In Romantic Interactions, Susan J. Wolfson examines how interaction with other authors—whether on the bookshelf, in the embodied company of someone else writing, or in relation to literary celebrity—shaped the work of some of the best-known (and less well-known) writers in the English language. Working across the arc of Long Romanticism, from the 1780s to the 1840s, this lively study involves writing by women and men, in poetry and prose. Combining careful readings with sophisticated literary, historical, and cultural criticism, Wolfson reveals how various writers came to define themselves as “author.” The story unfolds not only in deft textual analyses but also by provocatively placing writers in dialogue with what they were reading, with one another, and with the community of readers (and writers) their writings helped bring into being: Mary Wollstonecraft and Charlotte Smith in the Revolution-roiled 1790s; William Wordsworth and Dorothy Wordsworth in the society of the Lake District; Lord Byron, a magnet for writers everywhere, inspired, troubled, but always arrested by what he (and his scandal-ridden celebrity) represented. This fresh, informative account of key writers, important texts, and complex cultural currents promises keen interest for students and scholars, literary critics, and cultural historians.
Two Texts by Edward Everett Hale brings together one of the most popular stories of the nineteenth-century, "The Man Without a Country," with its novel-length sequel, Philip Nolan's Friends. As Hsuan Hsu and Susan Kalter show in this critical edition, these engaging works of fiction helped orient nineteenth-century Americans' opinions about citizenship, statelessness, imperialism, and conflicts with Mexico and Native American nations in the U.S. Southwest.
Susan Ferrier sold more copies of her novels than her contemporary, Jane Austen. Sir Walter Scott declared her his equal. Why, then has she been lost to history? On the 200th anniversary of this sharply observed, comic novel, it is time to rediscover her brilliance. 'Edinburgh is reclaiming Susan Ferrier as the equal of Scottish greats in literature' SIR WALTER SCOTT AND ARTHUR CONAN DOYLE 'A forgotten literary heroine' VANESSA THORPE, GUARDIAN 'Ferrier writes with crisp, telling details and a knack for naming characters' PUBLISHERS WEEKLY 'What have you to do with a heart? What has anybody to do with a heart when their establishment in life is at stake? Keep your heart for your romances, child, and don't bring such nonsense into real life - heart, indeed!' Understanding that the purpose of marriage is to further her family, Lady Juliana nevertheless rejects the ageing and unattractive - though appropriately wealthy - suitor of her father's choice. She elopes, instead, with a handsome, penniless soldier and goes to Scotland to live at Glenfarn Castle, his paternal home. But Lady Juliana finds life in the Scottish highlands dreary and bleak, hastily repenting of following her heart. After giving birth to twin daughters, Lady Juliana leaves Mary to the care of her sister-in-law, while she returns to England with Adelaide. Sixteen years later, Mary is thoughtful, wise and kind in comparison to her foolish mother and vain sister. Following two generations of women, Marriage, first published in 1818, is a shrewdly observant and humorous novel by one of Scotland's greatest writers.
First published in 1824, The Inheritance is the second novel by Susan Ferrier (1782-1854). Following the triumph of her more famous work Marriage (1818), The Inheritance picks up Ferrier's favoured theme of tried and tested morality. The focus here is on the fortunes of the young and innocent Gertrude St.Clair, who through the machinations of the desperate Mrs. St.Clair, leaves their home in France and arrives as heir apparent to the Scottish estate of Rossville. Contrary to the Earl of Rossville's plans however, Gertrude refuses the hand of the prepared suitor and instead falls under the spell of the ambitious and dashing Colonel Delmour. Ignoring the presence and guiding hand of the measured Edward Lyndsay who truly loves her, Gertrude throws herself into the bewitching gaieties of the fashionable world leaving all sense of duty behind her. Shadowing her light footsteps however is the figure of a mysterious and demanding stranger whose claim on Gertrude is to shape a very different future for her. Humanising the strain of evangelism in the novel is the inclusion of a collection of highly amusing and colourful characters, which, as noted in the new introduction, helps to display The Inheritance as 'a novel which shows Ferrier's skills as a satirist and caricaturist in their best light and that remains moreover one of the greatest examples of domestic fiction in the Scottish literary tradition'. Dr. Ronnie Young teaches in the Department of Scottish Literature at the University of Glasgow and is production editor for the Scottish Cultural Review of Language and Literature (SCROLL) series.
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