road, and Josefa Jaramillo. Johnson's multilayered biography reveals the nature of relationships between women historians and male historical subjects and between history buffs and professional historians. It explores the practice of history in the context of everyday life, the seductions of gender in the context of racialized power, and the strange contours of twentieth-century relationships predicated on nineteenth-century pasts. On the surface, it tells a story of lives tangled across generation and geography. Underneath run probing questions about how we know about the past and how that knowledge is shaped by the conditions of our knowing.
This book examines the role of the federal courts in policymaking for children. Believing that the federal courts are uniquely situated to provide relief to the less powerful in society, Mezey assesses the judiciary's response to the demands for children's rights and benefits across a number of policy areas and a range of statutory and constitutional issues. Through analysis of Supreme Court and lower court opinions over the last several decades, she determines the extent to which federal court decisionmaking has affected the legal, political, economic, and social status of children in the United States.
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